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The bold Tira works as dancing beauty and lion tamer at a fair. Out of an urgent need of money, she agrees to a risky new number: she'll put her head into a lion's muzzle! With this attraction the circus makes it to New York and Tira can persue her dearest occupation: flirting with rich men and accepting expensive presents. Among the guys she searches the love of her life, from whom she only knows from a fortune-teller that he'll be rich and have black hair. When she finally meets him, she becomes a victim of intrigue. Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
Considerable problems arose with the censors, mostly about the suggestive lines in some of the songs. The song "Nobody Loves Me Like a Dallas Man" was originally "Nobody Does It Like a Dallas Man". After the songs were toned down, the Hays office approved the film, and it was passed by the National Board of Review. See more »
In the scene where she's firing that pistol: If I've counted correctly, she discharged eight shots from her six-shooter (without reloading). See more »
Hello? Oh, Juror #4. Yes, I remember you. You were the one with the nice kind face. Mmm hmm. Oh, I know you were for me. Mmm hmm. I want to thank you for those beautiful flowers. They were lovely. And don't forget - come up and see me sometime.
[Jack Claton walks in]
Mmm hmm. Oh, ah, yes. Yes. Alright, good-bye.
See more »
Before the Paramount logo appears on screen in the opening credits, a sign declares that the studio is an NRA (National Recovery Act) member with the text "We do our part" written beneath. See more »
I'M NO ANGEL (Paramount, 1933), directed by Wesley Ruggles, Mae West's second starring feature, with the full of story, screenplay and ALL dialog credited by Mae West, as listed in the opening titles super-imposed from an overview of a circus, according to the title, might have been a comedy fantasy centering upon a fallen angel, but as the story goes, it's about a freewheeling woman's rise from circus tent to Park Avenue penthouse.
The story centers around Tira (Mae West), a free-spirited woman working as a midway dancer in Big Bill Barton's (Edward Arnold) low class carnival. She is loved by Big Bill, but has a casual lovers, or in another sense of the word, acquaintances with the male population, one being "Slick" Wiley (Ralf Harolde), a pickpocket. Tira keeps a hotel room in town where she entertains gentlemen friends. One of her latest pickups is Ernest Brown (William B. Davidson), better known as "The Chump," five times married and with no morals. When Slick enters the scene to make a pinch, posing as Tira's husband, the angry Brown decides to leave and expose the two. Before he can get away, he is knocked unconscious by Slick. Mistaking him for dead, Tira and Slick make their getaway, leaving his body in the hallway. After Brown recovers, he discovers he's been robbed. Along with the police, Brown locates Slick at the sideshow and has him arrested. To clear herself, Tira hires Benny Pinkowitz (Gregory Ratoff), a prominent New York City attorney, to handle her pending trial. To obtain the loan, Tira agrees to appear as Bill's latest attraction, the star of a lion taming act, climaxed by putting her head into the mouth of the king of beasts. Because of her renewed success, with the act now playing at Madison Square Garden, Tira becomes the talk of the town. Entering the social scene following her encounter with Kirk Lawrence (Kent Taylor), who happens to be engaged to the jealous Alicia Hatton (Gertrude Michael), his relationship with Tira starts to ruin the family name. Jack Clayton (Cary Grant), Kirk's cousin, decides to pay Tira a visit and buy her off. Instead acquires this lovely product for himself. All goes well until Big Bill hires Slick, recently released from jail, to break up their relationship by posing as Tira's husband dressed in nothing but a bathrobe. Clayton calls off the wedding, leading to a breach of promise suit by Tira.
Songs credited by Gladys DuBois, Ben Ellison and Harvey Brooks, include: "They Call Me Sister Honky Tonk," "No One Loves Me Like That Dallas Man," "I Found a New Way to Go to Town," "I Want You, Need You," and "I'm No Angel" (all sung by Mae West). The title song, sung by West, is heard during the closing casting credits, and before the fade out, has the final say with, "I'm No Angel ... Believe ME!"
Following the success to SHE DONE HIM WRONG, I'M NO ANGEL, which re-teams West with Grant for the second and final time, proved to be an improvement over its predecessor, and to many Mae West fans, her best movie, and it's easy to see why. The courtroom scene where Tira (West) acts as her own attorney in the breach of promise suit, questioning the men in her past and present, and the male jurors who want to become part of her future, is priceless. With the members of the jury seen laughing out loud during Tira's defense sure had it's theater audiences doing the same thing back in 1933. During the course of West's longest movie, 86 minutes, I'M NO ANGEL is a full of memorable one-liners ("When I'm good, I'm very good. When I'm bad, I'm better," "Beulah, peal me a grape," "It's not the men in my life, but the life in my men," plus many more), and suggestive scenes leading only to the imagination of its viewers. I'M NO ANGEL is the movie where she introduced her most famous line, "Come up and see me some time," recited after her courtroom battle while on the telephone talking to the (unseen) Juror # 4. This line was spoken to Cary Grant, here, and in SHE DONE HIM WRONG, but each time in different ways. In spite of Grant's name billed second in the cast, his character appears very late into the story.
I'M NO ANGEL also consists of Mae West's personal traits. For instance, it's been written that West, born under the sign of Leo (month of August, a "hot" month) usually visited her astrologer for advice and never went through the day without reading her horoscope. Her character of Tira does just that, having her fortune told by the Rajah (Nigel De Brulier), who, while looking into the crystal ball, tells her he sees a man in her life. The surprised Tira responds, "Only ONE!" Later on in the story, one of her maids tells says she's a "one man woman." She quickly quips, "Yeah, one man at a time."
I'M NO ANGEL was thankfully produced before the production code went into effect, thus making this a "pre-code" comedy that has stood the test of time. It had become one of many Mae West/Paramount comedies of the 1930s to be distributed on video cassette in 1992. to commemorate West's centennial birth (1892). I'M NO ANGEL, along with SHE DONE HIM WRONG, became the movie package acquired by Turner Classic Movies, with I'M NO ANGEL having made its premiere on that station on January 6, 2001. For anybody who has never seen a Mae West comedy, especially her two prime comedies released 1933, I'M NO ANGEL should make a good introduction, and a suitable companion piece with SHE DONE HIM WRONG, both co-starring the only actor to appear opposite West on screen more than once. His name, of course, being Cary Grant. (**1/2)
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