Stage-producer J.J. Horbart, is going to put on a new show, but he doesn't know that his two partners lost the money at the stock market. Insurance salesman Rosmer Peck falls in love with ... See full summary »
Multi-millionaire Ezra Ounce wants to start a campaign against 'filthy' forms of entertainment, like Broadway-Shows. He comes to his relatives families and makes them members of his ... See full summary »
After accidentally killing the man who raped her and forced her into prostitution, a New Orleans woman flees to a Caribbean island. While she awaits her fiancé, the vicious local police chief sets his sights on her.
William A. Wellman
Stephen Lee doesn't want his nephew Wally Sanders to marry chorus girl Violet Dayne, because he believes all chorus girls to be ruthless gold diggers, always chasing after the men's money. ... See full summary »
Stephen Lee wants his relative Wally not to marry chorusgirl Violet, because he thinks all chorus girls have a low morale standard. Violet's friend Jerry decides to teach Stephen a lesson, ... See full summary »
Barney Hopkins is producing a new show on Broadway, but the day before it opens, the set and costumes are confiscated due to unpaid bills. Everybody is sitting in the street, and due to the Depression, there is no work for the three chorus girls Carol, Trixie and Polly. But they hear rumors that Barney is producing a new show. They talk to him, and he promises to give them work - when he finds a backer to produce the new show. Barney hears the tunes of the composer next door, Brad Roberts, Polly's friend. Brad joins them and agrees to back the show. On opening night Brad takes over for the juvenile lead, who is suffering from lumbago. Brad has been very publicity-shy, because he is a member of an upper-class wealthy Boston family. When his family hears what he is doing, his brother Lawrence and the family attorney Peabody come to New York, to end his relationship with Polly. But Lawrence mistakes Carol for Polly, who does not correct his mistake. Lawrence decides to separate Polly and... Written by
Stephan Eichenberg <email@example.com>
During the violin sequence, the cord for the lights on the violin disappears and reappears throughout. See more »
[whispers to Fay]
One more look at him with those bedroom-eyes and I'll break your leg!
[loudly, to all]
Excuse me for whispering; Fay and I have so much in common!
See more »
There is a pattern to 1930's Hollywood musicals; struggle to put on show proceeds alongside struggle for love to conquer all. And in the end both struggles are successfully concluded. It is a pattern that is broken by "Gold Diggers Of 1933". Sure, all of the usual elements are in place, including the Hungry, Penniless Showgirl Depression setting. But where this movie differs is in the fact that after the various plot strands are neatly tied up, it doesn't end. Instead, we are treated to the last big production number,"My Forgotten Man", as downbeat as it was possible to get in 30's Hollywood. All the Busby Berkeley musicals paid lip service to the Great Depression, but this one goes much further, as "My Forgotten Man" was the last, most enduring image of the film, and the one that audiences left the theatre with. It's placement was a brave decision on the part of whoever made it, and it would be interesting to learn of the public reaction at the time. Because while it is undoubtedly true that in an era of deprivation, you can't blithely make movies that are totally divorced from reality, it's equally true that people want to be reassured there is a better life, and they won't be scratching around in the dirt forever. Personally, I love the number, and it's placement. It's something that has fascinated me since my very first viewing 7 years ago, but it seems to be a point that not a lot of critics have picked up on. Perhaps it wasn't so unusual after all!
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