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Hallelujah I'm a Bum (1933)

Passed | | Comedy, Drama, Musical | 3 February 1933 (USA)
A New York tramp (Jolson) falls in love with the mayor's amnesiac girlfriend after rescuing her from a suicide attempt

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Writers:

(original story), (adaptation)
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Cast

Complete credited cast:
...
...
June Marcher
...
Mayor John Hastings
...
Egghead
...
Sunday
Tyler Brooke ...
Mayor's Secretary
Tammany Young ...
Orlando
...
John
Edgar Connor ...
Acorn
Dorothea Wolbert ...
Apple Mary
...
Ma Sunday
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Storyline

A New York tramp (Jolson) falls in love with the mayor's amnesiac girlfriend after rescuing her from a suicide attempt

Plot Summary | Add Synopsis

Taglines:

No Job! ...No Money!...Girl Gone!...But They Couldn't Hold Him Down! (original poster) See more »

Genres:

Comedy | Drama | Musical

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

3 February 1933 (USA)  »

Also Known As:

Happy-Go-Lucky  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (re-release)

Sound Mix:

(Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The original trailer for "Hallelujah, I'm a Bum" said it was the first musical to use rhyming dialogue. It wasn't: two others for which Rodgers and Hart wrote songs, "The Hot Heiress" (1931) and "Love Me Tonight" (1932), preceded it. See more »

Goofs

A cameraman's arm is reflected in the partially opened window of the Mayor's limousine when the Mayor meets Bumper at the casino. See more »

Connections

Featured in Hooray for Hollywood (1975) See more »

Soundtracks

Hallelujah, I'm a Bum
Music by Richard Rodgers
Lyrics by Lorenz Hart
Sung by Al Jolson
See more »

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User Reviews

 
hallelujah, thank Jolson for this movie
11 October 2002 | by (Oakland CA) – See all my reviews

Slap-happy musical film that tries to use music and images together to meld a new format -- and ends up entertaining and likeable. Many of the songs are "recited" in operatic fashion, as when Jolson, the "Mayor of Central Park" (a famous bum) sings his case in court against a singing tribunal that he's been brought before on chargest of betraying his office by taking a job at a bank. A wonderful tracking shot introduces his job through sucessive levels of importance, beginning with high rollers and ending up with lyricist Lorenz Hart telling a customer he doesn't have a dime to give him. After we see all the varying levels of importance in the bank, we finally come on Jolson and his friend, doing the banking equivalent of peeling potatoes. Wonderful charm of Jolson and Langdon is dulled slightly by Morgan and Evans' stiff leads.

Rodgers music and Hart's lyrics are splendid, making this one of the most original, best written original musicals of all time. It should be noted that in his years later working with Oscar Hammerstein, Rodgers only wrote one original play for film (excluding the televised "Cinderella") -- "State Fair" -- which in my opinion, though charming, has got nothing on "Hallelujah, I'm a Bum!" After the failure of this and several other Rodgers/Hart film projects, the duo returned to Broadway to become almost its only reliably successful writers in the later 30s. They left behind this little Hollywood gem to be rediscovered.


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