Priam Farrel is a celebrated artist but a social recluse. When his valet dies of a sudden illness, a mix-up leads to the body being identified as Farrel's. The timid artist then assumes the... See full summary »

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Cast

Complete credited cast:
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...
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Lucy Beaumont ...
Charles Richman ...
Oliver Smith ...
Leek Twin - John
Philip Tonge ...
Leek Twin - Henry
...
Lady Helen
Regina DeValet ...
Mary
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Storyline

Priam Farrel is a celebrated artist but a social recluse. When his valet dies of a sudden illness, a mix-up leads to the body being identified as Farrel's. The timid artist then assumes the identity of his former servant, but finds himself faced with constant dilemmas as a result. Written by Snow Leopard

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Taglines:

HE'S NOT HIMSELF! ...Even his bride thinks he's two other fellows...! See more »

Genres:

Comedy | Drama

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Details

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Release Date:

12 January 1934 (USA)  »

Also Known As:

Itt állok eltemetve  »

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Runtime:

(DVD)

Sound Mix:

(Western Electric Wide Range System)

Aspect Ratio:

1.37 : 1
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Trivia

The failure of the original copyright holder to renew the film's copyright resulted in it falling into public domain, meaning that virtually anyone could duplicate and sell a VHS/DVD copy of the film. Therefore, many of the versions of this film available on the market are either severely (and usually badly) edited and/or of extremely poor quality, having been duped from second- or third-generation (or more) copies of the film. See more »

Connections

Version of The Great Adventure (1915) See more »

Soundtracks

Someday, Sometime, Somewhere
Written by James F. Hanley (as James Hanley) and Karl Stark
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User Reviews

Good Performance By Young Holds Together a Far-Fetched Story
3 July 2001 | by (Ohio) – See all my reviews

Roland Young gives a good performance in "His Double Life" that helps out an otherwise rather silly story of confusion and dual identity. It is a quite watchable if not especially memorable movie.

Priam Farrel (Young) is a brilliant artist, but is totally incapable of dealing with the most basic social situations. When his devoted valet becomes ill and dies suddenly, and everyone mistakenly assumes that the dead man is the artist, Farrel finds himself at the mercy of events. He starts to assume his valet's identity, but longs for his own. The resulting situations are sometimes funny and sometimes thoughtful. They work alright mainly because Young is good at portraying the painfully shy and rather befuddled personality of his character, and is also good at communicating the dilemmas he faces.

There's not much more to it than that, but it moves quickly and is pretty good light entertainment for anyone who likes comedies of the era.


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