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Gold Diggers of 1933 (1933)

 -  Comedy | Drama | Musical  -  27 May 1933 (USA)
8.1
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Ratings: 8.1/10 from 4,474 users  
Reviews: 65 user | 30 critic

Millionaire turned composer Dick Powell rescues unemployed Broadway people with a new play.

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(screenplay), (screenplay), 3 more credits »
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Title: Gold Diggers of 1933 (1933)

Gold Diggers of 1933 (1933) on IMDb 8.1/10

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Nominated for 1 Oscar. Another 1 win. See more awards »

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Cast

Complete credited cast:
Warren William ...
Lawrence
...
Carol
Aline MacMahon ...
Trixie
...
Polly
...
Brad
Guy Kibbee ...
Peabody
Ned Sparks ...
Barney
...
Fay
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Storyline

Barney Hopkins is producing a new show on Broadway, but the day before it opens, the set and costumes are confiscated due to unpaid bills. Everybody is sitting in the street, and due to the Depression, there is no work for the three chorus girls Carol, Trixie and Polly. But they hear rumors that Barney is producing a new show. They talk to him, and he promises to give them work - when he finds a backer to produce the new show. Barney hears the tunes of the composer next door, Brad Roberts, Polly's friend. Brad joins them and agrees to back the show. On opening night Brad takes over for the juvenile lead, who is suffering from lumbago. Brad has been very publicity-shy, because he is a member of an upper-class wealthy Boston family. When his family hears what he is doing, his brother Lawrence and the family attorney Peabody come to New York, to end his relationship with Polly. But Lawrence mistakes Carol for Polly, who does not correct his mistake. Lawrence decides to separate Polly and... Written by Stephan Eichenberg <eichenbe@fak-cbg.tu-muenchen.de>

Plot Summary | Add Synopsis

Taglines:

The Biggest Show On Earth! See more »

Genres:

Comedy | Drama | Musical

Certificate:

Unrated | See all certifications »
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Details

Country:

Language:

Release Date:

27 May 1933 (USA)  »

Also Known As:

Golddiggers of 1933  »

Box Office

Budget:

$433,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

(Turner library print)

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Was originally planned to end with the production number "Petting in the Park", but after seeing the complete numbers, the studio added the politically charged "My Forgotten Man" at the end, pointing out that while the cast is "in the money", many others in Depression-era America were not. Remains of the old order are visible; in the final backstage scene, Ruby Keeler and the chorus girls are all wearing costumes for the number "Petting in the Park". See more »

Goofs

During the violin sequence, the cord for the lights on the violin disappears and reappears throughout. See more »

Quotes

Trixie Lorraine: Isn't there going to be any comedy in the show?
Barney Hopkins: Oh, plenty! The gay side, the hard-boiled side, the cynical and funny side of the depression! I'll make 'em laugh at you starving to death, honey. It'll be the funniest thing you ever did.
See more »

Connections

Featured in 100 Years at the Movies (1994) See more »

Soundtracks

I've Got to Sing a Torch Song
(1933) (uncredited)
Music by Harry Warren
Lyrics by Al Dubin
Played during the opening credits
Sung by Dick Powell
Played also as dance music
See more »

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User Reviews

 
Great Pre-Code Stuff
25 January 2006 | by (Chicago) – See all my reviews

This is the most perfect example of "history on the silver screen" that I can think of. When Ginger Rogers says, "It's the Depression, dearie" at the beginning to explain the chorus girls' bad luck, it's the key to the whole film. While the "Shadow Waltz" number was being filmed during an actual 1933 earthquake in L.A. a number of the girls toppled off the Art Deco "overpass" where they were swaying with their filmy hoop skirts and their neon violins short-circuited. The electrical hook-ups were also rather dangerous, especially if the neon bows came in contact with the girls' metallic wigs in that number. The culminating production number, "Remember My Forgotten Man," is the most significant historically and illustrates Warner Bros.' "New Deal" sensibilities. Warner Bros. was the only studio that "bought" the whole Roosevelt approach to economic recovery. The year before, under Hoover, WWI vets were not only neglected in terms of benefits but were run out of their shanty town near the Capitol building. Starving guys were camping on the edges of most communities who'd served in the Great War fifteen years before. Of course, why or how this number fits into such a '30s girlie-type musical revue is anyone's guess. Berkeley never looked for reality, just eye-popping surrealistic effects.

About ten years ago I found myself sitting next to Etta Moten Barnett at a Chicago NAACP banquet. I was flabbergasted. She was in her 90s yet still looked lovely. She's the singer who sang "Forgotten Man" in the window. She also sang "The Carioca" in Astaire and Rogers' first pairing, "Flying Down to Rio." She was quite gracious, though she did not have wonderful things to say about Hollywood of that era. The African Americans in both pictures were fed in a tent away from the general commissary area.

Ruby Keeler has a certain odd-ball appeal, like a homely puppy. She can't sing, she watches her leaden feet while she dances, and almost all her lines are read badly. Yes, she was married to Al Jolson, but that may have HURT her career more than anything. He was not exactly always likable. He was much older than Ruby and so full of himself.

This film is also a classic example of the PRE-CODE stuff that was slipping by---the leering "midget baby" (Billy Barty), the naked girls in silhouette changing into their "armor," the non-stop flashing of underwear or lack of underwear, Ginger Rogers having her large coin torn off by the sheriff's office mug so she's essentially standing there in panties, and so forth.

A good comparison of before and after the code would be to examine this picture and "Gold Diggers of 1935." The latter is so much more chaste, discreet, and less fascinating except for the numbers. There's not the lurid, horny aura of the Pre-Code pictures. And it's not quite as much naughty fun, either.


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