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Gold Diggers of 1933 (1933)

Unrated  |   |  Comedy, Drama, Musical  |  27 May 1933 (USA)
8.1
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Ratings: 8.1/10 from 4,918 users  
Reviews: 67 user | 30 critic

Millionaire turned composer Dick Powell rescues unemployed Broadway people with a new play.

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(screenplay) (as Erwin Gelsey) , (screenplay), 3 more credits »
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Title: Gold Diggers of 1933 (1933)

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Nominated for 1 Oscar. Another 1 win. See more awards »

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Cast

Complete credited cast:
Warren William ...
Lawrence
...
Carol
Aline MacMahon ...
Trixie
...
Polly
...
Brad
Guy Kibbee ...
Peabody
Ned Sparks ...
Barney
...
Fay
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Storyline

Chorus girls Polly, Carol and Trixie are ecstatic when they learn that Broadway producer Barney Hopkins is putting on a new show. He promises all of the girls parts in the new show and even hires their neighbor Brad Roberts, an unknown composer, to write some of the music. There's only one problem: he doesn't have the money to bankroll it all. That problem is solved when Brad turns out to be quite rich but he insists that he not perform. When opening night comes, the juvenile lead can't go on forcing Brad to take the stage. He's recognized of course and his upper crust family wants him to quit. When he refuses, they tell him to end his relationship with Polly or face having his income cut off. When Brad's snobbish brother Lawrence mistakes Carol for Polly, the girls decide to have a bit of fun and teach him a lesson. Written by garykmcd

Plot Summary | Add Synopsis

Taglines:

300 Gorgeous GIRLS Hand-picked from more than 5000 applicants. Each a perfect example of feminine beauty...Add these 300 beauties to the 13 stars, 5 song hits and 4 glittering ensembles and you'll know why we call this picture "THE SHOW of a THOUSAND WONDERS" See more »

Genres:

Comedy | Drama | Musical

Certificate:

Unrated | See all certifications »
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Details

Country:

Language:

Release Date:

27 May 1933 (USA)  »

Also Known As:

Golddiggers of 1933  »

Box Office

Budget:

$433,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

(Turner library print)

Sound Mix:

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

As with 42nd Street (1933), this film was shot with two separate units. Mervyn LeRoy's unit, which handled the non-musical parts of the story, worked on a 30-day schedule from February 16 through March 23, 1933. Busby Berkeley oversaw the shooting of the musical numbers between March 6 and April 13. Sol Polito was the cinematographer for both units, with Sidney Hickox filling in for any schedule conflicts. See more »

Goofs

At 1:18 into film Lawrence (Warren William) is on his bed with an ice pack, Peabody (Guy Kibbee) sitting next to him. Lawrence gets up and undoes the sash of his robe, but in the very next shot the sash is completely tied, as it had been before. See more »

Quotes

Faneul H. Peabody: [Fay squeals when Trixie kicks her under the table] What's the matter?
Trixie Lorraine: Oh nothing, Fay had an attack of chiseling, it's chronic with her.
See more »

Connections

Featured in Indie Sex: Censored (2007) See more »

Soundtracks

Untitled
(1933) (uncredited)
Music by Harry Warren
Played after Barney asks Brad if he has any other song
See more »

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User Reviews

ereway inay the oneymay!!
31 October 2003 | by (Washington, DC) – See all my reviews

I've heard of this movie for years, but didn't actually see it until last week when Turner Classic Movies ran it. And it is positively stunning!! On the surface, it moves almost like a carbon copy of 42ND STREET- right up to the last-minute switch in players before the curtain goes up (although in this film, it's Dick Powell instead of Ruby Keeler). But its astringent look at trying to play Tin Pan Alley smack in the middle of the Depression gives it a very adult and tragic significance. It still has the Berkley dazzle- from the "Shadow Waltz" chorus girls (and electric violins) to the now-legendary "We're In The Money" dress rehearsal fronted by a pre-Astaire Ginger Rogers. (I was a teenager when my mother mentioned that one verse of this song was actually sung in Pig Latin- and I swore for twenty-five years that she was pulling my chain. It is one of the cleverest vocal interludes I've ever seen and heard.) But the three girls implied in the film's title- Ruby Keeler, Aline McMahon, and especially the sharp, smart, and gorgeous Joan Blondell- are the best things in the movie. And Blondell fronts the sublime finale number "Forgotten Man-" which pays tribute to the men (and women) of WWI and the ironies which followed. The staging of it- the marching which goes from triumphant to tragic, the torchy, gospel-like vocal of Etta Moten (the black woman sitting in the window), and the pullback shot of everyone coming downstage at the fadeout- is truly spectacular.


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