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Gold Diggers of 1933 (1933)
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Overview
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Director:
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Release Date:
27 May 1933 (USA)
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Tagline:
The Biggest Show On Earth! more
Plot:
Millionaire turned composer Dick Powell rescues unemployed Broadway people with a new play. full summary | add synopsis
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Awards:
Nominated for Oscar.
Another 1 win
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User Comments:
The best of the Warren/Dubin/Berkley musicals
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Cast
(Complete credited cast)| Warren William | ... | J. Lawrence Bradford | |
| Joan Blondell | ... | Carol King | |
| Aline MacMahon | ... | Trixie Lorraine | |
| Ruby Keeler | ... | Polly Parker | |
| Dick Powell | ... | Brad Roberts (Robert Treat Bradford) | |
| Guy Kibbee | ... | Fanuel H. Peabody | |
| Ned Sparks | ... | Barney Hopkins | |
| Ginger Rogers | ... | Fay Fortune |
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Runtime:
96 min
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1.37 : 1 more
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Fun Stuff
Trivia:
In an early scene, producer Barney Hopkins (Ned Sparks) yells, "Cancel my contract with Warren and Dubin!" In fact, Harry Warren and Al Dubin were quickly becoming one of the most successful songwriting teams in Hollywood of the Thirties, and they penned all the tunes in this picture.
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Goofs:
Continuity: During the violin sequence, the cord for the lights on the violin disappears and reappears throughout.
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Movie Connections:
Featured in You Must Remember This: The Warner Bros. Story (2008) (V)
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Soundtrack:
Shadow Waltz
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Even better than the splendid "42nd Street," this first of the many "Gold Diggers" films is hitting on all its cylinders. When you have Dick Powell, Ruby Keeler, and Ginger Rogers in the cast, the music of Harry Warren and Al Dubin, AND the choreography of Busby Berkley at his best, how can it be otherwise.
Okay, so Ruby Keeler still can't sing on key and her stomping dance style leaves many cold. She does still have that aura of innocence that helped her so much in "42nd Street" and which makes her performance tolerable. She does have the magnificent Joan Blondell and the soon-to-be-legendary Ginger Rogers to fall back on and, believe me, both ladies are more than equal to the task. (I have long believed that Blondell was one of the finest comic actresses in Hollywood history and Ginger Rogers - well, there was a reason Fred Astaire partnered with her more than with any other. No one could do musical comedy and dance better than Rogers at her peak.)
Yes, Berkley is an acquired taste. I find much of his later work a bit too precious for my tastes. Here, however, where he was still developing his style, it comes across as fresh and invigorating. Some of the numbers could have used a bit more rehearsal (low budget and a short shooting schedule probably nixed that) but they still all work and some are astonishingly good.
Dick Powell is, as usual, splendid and in great voice. Those of us who remember his later career as an award winning dramatic actor and director may not be aware that he was originally a singer - and a damned fine one until cigarette smoking and age took its toll.
Many might be a bit shocked by the bawdiness (naughtiness?) of some of the numbers. This was one of the pre-Hayes code films and it one of the reasons why certain groups of viewers were upset. None of it is dirty but some certainly disturbing to the sensitive. (See "Flying Down to Rio" or "Footlight Parade" for other examples of pre-code examples.) I find it all pretty tame but, in 1933, some considered this scandalous and nearly pornographic. We are talking skimpy clothing and innuendo, nothing more, but this was the 1930s and censorship was getting ready to rear its ugly heads. (See Chaplin's masterful "Monsieur Verdoux" for his not-so-subtle jabs at censorship.)
"Gold Diggers of 1933" is a certified classic and should not be missed by fans of the musical or early Hollywood. Just remember that its a product of its time and not the present age and enjoy it for what it is.