The saga of Tom Holmes - a man of principles - from the Great War to the Great Depression. Will he ever get a break? His war heroics earn fame and a medal for someone else, and his wounds ... See full summary »
Small time con artist Lefty Merrill has co-organized a crooked dance marathon and set-up his girlfriend to win the prize money. When his partner disappears with money before the contest is ... See full summary »
Ruby falls in love with small-time con man Eddie. During a botched blackmail scheme, Eddie accidentally kills the man they were setting up. Eddie takes off and Ruby is sent to a reformatory for two years.
Idealistic attorney Anton Adam makes headlines when he successfully prosecutes a prominent New York racketeer named Gilmurry. Adam's sudden renown attracts the attention of high-profile ... See full summary »
A wealthy but neurotic Southern belle finds herself trapped in the hideout of a gang of vicious bootleggers. The gang's leader lusts after her, and is determined not to let anything stand in the way of his having her.
Jack La Rue
San Francisco Tong hatchet man Wong must execute his boyhood friend Sun. Sun knew his time was up and wrote out his will just prior to Wong showing up at his door. When Sun realizes Wong is... See full summary »
William A. Wellman
Edward G. Robinson,
The saga of Tom Holmes - a man of principles - from the Great War to the Great Depression. Will he ever get a break? His war heroics earn fame and a medal for someone else, and his wounds result in a morphine addiction that costs him a job, his reputation in his home town, and months in a clinic. He goes to Chicago, where he's enterprising and dedicated to his work and his fellow workers, but an invention he champions results in the opposite of his intentions, leading to loss of life and an unjust imprisonment. After release, during the Depression, he must face local "red squads" and vigilante groups jousting out jobless men. Will anyone see his true heroic character? Written by
When Ruth arrives by taxicab at the scene of the riot, the camera moves toward the cab and she is seen letting herself out from the back seat of the passenger side. However, after a jump cut, the driver is reaching around from the front seat of the cab and opening the door for her. See more »
There I was, everybody making a hero of me. I accepted it because I didn't have guts enough to refuse it... It went on, and on - the honors piled up. And every one I got made it more impossible to tell the truth. I couldn't let go. I know that all my promotions and decorations belong to you. I know that I've stolen the credit from a real hero.
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There's something strange about watching most pre-code WB movies: they don't end so much as they just STOP. It's as if Jack Warner doled out a budget and the director just shut the production down when the film stock quit being delivered. Wild Bill Wellman's a top-notch director knee deep into his socialist fervor period (see WILD BOYS OF THE ROAD as a double bill), Barthemless is a hapless WWI vet who traded heroism for a morphine addiction--- his cowardly platoon commander got the glory and he faces the next 14 years dealing with everything life throws at him. His fortunes ironically change when his cartoon-Red neighbor (played to the usual hilt by Robert Barratt) invents a machine that allows them both to get rich, but Barthemless has gains a deeper social conscious as Barratt loses his. This is really a big budget (for Warners!) soap opera. An uplifting ending is tacked on after Barthemless disappears into the Land of the Hobos. Watchable as an example of early 30's "realism."
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