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Gold Diggers of 1933 (1933)

Unrated  |   |  Comedy, Drama, Musical  |  27 May 1933 (USA)
8.1
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Ratings: 8.1/10 from 4,950 users  
Reviews: 67 user | 30 critic

Millionaire turned composer Dick Powell rescues unemployed Broadway people with a new play.

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(screenplay) (as Erwin Gelsey) , (screenplay), 3 more credits »
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Title: Gold Diggers of 1933 (1933)

Gold Diggers of 1933 (1933) on IMDb 8.1/10

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Nominated for 1 Oscar. Another 1 win. See more awards »

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Cast

Complete credited cast:
...
Lawrence
...
Carol
Aline MacMahon ...
Trixie
...
Polly
...
Brad
Guy Kibbee ...
Peabody
Ned Sparks ...
Barney
...
Fay
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Storyline

Chorus girls Polly, Carol and Trixie are ecstatic when they learn that Broadway producer Barney Hopkins is putting on a new show. He promises all of the girls parts in the new show and even hires their neighbor Brad Roberts, an unknown composer, to write some of the music. There's only one problem: he doesn't have the money to bankroll it all. That problem is solved when Brad turns out to be quite rich but he insists that he not perform. When opening night comes, the juvenile lead can't go on forcing Brad to take the stage. He's recognized of course and his upper crust family wants him to quit. When he refuses, they tell him to end his relationship with Polly or face having his income cut off. When Brad's snobbish brother Lawrence mistakes Carol for Polly, the girls decide to have a bit of fun and teach him a lesson. Written by garykmcd

Plot Summary | Add Synopsis

Taglines:

13 BIG STARS - 5 NEW SONG HITS by Harry Warren and Al Dubin See more »

Genres:

Comedy | Drama | Musical

Certificate:

Unrated | See all certifications »
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Details

Country:

Language:

Release Date:

27 May 1933 (USA)  »

Also Known As:

Golddiggers of 1933  »

Box Office

Budget:

$433,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

(Turner library print)

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

In the early "cattle call" scene, the girls are asked to raise their skirts for the producer to appraise their legs. Fay wise-cracks "Not a calf in a carload". This was a pun on the well-known "Not a cough in a carload" slogan of Old Gold cigarettes. See more »

Goofs

At 1:18 into film Lawrence (Warren William) is on his bed with an ice pack, Peabody (Guy Kibbee) sitting next to him. Lawrence gets up and undoes the sash of his robe, but in the very next shot the sash is completely tied, as it had been before. See more »

Quotes

Faneul H. Peabody: [Fay squeals when Trixie kicks her under the table] What's the matter?
Trixie Lorraine: Oh nothing, Fay had an attack of chiseling, it's chronic with her.
See more »

Connections

Featured in The Great Depression (1993) See more »

Soundtracks

Shadow Waltz
(1933) (uncredited)
Music by Harry Warren
Lyrics by Al Dubin
Sung by Dick Powell, Ruby Keeler and chorus
Reprised also in the show
See more »

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User Reviews

 
THE HAPPY ENDING IS NOT THE END.
5 November 2000 | by (Dublin, Ireland) – See all my reviews

There is a pattern to 1930's Hollywood musicals; struggle to put on show proceeds alongside struggle for love to conquer all. And in the end both struggles are successfully concluded. It is a pattern that is broken by "Gold Diggers Of 1933". Sure, all of the usual elements are in place, including the Hungry, Penniless Showgirl Depression setting. But where this movie differs is in the fact that after the various plot strands are neatly tied up, it doesn't end. Instead, we are treated to the last big production number,"My Forgotten Man", as downbeat as it was possible to get in 30's Hollywood. All the Busby Berkeley musicals paid lip service to the Great Depression, but this one goes much further, as "My Forgotten Man" was the last, most enduring image of the film, and the one that audiences left the theatre with. It's placement was a brave decision on the part of whoever made it, and it would be interesting to learn of the public reaction at the time. Because while it is undoubtedly true that in an era of deprivation, you can't blithely make movies that are totally divorced from reality, it's equally true that people want to be reassured there is a better life, and they won't be scratching around in the dirt forever. Personally, I love the number, and it's placement. It's something that has fascinated me since my very first viewing 7 years ago, but it seems to be a point that not a lot of critics have picked up on. Perhaps it wasn't so unusual after all!


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