This movie opens in 1905, when showgirl and daughter of a deceased gambler Peggy Martin falls in love with Monte Van Tyle and breaks the news to lover Fiske that she is leaving him. She and... See full summary »
Harry and Inez are a dance team at the Wonder Bar. Inez loves Harry, but he is in love with Liane, the wife of a wealthy business man. Al Wonder and the conductor/singer Tommy are in love ... See full summary »
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Nicole Picot is working as a model in a Paris dress salon when she is picked by Stefan Orloff to help him convince a wealthy investor that he is well connected. She is to wear an expensive ... See full summary »
This movie opens in 1905, when showgirl and daughter of a deceased gambler Peggy Martin falls in love with Monte Van Tyle and breaks the news to lover Fiske that she is leaving him. She and Monte marry and move into the title house, where Peggy says she "wants to live forever." They live an idyllic life for several years, have baby Eleanor, and life is beautiful. Then Fiske comes back and tells Peggy he is dying and wants her to be with him. She refuses, he gets desperate and tries to shoot himself, they struggle and he is shot dead. Peggy is convicted of manslaughter and sentenced to 20 years. She tells the faithful Monte to someday tell Eleanor she died in jail. Time passes, Monte dies in WWI, Peggy is finally released. Her mother-in-law left her $5,000 in her will, so Peggy gets a makeover and goes on a cruise, where she meets Bill Blaine, a crooked gambler. They team up and make scads of money all over the world cheating suckers. They end up in New York and take jobs at a ... Written by
Two actors listed in studio records for the play "The House on 56th Street (1933)" never did appear. These were (with their character names): Samuel S. Hinds (Curtis) and Theodore Newton (Freddie). See more »
I interpret this not as a full length feature but as a one hour front end of double feature (which would be preceded by a cartoon and a newsreel). In other words, you could call it a B movie. Seen that way, it is almost perfect. It is short and uncomplicated but manages to engage you and deliver a twist at the end.
It starts out looking like it will be another Kay Francis light romantic comedy along with the usual accompanying fashion show. Certain, she parades quite a collection of hats in the opening 20 minutes or so. Then the melodrama and angst kicks in and it becomes clear that this is no comedy.
It is not profound and opens no new paths in movie making. It sets out to entertain and deliver on expectations but manages to give something extra. You come away satisfied that you have seen a good movie but not so tired and engaged that you can't watch the back half of the double feature.
Kay Francis delivers what you would expect from her. In 1933, people went to see her movies expecting certain things and they get them plus some additional and effectively portrayed moods and emotion as a bonus. However, I must say that she is not as stunning and glamorous as she was in many of her other movies but that could be appropriate and deliberate here. The rest of the cast is up to their tasks. There isn't enough material for any of them to actually shine. The movie moves quickly and covers more than one time period.
Overall, a very successful B movie.
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