A New York tramp (Jolson) falls in love with the mayor's amnesiac girlfriend after rescuing her from a suicide attempt

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Cast

Complete credited cast:
...
...
June Marcher
...
Mayor John Hastings
...
Egghead
...
Sunday
Tyler Brooke ...
Mayor's Secretary
Tammany Young ...
Orlando
Bert Roach ...
John
Edgar Connor ...
Acorn
Dorothea Wolbert ...
Apple Mary
Louise Carver ...
Ma Sunday
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Storyline

A New York tramp (Jolson) falls in love with the mayor's amnesiac girlfriend after rescuing her from a suicide attempt

Plot Summary | Add Synopsis

Taglines:

The First Picture Ever Done in "Rhythmic Dialogue!" (original poster) See more »

Genres:

Comedy | Drama | Musical

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

3 February 1933 (USA)  »

Also Known As:

Happy-Go-Lucky  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (re-release)

Sound Mix:

(Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The role of June was originally offered to Al Jolson's real-life wife, Ruby Keeler, but she decided she didn't want to make her film debut opposite her husband. It turned out better for her than for him -- her first film, "42nd Street," was a major hit while "Hallelujah, I'm a Bum" was a major flop -- but the strain on Jolson as his wife became more popular than he was helped lead to the breakup of their marriage. See more »

Goofs

A cameraman's arm is reflected in the partially opened window of the Mayor's limousine when the Mayor meets Bumper at the casino. See more »


Soundtracks

Hallelujah, I'm a Bum
(different song)
Music by Richard Rodgers
Lyrics by Lorenz Hart
Sung by Al Jolson
See more »

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User Reviews

 
hallelujah, thank Jolson for this movie
11 October 2002 | by (Oakland CA) – See all my reviews

Slap-happy musical film that tries to use music and images together to meld a new format -- and ends up entertaining and likeable. Many of the songs are "recited" in operatic fashion, as when Jolson, the "Mayor of Central Park" (a famous bum) sings his case in court against a singing tribunal that he's been brought before on chargest of betraying his office by taking a job at a bank. A wonderful tracking shot introduces his job through sucessive levels of importance, beginning with high rollers and ending up with lyricist Lorenz Hart telling a customer he doesn't have a dime to give him. After we see all the varying levels of importance in the bank, we finally come on Jolson and his friend, doing the banking equivalent of peeling potatoes. Wonderful charm of Jolson and Langdon is dulled slightly by Morgan and Evans' stiff leads.

Rodgers music and Hart's lyrics are splendid, making this one of the most original, best written original musicals of all time. It should be noted that in his years later working with Oscar Hammerstein, Rodgers only wrote one original play for film (excluding the televised "Cinderella") -- "State Fair" -- which in my opinion, though charming, has got nothing on "Hallelujah, I'm a Bum!" After the failure of this and several other Rodgers/Hart film projects, the duo returned to Broadway to become almost its only reliably successful writers in the later 30s. They left behind this little Hollywood gem to be rediscovered.


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