Rightly suspected of illicit relations with the Masked Bandit, Flower Belle Lee is run out of Little Bend. On the train she meets con man Cuthbert J. Twillie and pretends to marry him for "... See full summary »
Ruby Carter, the American Beauty queen of the night club-sporting world, shifts her operations from St. Louis to New Orleans (which kind of belies the Western genre designation), mostly to ... See full summary »
Believing a German spy has killed her new husband (Franchot Tone), Suzy, a struggling chorus girl (Jean Harlow) flees to Paris where she meets and marries a WWI pilot (Cary Grant) whose carefree ways brings about unexpected results.
The bold Tira works as dancing beauty and lion tamer at a fair. Out of an urgent need of money, she agrees to a risky new number: she'll put her head into a lion's muzzle! With this attraction the circus makes it to New York and Tira can persue her dearest occupation: flirting with rich men and accepting expensive presents. Among the guys she searches the love of her life, from whom she only knows from a fortune-teller that he'll be rich and have black hair. When she finally meets him, she becomes a victim of intrigue. Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
Considerable problems arose with the censors, mostly about the suggestive lines in some of the songs. The song "Nobody Loves Me Like a Dallas Man" was originally "Nobody Does It Like a Dallas Man". After the songs were toned down, the Hays office approved the film, and it was passed by the National Board of Review. See more »
During closeup when Tira sorts through a pile of phonograph records with different titles (That Dallas Man, That Frisco Man, etc.), all the labels have same serial number. See more »
Miss... we was thinking you're a one-man woman.
I'm one man at a time.
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Before the Paramount logo appears on screen in the opening credits, a sign declares that the studio is an NRA (National Recovery Act) member with the text "We do our part" written beneath. See more »
"It Ain't The Men In My Life, It's Life In My Men"
When Mae West selected a young contract player from Paramount named Cary Grant as her leading man, a star was definitely born. But make no mistake about it, this film and She Done Him Wrong are her films and no one else's
In I'm No Angel Mae spends the entire time of the film proving she definitely ain't. Every man in the film is completely captivated by her free and easy sexuality. As this was pre-Code you have to listen hard to the dialog because Mae comes out with a gem every five minutes or so.
Mae's a circus performer here and after her manager Edward Arnold persuades her to stick her head in a lion's mouth, her gate attraction increases with her notoriety. Young millionaire Cary Grant is the last of several in the film captivated by her. She's falling for him to, but Arnold breaks it up for his own reasons.
The end of the film is a breach of promise suit brought by Mae against Cary and when she takes over the cross examination of the witnesses the results are a comedy milestone. Not that her lawyer, Gregory Ratoff, isn't capable enough, but he's rather distracted by her as well. Ratoff's performance in fact is the best one among the supporting cast.
I'm No Angel is arguably Mae West's best film and I'm not one to argue.
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