7.2/10
995
37 user 11 critic

International House (1933)

Passed | | Comedy | 27 May 1933 (USA)
Assorted wacky characters converge on a Chinese hotel to bid on a new invention...television.

Director:

(as Edward Sutherland)

Writers:

(screen play), (screen play) | 2 more credits »
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Cast

Cast overview, first billed only:
...
...
Professor Henry R. Quail
...
Rudy Vallee
...
Tommy Nash
...
...
...
Carol Fortescue
F. Chase Taylor ...
Budd Hulick ...
...
Cab Calloway
...
General Nicholas Branovsky Petronovich
...
Rose Marie (as Baby Rose Marie)
...
Hotel Manager
...
Dr. Wong
...
Sir Mortimer Fortescue
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Storyline

Professor Wong has invented a television machine and invites everyone to see it at China's International House Hotel. Every time Tommy Nash attempts to wed his fiancée Carol Fortescue he comes down with an illness, and when he breaks out in a rash the hotel is quarantined. Into this hotel flies Professor Quail in his auto-gyro. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Taglines:

Grand Hotel of comedy

Genres:

Comedy

Certificate:

Passed | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

27 May 1933 (USA)  »

Also Known As:

Casa Internacional  »

Filming Locations:

 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

(copyright length)

Sound Mix:

(Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Filmed February-April 1933. Bela Lugosi made this feature after Night of Terror (1933) and before The Devil's in Love (1933). See more »

Goofs

The hole in the roof of Prof. Quail's car disappears and reappears during the chase. See more »

Quotes

[Professor Quail enters during Rudy Vallee's song]
Professor Quail: How long's this dogfight been going on?
See more »

Connections

Featured in 100 Years of Comedy (1997) See more »

Soundtracks

She Was a China Tea-cup and He Was Just a Mug
(1933) (uncredited)
Lyrics by Leo Robin
Music by Ralph Rainger
Sung offscreen by an unidentified man and danced by Sterling Holloway, Lona Andre,
Mary Jane Sloan, Gwen Zetter and Chorus
See more »

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User Reviews

 
The Big Broadcast of 1933
17 July 2006 | by (Buffalo, New York) – See all my reviews

Paramount had the brilliant idea of featuring radio in the movies the previous year with The Big Broadcast. That film featured all kinds of radio stars the public only imagined and had an anarchic plot similar to International House.

I've often wondered if Paramount didn't mean to have this be The Big Broadcast of 1933 originally. Repeating from the cast of The Big Broadcast are Stu Erwin and Burns & Allen and Cab Calloway. Adding to the general hilarity are W.C. Fields, Franklin Pangborn, Rudy Vallee, Bela Lugosi, and the Paris Hilton of her day, Peggy Hopkins Joyce.

The slender thread of a plot this movie hangs on involves a Chinese inventor Edmund Breon who invents the seeing eye, radio you can see as well as listen to. Everyone wants to get their hands on this valuable patent. A lot of the musical guest stars get hooked into the film via the inventor testing out the device.

Bing Crosby made his feature film starring debut in The Big Broadcast and I wonder why his crooning rival Rudy Vallee was hired for this film. Rudy has a nice, but unmemorable number.

Of course what makes the film really go are Burns and Allen and W.C. Fields. They uplift any film they are in. George and Gracie's montypythonesque type dialog is timeless and priceless.

So is Fields of course, the eternal misanthrope. There was one bit of humor I caught in International House though that is rather dated. During that final chase scene through the International House lobby with Fields in an automobile, he pokes his head through the car roof and puts his top hat on. He then remarks something about this car used to belong to the Postmaster General.

As it turns out Herbert Hoover's Postmaster General was a rather fatuous gentlemen named Walter Brown. He liked to wear high silk hats and had a limousine designed with an extra tall roof so he could ride with his topper on. At government expense of course in the middle of the Depression. He was forever derided as High Hat Brown after that and even a year later after Hoover was out of office, W.C. Fields could wring a laugh or two with that crack from the Depression audience.

Still though, this should really be called The Big Broadcast of 1933.


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