6.4/10
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11 user 6 critic

From Headquarters (1933)

When a Broadway playboy is found dead, it's up to detective Jim Stevens to pick the murderer out of several likely candidates.

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Cast

Complete credited cast:
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Manny Wales
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Dolly White
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Jack Winton
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Muggs Manton
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Mac
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Gordon Bates
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Storyline

A wealthy Broadway playboy is found dead. He was actually a vicious blackmailer. It's up to police lieutenant Jim Stevens to pick the murderer out of several likely candidates like the cocaine addict Dolly White. And Stevens has a love-affair with Lou Ann Winton, who may or may not be mixed up in the murder. Written by Robert

Plot Summary | Add Synopsis

Genres:

Mystery | Drama

Certificate:

TV-G | See all certifications »
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Details

Country:

Language:

Release Date:

16 November 1933 (USA)  »

Also Known As:

O Rastro Invisível  »

Company Credits

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Technical Specs

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Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

In the opening scenes, fingerprints are being rolled onto a fingerprint card and the card then removed. That is wrong in that the prints were rolled properly but prints were left off. On the bottom of the card on the right, flats are taken of the right fingers and the flat of the thumb is taken. The same is done for the left four and the thumb. This card would have been rejected as being incomplete. Three cards are usually done. One for the city police records, one for the state, and one for the FBI records. See more »

Soundtracks

Shuffle Off to Buffalo
(1933) (uncredited)
Music by Harry Warren
Whistled by the policeman as he walks up the stairs
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User Reviews

A curio of creaky ciminology
7 December 1998 | by See all my reviews

As a mystery, From Headquarters isn't very challenging, but it might hold your interest as a behind-the-scenes glimpse of police procedure. The film is at its best when showing the details of a typical murder investigation, including two scenes that prove how little ballistic testing has changed in more than five decades. Another plus is the photography, which generally rises above other programmers of its ilk. [In one set-up, the camera establishes a shot of an autopsy in progress and then takes the vantage of the corpse looking up at the doctors.] There is also a pre-code reference to drug addiction, personified by a murder suspect (Dorothy Burgess) who is a riot of facial ticks, jitters and hysterical laughter. The cast is competant, if largely uninspired, with leads Brent and Lindsay their usual drab selves. Some of the supporting players--Hobart Cavanaugh's non-comic safe cracker, Hugh Herbert's pesky bail bondsman, Edward Ellis's enthusiastic forensics man and Robert Barrat's eccentric rug importer--are decidedly better. Not one of director Dieterle's best, but an interesting curio all the same.


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