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Gold Diggers of 1933 (1933)

Unrated | | Comedy, Drama, Musical | 27 May 1933 (USA)
A wealthy composer rescues unemployed Broadway performers with a new play.

Director:

Writers:

(screenplay) (as Erwin Gelsey), (screenplay) | 3 more credits »
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Nominated for 1 Oscar. Another 1 win. See more awards »
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Cast

Complete credited cast:
...
J. Lawrence Bradford
...
Carol King
...
Trixie Lorraine
...
Polly Parker
...
Brad Roberts
...
Faneul H. Peabody
...
Barney Hopkins
...
Fay Fortune
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Storyline

Chorus girls Polly, Carol and Trixie are ecstatic when they learn that Broadway producer Barney Hopkins is putting on a new show. He promises all of the girls parts in the new show and even hires their neighbor Brad Roberts, an unknown composer, to write some of the music. There's only one problem: he doesn't have the money to bankroll it all. That problem is solved when Brad turns out to be quite rich but he insists that he not perform. When opening night comes, the juvenile lead can't go on forcing Brad to take the stage. He's recognized of course and his upper crust family wants him to quit. When he refuses, they tell him to end his relationship with Polly or face having his income cut off. When Brad's snobbish brother Lawrence mistakes Carol for Polly, the girls decide to have a bit of fun and teach him a lesson. Written by garykmcd

Plot Summary | Add Synopsis

Taglines:

300 Gorgeous GIRLS Hand-picked from more than 5000 applicants. Each a perfect example of feminine beauty...Add these 300 beauties to the 13 stars, 5 song hits and 4 glittering ensembles and you'll know why we call this picture "THE SHOW of a THOUSAND WONDERS" See more »

Genres:

Comedy | Drama | Musical

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

27 May 1933 (USA)  »

Also Known As:

Golddiggers of 1933  »

Box Office

Budget:

$433,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

(Turner library print)

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Was originally planned to end with the production number "Petting in the Park", but after seeing the complete numbers, the studio added the politically charged "My Forgotten Man" at the end, pointing out that while the cast is "in the money", many others in Depression-era America were not. Remains of the old order are visible; in the final backstage scene, Ruby Keeler and the chorus girls are all wearing costumes for the number "Petting in the Park". See more »

Goofs

When Brad plays piano for Mr. Hopkins, his fingers don't match the sound of the piano. See more »

Quotes

J. Lawrence Bradford: I'll ask you to return my check, please.
Carol King: Your check, huh that's on exhibition over there on the wall. I figured you'd stop payment on it.
J. Lawrence Bradford: I'll take the necessary steps...
Carol King: You'll do what? Listen, you made a sap out of yourself and you tried your best to make a sap out of me. Now I never want to see you again, understand? And as for your check, well, you don't think I hold myself as cheaply as all that do you?
J. Lawrence Bradford: Cheaply? Ten thousand dollars?
Carol King: Well that's your estimate of me, not mine. That check is...
See more »

Connections

Featured in New York at the Movies (2002) See more »

Soundtracks

High Life
(1933) (uncredited)
Music by Harry Warren
Played when Carol suggests that Lawrence thinks the dancing is vulgar
See more »

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User Reviews

 
THE HAPPY ENDING IS NOT THE END.
5 November 2000 | by (Dublin, Ireland) – See all my reviews

There is a pattern to 1930's Hollywood musicals; struggle to put on show proceeds alongside struggle for love to conquer all. And in the end both struggles are successfully concluded. It is a pattern that is broken by "Gold Diggers Of 1933". Sure, all of the usual elements are in place, including the Hungry, Penniless Showgirl Depression setting. But where this movie differs is in the fact that after the various plot strands are neatly tied up, it doesn't end. Instead, we are treated to the last big production number,"My Forgotten Man", as downbeat as it was possible to get in 30's Hollywood. All the Busby Berkeley musicals paid lip service to the Great Depression, but this one goes much further, as "My Forgotten Man" was the last, most enduring image of the film, and the one that audiences left the theatre with. It's placement was a brave decision on the part of whoever made it, and it would be interesting to learn of the public reaction at the time. Because while it is undoubtedly true that in an era of deprivation, you can't blithely make movies that are totally divorced from reality, it's equally true that people want to be reassured there is a better life, and they won't be scratching around in the dirt forever. Personally, I love the number, and it's placement. It's something that has fascinated me since my very first viewing 7 years ago, but it seems to be a point that not a lot of critics have picked up on. Perhaps it wasn't so unusual after all!


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