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Going Hollywood (1933)

Passed  -  Musical | Romance  -  22 December 1933 (USA)
8.2
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Ratings: 8.2/10 from 1,265 users  
Reviews: 25 user | 7 critic

Sylvia is the French teacher at Briarcroft's School for Girls, but she wants to find romance. When she hears Bill on the radio, she decides to leave and thank him. But he is on his way to ... See full summary »

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Title: Going Hollywood (1933)

Going Hollywood (1933) on IMDb 8.2/10

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Cast

Complete credited cast:
...
Sylvia Bruce
...
Bill Williams
Fifi D'Orsay ...
Lili Yvonne
...
Ernest P. Baker
Ned Sparks ...
Conroy
...
Jill
Bobby Watson ...
Thompson
Three Radio Rogues
Rest of cast listed alphabetically:
Henry Armetta ...
(scenes deleted)
Edit

Storyline

Sylvia is the French teacher at Briarcroft's School for Girls, but she wants to find romance. When she hears Bill on the radio, she decides to leave and thank him. But he is on his way to Hollywood with Lili to make a movie. When Sylvia gets to Hollywood, she finds that seeing Bill again is almost impossible, but she gets a job in the chorus. Then when Lili quits the picture, Sylvia is tapped to play her character. But the part she wants is with Bill, a part that Lili seems to have. Written by Tony Fontana <tony.fontana@spacebbs.com>

Plot Summary | Add Synopsis

Genres:

Musical | Romance

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

|

Release Date:

22 December 1933 (USA)  »

Also Known As:

Paid to Laugh  »

Box Office

Budget:

$914,000 (estimated)

Gross:

$962,000 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Marion Davies requested Bing Crosby as her co-star, but William Randolph Hearst, the financial backer of Cosmopolitan Productions, refused because he did not like Crosby's singing style. Composer Arthur Freed, however, convinced Hearst that Crosby would be good for Davies' sagging career. Davies also requested Fifi D'Orsay be cast as "Lili", and Hearst agreed despite his wish to cast Lili Damita in that role. See more »

Quotes

Bill 'Billy' Williams: [singing] Out where they say, "Let us be gay," I'm goin' Hollywood. I'll ballyhoo greetings to you, I'm goin' Hollywood. Hey, while you sleepyheads are in that hay, I'll be dancing - I'm gonna be dancing with a sun-kissed baby. And I'm on my way - here's my beret, I'm going Hollywood!
See more »

Connections

Featured in Hollywoodism: Jews, Movies and the American Dream (1998) See more »

Soundtracks

Beautiful Girl
(1933) (uncredited)
Music by Nacio Herb Brown
Lyrics by Arthur Freed
(First performed in the movie Stage Mother (1933))
Sung by Bing Crosby at a recording session
See more »

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User Reviews

 
A Davies Showcase
11 May 2011 | by (Claremont,USA) – See all my reviews

Spirited young teacher leaves uptight girl's school for fame and fortune in Hollywood.

I tuned in to catch the legendary Marion Davies, WR Hearst's (Citizen Kane) favorite squeeze, and was generally impressed even though the movie is unexceptional. She's got some natural charisma, and can dance and act as well as most musical performers. So this is not a case of a rich Daddy Warbucks making a silk purse out of a no-talent.

The movie itself is expensively produced with a couple impressive dance numbers (e.g. the massed train station), plus a youthful Crosby crooning at his most tuneful. But except for the torchy Temptation, the selections themselves are pretty forgettable. Nonetheless, the many behind-the-scenes look at movie sets remains fascinating. At the same time, macho director Walsh and noir producer Wanger may seem odd choices for the production end of a musical, but this is still early in their respective careers.

Speaking of directors, Ned Sparks who plays the raspy director in the movie appears to have swallowed a lemon and followed it up with a load of sandpaper, providing much of the comedy relief, along with a young Patsy Kelly. But funnier than anyone without even trying is D'Orsay's cartoonish French siren. For cultural historians, there's the guy mimicking radio personalities of the day, making an informative and entertaining novelty act. But I can't help noticing a couple of Davies', shall we say, unusual costumes—one is so fancy, it looks like the crinoline is swallowing her, while the other resembles a big furry snow cone minus the snow. Good thing the rest of her wardrobe is 30's conventional.

All in all, it's a good glimpse back in time, even if the musical end lacks staying power.


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