Barbara Beaurevel lives with her aunt and cousin in New Orleans in the late 1800's. In love with Mark Lucas, a research doctor at Tulane University, her plans to marry him are thwarted. ... See full summary »
Man about town and First Class cricketer A.J. Raffles keeps himself solvent with daring robberies. Meeting Gwen from his schooldays and falling in love all over again, he spends the weekend... See full summary »
Olivia de Havilland,
Dame May Whitty
Dr. Tony Flagg's friend, Steven, has problems in the relationship with his fiancee, Amanda, so he persuades her to visit Dr. Flagg. After some minor misunderstandings, she falls in love ... See full summary »
It is the bottom of the depression and Sol Glass has the idea that the girls in the stenographic department should be used to entertain the clients. Seems the clients are tiring of the ... See full summary »
After waiter and would-be novelist Peter Stanislavsky marries Marcia, he learns to play bridge to satisfy his wife, despite feeling that it is a childish game. Her friends all play the game avidly, but argue often about the proper play. He's called one evening to serve as a waiter at a bridge party given by Lola Starr, but is asked to be a fourth for one of the bridge tables, where eminent bridge expert Cedric Van Dorn is seated. Peter trounces the expert, and when asked what method he uses to play, he jokingly says the "Stanislavsky method," which has no rules of bidding or play. It makes headlines; Speed McCann ghostwrites a best-selling book for him; a national tour is set up with Marcia as his partner; and his method sweeps the country. But slowly Peter begins to question Marcia's play, leading to arguments because it is a violation of the only rule in his system. And when he gives private lessons to Lola, Marcia leaves him thinking there is something between them. With his ... Written by
Arthur Hausner <firstname.lastname@example.org>
1933 seemed to be a great year for satires ("Duck Soup" for instance) and this one fits in well even though it is about the obsession with contract bridge. The tone is like a humorous piece from The New Yorker, appropriate, since the film begins with the "Goings On About Town" page of that magazine. The only thing odd is the casting. Made a few years later William Powell and Myrna Loy would have been perfect. However, after 1934, you wouldn't have had adultery handled in such a sophisticated fashion, the young and beautiful Loretta Young in some shear and slinky outfits, or a group of prostitutes listening to a bridge contest on radio. Even if you know nothing about bridge, you may still want to check out a rare example of Hollywood satire.
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