6.7/10
90
7 user 3 critic

Hello, Sister! (1933)

Passed | | Drama, Romance | 14 April 1933 (USA)
Peggy and her friend Millie are strolling down Broadway while Jimmy and Mac are trolling Broadway, and the four get together. Jimmy and Peggy get together in many romantic ways and Peggy ... See full summary »

Writers:

(play), (scenario) | 1 more credit »
Reviews
Learn more

People who liked this also liked... 

Drama
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

A young impoverished aristocrat falls in love with an inn-keepers daughter, but has to marry money.

Director: Erich von Stroheim
Stars: Erich von Stroheim, Fay Wray, Zasu Pitts
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

A prince must woo the now wealthy dancer he once abandoned in order to keep her money in the country in order to keep it from crashing economically.

Director: Erich von Stroheim
Stars: Mae Murray, John Gilbert, Roy D'Arcy
Fugitive Road (1934)
Comedy | Drama | Romance
    1 2 3 4 5 6 7 8 9 10 6.6/10 X  

An Austrian officer must face up to the good and evil aspects of his own personality as he becomes involved in a war.

Directors: Frank R. Strayer, Erich von Stroheim
Stars: Erich von Stroheim, Wera Engels, Leslie Fenton
Drama
    1 2 3 4 5 6 7 8 9 10 -/10 X  

The wife of an American playwright in Paris becomes ensnared in the seductive wiles of an American Army officer, but her devotion to her husband convinces the officer to try to extricate ... See full summary »

Director: Erich von Stroheim
Stars: Sam De Grasse, Una Trevelyn, Clyde Fillmore
Certificate: Passed Drama | Musical | Romance
    1 2 3 4 5 6 7 8 9 10 6.2/10 X  

An insanely, egocentric ventriloquist, even though he is possessed by his wooden dummy, is in love with a dancer who is in love with another. The dummy gives advice to the ventriloquist.

Directors: James Cruze, Erich von Stroheim
Stars: Erich von Stroheim, Donald Douglas, Betty Compson
Queen Kelly (1929)
Certificate: Passed Drama
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

A convent girl is abducted and seduced by a prince before being sent off to a brothel in East Africa.

Directors: Erich von Stroheim, Richard Boleslawski
Stars: Gloria Swanson, Walter Byron, Seena Owen
Foolish Wives (1922)
Drama | Thriller
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

A con artist masquerades a Russian nobility and attempts to seduce the wife of an American diplomat.

Director: Erich von Stroheim
Stars: Rudolph Christians, Miss DuPont, Maude George
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 6.9/10 X  

An Austrian officer sets out to seduce a neglected young wife.

Director: Erich von Stroheim
Stars: Sam De Grasse, Francelia Billington, Erich von Stroheim
Greed (1924)
Drama | Thriller | Western
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

The sudden fortune won from a lottery fans such destructive greed that it ruins the lives of the three people involved.

Director: Erich von Stroheim
Stars: Gibson Gowland, Zasu Pitts, Jean Hersholt
Drama
    1 2 3 4 5 6 7 8 9 10 6.8/10 X  

A nobleman, posing as a necktie salesman, falls in love with the daughter of a circus puppeteer, even though he is already married to the daughter of his country's war minister.

Directors: Rupert Julian, Erich von Stroheim
Stars: Norman Kerry, Mary Philbin, Cesare Gravina
Hello Sister (1930)
Drama
    1 2 3 4 5 6 7 8 9 10 -/10 X  

Olive Borden plays a modern jazz maiden who is forced to be good for six months or lose out on her grandfather's inheritance.

Director: Walter Lang
Stars: Olive Borden, Lloyd Hughes, George Fawcett
The Honeymoon (1930)
    1 2 3 4 5 6 7 8 9 10 9.2/10 X  

"The Wedding March" ended with the marriage between Nikki and the crippled Cecilia takes place. Eberle swears to kills the prince unless Mitzi will agree to marry him. She relents, but at ... See full summary »

Director: Erich von Stroheim
Stars: Zasu Pitts, Erich von Stroheim, Fay Wray
Edit

Cast

Complete credited cast:
...
...
...
Peggy
...
Terrance Ray ...
Mac
...
Drunk
...
Jameson Brewster - Bank President
Walter Walker ...
Sedgwick
...
Webster's Secretary
Claude King ...
Dr. A. Peterson
...
Passerby at Apartment
...
Fireman
Rest of cast listed alphabetically:
Suzanne Wood
Edit

Storyline

Peggy and her friend Millie are strolling down Broadway while Jimmy and Mac are trolling Broadway, and the four get together. Jimmy and Peggy get together in many romantic ways and Peggy soon finds that her expected baby needs a father. Since Jimmy is the father (to-be) she informs him, but Jimmy thinks she is lying. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Taglines:

LONELY IN THE MIDST OF MILLIONS (original poster - all caps) See more »

Genres:

Drama | Romance

Certificate:

Passed | See all certifications »
Edit

Details

Country:

Language:

Release Date:

14 April 1933 (USA)  »

Also Known As:

Walking Down Broadway  »

Company Credits

Production Co:

 »
Show more on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric System)

Aspect Ratio:

1.37 : 1
See  »
Edit

Did You Know?

Trivia

Erich von Stroheim: [ambulance] When Jimmy confronts Peggy in the rain outside their apartment, an ambulance drives past with sirens blazing. See more »

Connections

Referenced in Wie will ich lustig lachen (1984) See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
And goodbye, career!
2 August 2009 | by See all my reviews

This forgotten melodrama belongs to a special category: it's one of those movies with a behind-the-scenes story that's more interesting than the material that made it to the screen. Judged strictly in terms of content 'Hello, Sister!' isn't all that bad, nor is it especially memorable, either. It's essentially a Boy Meets Girl story in an urban setting, and aside from the occasional offbeat touch there's little to distinguish it from standard Hollywood product of the time. Considering what might have been, however, it ranks as a major disappointment, and also marks the ignominious end of a once great directorial career.

The project began with a stage play by novelist Dawn Powell called "Walking Down Broadway." The play concerns two young women who come to New York from a small town and find it difficult to meet decent men. Then one of them, Madge, meets a good guy. They fall in love, and she becomes pregnant. The lovers argue and break up. A woman friend helps Madge get an abortion, and she eventually reunites with her boyfriend. Powell couldn't interest anyone in staging her play, but managed to sell it to Fox Films. ("Walking Down Broadway" finally received a belated premiere production by NYC's Mint Theater Company in 2005, forty years after Powell's death.) Even in the Pre-Code era the medical termination of a pregnancy was a taboo subject, but Powell's dialog was sharp and pungent, and the story of troubled romance in the big city held the potential for an effective screen drama.

Oddly enough, the first director associated with this project was none other than Erich Von Stroheim. Stroheim is not the first name that comes to mind for material of this nature: he was best known for his work from the silent era, often tales of aristocratic decadence, set in Europe before the First World War. Powell's story was contemporary and concerned the struggles of young, middle-class American types, more along the lines of King Vidor's The Crowd than Stroheim's imperial spectacles. On the other hand, Stroheim also made Greed, which concerned lower middle-class life in San Francisco. But he had not yet directed a talkie, and his position as a director in Hollywood at this time was tenuous in the extreme. Stroheim was known for financial extravagance and bizarre behavior on the set. More to the point, perhaps, he hadn't had a hit to his credit since the mid-'20s, and was blamed for the collapse of Queen Kelly, an unfinished collaboration with Gloria Swanson that lost a fortune.

It's unclear whether Stroheim chose to adapt Powell's story or if the Fox front office assigned it to him, but once he set to work on it he did so with relish. While keeping the basic story-line of two small town women in the big city, Stroheim made a number of changes. The central female character was renamed Peggy, and the role of her roommate (a chubby, giggling flirt in the play) was reworked as a neurotic spinster called Minnie for Stroheim's perennial favorite ZaSu Pitts. Newcomer Boots Mallory was cast as Peggy, while Jimmy, the young man who attracts her eye, was portrayed by Fox's up-and-coming leading man James Dunn. Mallory was a good choice, fresh and pretty yet not too glamorous, but Dunn's casting was ill-advised: he was in his 30s and appeared older, and it's hard to accept his Jimmy as inexperienced and naive. (Someone like Dick Powell would have been more appropriate.) Stroheim took the play's tomcat character Mac and turned him into a rotter who attempts to rape Peggy, and also concocted a sequence in which Minnie succumbs to despair and uses a gas oven to attempt suicide. The gas causes an explosion and fire that engulfs the women's apartment building, leading to an action-packed climax quite different (i.e. more "Hollywood") from the wistful conclusion of Powell's play.

Stroheim completed his work on the project in the fall of 1932, on schedule and within the allotted budget, but, as so often happened in his star-crossed career, trouble erupted almost immediately. Stroheim's film was gamy and raw, and Fox's top brass were worried about censorship issues. At the same time a power struggle between the studio's executives resulted in the ascension of producer Sol Wurtzel, who favored lightweight escapist fare. Wurtzel and Stroheim despised each other, and it was Wurtzel who chose to bring in a new director and screenwriter and have much of the film re-shot. Stroheim's name was removed from the credits and most of his footage was discarded, while some of his scenes were inter-cut with material created by others. It is only this re-titled hybrid version of the film which survives today.

Given its troubled history, the movie is exceptionally difficult to evaluate objectively. Unsurprisingly, the tone is inconsistent. Much of the material featuring Mallory, Dunn, and Pitts has the feel of a routine comedy-drama, while other sequences, such as Mac's attempted rape of Peggy, are startlingly intense. Even this sequence is undercut by the insertion of "comic relief" moments added after Stroheim's departure. Worse still, an actor named Will Stanton who specialized in playing drunks was written into the story in a recurring role. (It was the woefully unfunny Stanton who almost ruined Raoul Walsh's Me and My Gal, also made at Fox in 1932.) Minnie makes no attempt at suicide in the reworked version of the film; it is Stanton's supposedly funny drunk who causes the climactic fire. If that was intended as comic relief, it failed.

'Hello, Sister!' was released with little fanfare, and was quickly forgotten. Sadly, Erich Von Stroheim was never again entrusted with another directorial assignment. What survives of his work in this film suggests a vibrant if seamy slice-of-life saga that could have ranked with the most memorable dramas of the Pre-Code era. Instead, it's one more case of What Might Have Been in a career that suffered more than its share of such calamities.


20 of 20 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 7 user reviews »

Contribute to This Page

Kevin Smith's Top 3 Sundance Movies in 90 Seconds

Kevin Smith reveals his favorite Sundance movies of all time. Plus, La La Land producer Jordan Horowitz shares some "secret" information about his new spy-thriller series, "Counterpart."

Watch now