Multi-millionaire Ezra Ounce wants to start a campaign against 'filthy' forms of entertainment, like Broadway-Shows. He comes to his relatives families and makes them members of his ... See full summary »
Stage-producer J.J. Horbart, is going to put on a new show, but he doesn't know that his two partners lost the money at the stock market. Insurance salesman Rosmer Peck falls in love with ... See full summary »
Aviator and band leader Roger Bond is forever getting his group fired for flirting with the lady guests. When he falls for Brazilian beauty Belinha de Rezende it appears to be for real, ... See full summary »
Dolores del Rio,
Barney Hopkins is producing a new show on Broadway, but the day before it opens, the set and costumes are confiscated due to unpaid bills. Everybody is sitting in the street, and due to the Depression, there is no work for the three chorus girls Carol, Trixie and Polly. But they hear rumors that Barney is producing a new show. They talk to him, and he promises to give them work - when he finds a backer to produce the new show. Barney hears the tunes of the composer next door, Brad Roberts, Polly's friend. Brad joins them and agrees to back the show. On opening night Brad takes over for the juvenile lead, who is suffering from lumbago. Brad has been very publicity-shy, because he is a member of an upper-class wealthy Boston family. When his family hears what he is doing, his brother Lawrence and the family attorney Peabody come to New York, to end his relationship with Polly. But Lawrence mistakes Carol for Polly, who does not correct his mistake. Lawrence decides to separate Polly and... Written by
Stephan Eichenberg <email@example.com>
300 Gorgeous GIRLS Hand-picked from more than 5000 applicants. Each a perfect example of feminine beauty...Add these 300 beauties to the 13 stars, 5 song hits and 4 glittering ensembles and you'll know why we call this picture "THE SHOW of a THOUSAND WONDERS" See more »
Following his quip about Warren and Dubin, Barney Hopkins (Ned Sparks) refers to "the Astaires" in pointing out theatrical excellence. Fred Astaire and his sister Adele Astaire had been the reigning brother/sister duo on Broadway until Adele's retirement the previous year. Ginger Rogers, soon to become Mr. Astaire's screen partner at RKO, is in this scene in which Fred and Adele are mentioned. See more »
During the violin sequence, the cord for the lights on the violin disappears and reappears throughout. See more »
In the early "cattle call" scene, the girls are asked to raise their skirts for the producer to appraise their legs. Ginger Rogers' character wise-cracks "Not a calf in a carload". This was a pun on the well-known "Not a cough in a carload" slogan of Old Gold cigarettes.
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Even better than the splendid "42nd Street," this first of the many "Gold Diggers" films is hitting on all its cylinders. When you have Dick Powell, Ruby Keeler, and Ginger Rogers in the cast, the music of Harry Warren and Al Dubin, AND the choreography of Busby Berkley at his best, how can it be otherwise.
Okay, so Ruby Keeler still can't sing on key and her stomping dance style leaves many cold. She does still have that aura of innocence that helped her so much in "42nd Street" and which makes her performance tolerable. She does have the magnificent Joan Blondell and the soon-to-be-legendary Ginger Rogers to fall back on and, believe me, both ladies are more than equal to the task. (I have long believed that Blondell was one of the finest comic actresses in Hollywood history and Ginger Rogers - well, there was a reason Fred Astaire partnered with her more than with any other. No one could do musical comedy and dance better than Rogers at her peak.)
Yes, Berkley is an acquired taste. I find much of his later work a bit too precious for my tastes. Here, however, where he was still developing his style, it comes across as fresh and invigorating. Some of the numbers could have used a bit more rehearsal (low budget and a short shooting schedule probably nixed that) but they still all work and some are astonishingly good.
Dick Powell is, as usual, splendid and in great voice. Those of us who remember his later career as an award winning dramatic actor and director may not be aware that he was originally a singer - and a damned fine one until cigarette smoking and age took its toll.
Many might be a bit shocked by the bawdiness (naughtiness?) of some of the numbers. This was one of the pre-Hayes code films and it one of the reasons why certain groups of viewers were upset. None of it is dirty but some certainly disturbing to the sensitive. (See "Flying Down to Rio" or "Footlight Parade" for other examples of pre-code examples.) I find it all pretty tame but, in 1933, some considered this scandalous and nearly pornographic. We are talking skimpy clothing and innuendo, nothing more, but this was the 1930s and censorship was getting ready to rear its ugly heads. (See Chaplin's masterful "Monsieur Verdoux" for his not-so-subtle jabs at censorship.)
"Gold Diggers of 1933" is a certified classic and should not be missed by fans of the musical or early Hollywood. Just remember that its a product of its time and not the present age and enjoy it for what it is.
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