Ruby Carter, the American Beauty queen of the night club-sporting world, shifts her operations from St. Louis to New Orleans (which kind of belies the Western genre designation), mostly to ... See full summary »
Rightly suspected of illicit relations with the Masked Bandit, Flower Belle Lee is run out of Little Bend. On the train she meets con man Cuthbert J. Twillie and pretends to marry him for "... See full summary »
American showgirl Suzy is in London in 1914. She loves Irish inventor Terry who works for an engineering firm owned by a German woman. After their marriage Terry is murdered and Suzy flees ... See full summary »
The bold Tira works as dancing beauty and lion tamer at a fair. Out of an urgent need of money, she agrees to a risky new number: she'll put her head into a lion's muzzle! With this attraction the circus makes it to New York and Tira can persue her dearest occupation: flirting with rich men and accepting expensive presents. Among the guys she searches the love of her life, from whom she only knows from a fortune-teller that he'll be rich and have black hair. When she finally meets him, she becomes a victim of intrigue. Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. See more »
In the scene where she's firing that pistol: If I've counted correctly, she discharged eight shots from her six-shooter (without reloading). See more »
I like to get around and travel; and, believe me, I've been places and seen things.
Mmm-hmm. I've been things and seen places. That sort of evens us out.
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Before the Paramount logo appears on screen in the opening credits, a sign declares that the studio is an NRA (National Recovery Act) member with the text "We do our part" written beneath. See more »
Considered by many to be Mae West's finest film appearance (with only 1933's SHE DONE HIM WRONG and 1940's MY LITTLE CHICKADEE even coming close), the legendary star of the stage and screen has rarely been in better form than in this seminal film. Based on her own stage hit, the film's storyline is naturally preposterous, but West and director Wesley Ruggles wisely keep the focus on the then-salty dialogue and the still hilarious word play. Although he doesn't make his first appearance until nearly two-third of the film is over, Cary Grant remains the ideal straight man to West's zany antics. The film moves at a brisk pace, and its concluding courtroom sequence is unarguably one of the funniest scenes in film comedy.
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