Tired of the dangerous life as gambling boss, Ace Corbin 'retires' from the racket and travels cross-country by train to begin a new life with a new name. On the train, he meets Eleanor and... See full summary »
The fictionalized biography of composer Cole Porter from his days at Yale in the 1910s through the height of his success to the 1940s. The film's attempted biography matches many public ... See full summary »
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Clemson Reade, a business tycoon with marriage on his mind, and Effie, a U.S. diplomat, are a modern couple. Unfortunately there seems to be too much business and not enough pleasure on the... See full summary »
"South of Pico" is an emotionally charged drama in which four strangers witness an unimaginable tragedy and are catapulted into the defining moment of their lives. Set present day in Los ... See full summary »
Tired of the dangerous life as gambling boss, Ace Corbin 'retires' from the racket and travels cross-country by train to begin a new life with a new name. On the train, he meets Eleanor and they fall in love. Eleanor is afraid to tell Ace she's a soiled dove and Ace doesn't tell Eleanor of his shady past. Old enemies won't let Ace begin his new life, and old commitments's won't free Eleanor of her sordid ties. Ace's old life and Eleanor's deception collide with the typical results. But love conquers all! Written by
Debbie Dunlap <firstname.lastname@example.org>
One of over 700 Paramount productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. See more »
Average crime drama; made entertaining by it's cast
A relatively routine crime drama that manages to infuse a rather thin plot with an average degree of tension and pathos. The film does perhaps take a bit too long to cover a far too familiar storyline, but it is reasonably well directed, and is made further palatable it's adept cast - all of whom turn in highly respectable performances that manage to engage the viewer in the plights of the various characters. Cary Grant and Benita Hume are endearing as the protagonists attempting to escape their pasts, Jack La Rue and Arthur Vinton are convincing mobsters, and decent comic relief is provided by Roscoe Karns and Charles Williams (the slightly grating Glenda Farrell is the only major cast member who misses the boat while providing one of her usual tough gal characterizations that feels out-of-place in these proceedings). The film is not particularly memorable once it reaches it's expected conclusion, but it's well-cast ensemble makes it reasonably enjoyable while it's playing.
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