Fictionalized account of the adventures of hired gunman Antonio das Mortes, set against the real life last days of rural banditism. The movie follows Antonio as he witnesses the descent of ... See full summary »
Geraldo Del Rey,
A simple yet devout Christian makes a vow to Saint Barbara after she saves his donkey, but everyone he meets seems determined to misunderstand his intentions. Will he be able to keep his promise in the end?
A semi-documentary on the people of Rio de Janeiro. The camera follows boys from a hillside shanty town who sell peanuts at Copacabana, Sugar Loaf Mountain, and a soccer game. Various ... See full summary »
Nelson Pereira dos Santos
Modesto De Souza,
Brazilian movie inspired by American westerns (but losing none of its cultural integrity) about Cangaceiro (bandit) Teodoro who falls in love with a small town school teacher who his gang ... See full summary »
The story of a famous Brazilian criminal, called The Red Light Bandit because he always used a red flashlight to break in the houses during the night. Working alone, he also used to rape his female victims.
Eldorado, a fictitious country in Latin America, is sparkling with the internal struggle for political power. In the eye of this social convulsion, the jaded journalist Paulo Martins ... See full summary »
Two friends take two prostitutes for a night of pleasure. But the night turns out to be frustrating for all involved, as much bitterness is revealed in their conversation and attitudes, ... See full summary »
The ironic, heartbreaking and acid "saga" of a spoiled tomato: from the plantation of a "Nisei" (Brazilian with Japanese origins); to a supermarket; to a consumer's kitchen to become sauce ... See full summary »
Period piece about a Brazil that is no more. This movie is the sequel to "God and the Devil in the Land of the Sun" (Deus e o diabo na terra do sol), and takes place 29 years after Antonio ... See full summary »
Maurício do Valle,
Ganga Bruta is, maybe, the best brazilian film ever made. As, for sure, Humberto Mauro is the greatest brazilian film maker. For its age, the movie continues to brake patterns of narrative line, building modern structures of editing and screenwriting.
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