Living with her father and stepmother in Naples, Anna is very unhappy as her stepmother hinders her attempts to live her own life. While her parents are away, she goes out with Carlo, but ... See full summary »
When the villagers of Klineschloss start dying of blood loss, the town fathers suspect a resurgence of vampirism. While police inspector Karl remains skeptical, scientist Dr. von Niemann ... See full summary »
On the sidewalks of the London theater district the buskers (street performers) earn enough coins for a cheap room. Charles, who recites dramatic monologues, sees that a young pickpocket, ... See full summary »
Douglas Fairbanks jr plays Siamese twins, separated by a good doctor [scalpel hemostat sutures quickly!!] after their parents are killed by Vendetta, personified by Akim Tamiroff in bolero ... See full summary »
Douglas Fairbanks Jr.,
Nick Cochran, an American in exile in Macao, has a chance to restore his name by helping capture an international crime lord. Undercover, can he mislead the bad guys and still woo the handsome singer/petty crook, Julie Benson?
Josef von Sternberg,
Newly inaugurated President Judson Hammond is content to live out the next four years exercising a hands-off approach and leaving the problems of Depression America to local authorities. But after a miraculous recovery from an auto accident, Hammond is ready to take on every social ill and neither Congress, gangsters nor the nations of the world will stop him. Written by
Erik Gregersen <email@example.com>
The protest march of the "army of the unemployed" in the story was no doubt a reference to the protest march of the "Bonus Army" in 1932, where veterans of WWI marched on Congress to demand payment of promised bonuses. They were attacked with tanks and tear gas by the U.S. Army led by Gen. Douglas MacArthur on orders of President Herbert Hoover. William Randolph Hearst, who railed against that action in his newpapers, saw to it that the President in this film helped the people. Meanwhile, Louis B. Mayer, a staunch Republican, delayed the movie until Hoover was out of office. See more »
When Pendola and Beekman are speaking in the foyer of the White House early in the film, as she walks away the reflection of the moving microphone boom can be seen in the glass doors behind them. See more »
The Battle Hymn of the Republic
Music by William Steffe (1856)
Lyrics by Julia Ward Howe
Sung a cappella by the army of the unemployed after the
president's reassuring words
Reprised at the signing of the covenent See more »
I basically checked out "Gabriel Over the White House" because of Walter Huston, an actor I have always considered one of the greats. He doesn't disappoint as the President of the United States in this bizarre fantasy, produced by William Randolph Hearst and promoting his ideas of fascism.
I gave this film a high mark (8) not because I loved it but because it is a fascinating film from a historical point of view. Newly-elected President Hammond (Huston) pays lip service to the needs of the depression-ridden people by uttering platitudes, and meanwhile, is content to do what the party tells him. Meanwhile, he brings his girlfriend on as his personal assistant. He pays no attention to the head of a group of unemployed men who plan to march on Washington, though it isn't made clear why his party isn't interested in doing anything to stop the depression. One day, while driving his car at breakneck speed (as if all Presidents are encouraged to do this), he crashes and slips into a coma. When he comes to, he hears a horn playing a passage from Brahms Symphony 1 in C Minor, Opus 68 and has a change of heart. This supposedly is the angel Gabriel checking in. After that, he becomes a dictator of sorts, usurping the system of checks and balances. He forms a WPA of sorts for the unemployed, has executions of gangsters, and forms the Washington covenant to reduce arms buildup from countries around the world. Supposedly there was an assassination attempt that takes place in the film that was cut after an attempt was made on Roosevelt's life.
Supposedly this film was shelved by a nervous Louis B. Mayer until after FDR was elected. It's surprising he released it at all. There is supposedly an alternate version that acknowledges the dangers of fascism. Whatever version you see, this is a film very much of its time as far as the political climate and the thinking of a powerful man like Hearst, and as such makes for remarkable viewing.
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