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Gold Diggers of 1933 (1933)

 -  Comedy | Drama | Musical  -  27 May 1933 (USA)
8.1
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Ratings: 8.1/10 from 4,647 users  
Reviews: 67 user | 30 critic

Millionaire turned composer Dick Powell rescues unemployed Broadway people with a new play.

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(screenplay), (screenplay), 3 more credits »
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Title: Gold Diggers of 1933 (1933)

Gold Diggers of 1933 (1933) on IMDb 8.1/10

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Nominated for 1 Oscar. Another 1 win. See more awards »

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Cast

Complete credited cast:
Warren William ...
Lawrence
...
Carol
Aline MacMahon ...
Trixie
...
Polly
...
Brad
Guy Kibbee ...
Peabody
Ned Sparks ...
Barney
...
Fay
Edit

Storyline

Barney Hopkins is producing a new show on Broadway, but the day before it opens, the set and costumes are confiscated due to unpaid bills. Everybody is sitting in the street, and due to the Depression, there is no work for the three chorus girls Carol, Trixie and Polly. But they hear rumors that Barney is producing a new show. They talk to him, and he promises to give them work - when he finds a backer to produce the new show. Barney hears the tunes of the composer next door, Brad Roberts, Polly's friend. Brad joins them and agrees to back the show. On opening night Brad takes over for the juvenile lead, who is suffering from lumbago. Brad has been very publicity-shy, because he is a member of an upper-class wealthy Boston family. When his family hears what he is doing, his brother Lawrence and the family attorney Peabody come to New York, to end his relationship with Polly. But Lawrence mistakes Carol for Polly, who does not correct his mistake. Lawrence decides to separate Polly and... Written by Stephan Eichenberg <eichenbe@fak-cbg.tu-muenchen.de>

Plot Summary | Add Synopsis

Taglines:

The Biggest Show On Earth! See more »

Genres:

Comedy | Drama | Musical

Certificate:

Unrated | See all certifications »
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Details

Country:

Language:

Release Date:

27 May 1933 (USA)  »

Also Known As:

Golddiggers of 1933  »

Box Office

Budget:

$433,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

(Turner library print)

Sound Mix:

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Various people, including director Mervyn LeRoy and choreographer Busby Berkeley, have claimed credit for Ginger Rogers' pig-Latin rendition of "We're in the Money". In her autobiography, Rogers gives the credit to then Warner Bros executive Darryl F. Zanuck. See more »

Goofs

When Brad plays piano for Mr. Hopkins, his fingers don't match the sound of the piano. See more »

Quotes

Trixie Lorraine: Exuse me. Come here Fay, I have something I wan-ta show you.
Fay Fortune: what do you want?
Trixie Lorraine: Do you see that?
Fay Fortune: See what?
Trixie Lorraine: Can't you read? Where it says 'Exit'?
Fay Fortune: Exit?
Trixie Lorraine: You said it, sister. You start walking and you keep walking, and if you ever come near him again I'll break BOTH your legs, now scram!
Fay Fortune: I could easily resent that!
[as Fay walks away, Trixie kickes her in the bottom, making Fay squeal/shriek]
Faneul H. Peabody: Did Little Fay cry out?
[...]
See more »

Connections

Followed by Gold Diggers in Paris (1938) See more »

Soundtracks

Pettin' in the Park
(1933) (uncredited)
Music by Harry Warren
Lyrics by Al Dubin
Performed by Ruby Keeler and Clarence Nordstrom in rehearsal, Dick Powell,
Ruby Keeler, Aline MacMahon, Billy Barty and chorus in the show
See more »

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User Reviews

ereway inay the oneymay!!
31 October 2003 | by (Washington, DC) – See all my reviews

I've heard of this movie for years, but didn't actually see it until last week when Turner Classic Movies ran it. And it is positively stunning!! On the surface, it moves almost like a carbon copy of 42ND STREET- right up to the last-minute switch in players before the curtain goes up (although in this film, it's Dick Powell instead of Ruby Keeler). But its astringent look at trying to play Tin Pan Alley smack in the middle of the Depression gives it a very adult and tragic significance. It still has the Berkley dazzle- from the "Shadow Waltz" chorus girls (and electric violins) to the now-legendary "We're In The Money" dress rehearsal fronted by a pre-Astaire Ginger Rogers. (I was a teenager when my mother mentioned that one verse of this song was actually sung in Pig Latin- and I swore for twenty-five years that she was pulling my chain. It is one of the cleverest vocal interludes I've ever seen and heard.) But the three girls implied in the film's title- Ruby Keeler, Aline McMahon, and especially the sharp, smart, and gorgeous Joan Blondell- are the best things in the movie. And Blondell fronts the sublime finale number "Forgotten Man-" which pays tribute to the men (and women) of WWI and the ironies which followed. The staging of it- the marching which goes from triumphant to tragic, the torchy, gospel-like vocal of Etta Moten (the black woman sitting in the window), and the pullback shot of everyone coming downstage at the fadeout- is truly spectacular.


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