Multi-millionaire Ezra Ounce wants to start a campaign against 'filthy' forms of entertainment, like Broadway-Shows. He comes to his relatives families and makes them members of his ... See full summary »
In a luxury hotel stage director Nicoleff stages a show to get the money to pay his bills. Mrs. Prentiss, who is backing the show wants her daughter Ann to marry the millionaire T. Mosely ... See full summary »
Renowned Broadway producer/director Julian Marsh is hired to put together a new musical revue. It's being financed by Abner Dillon to provide a starring vehicle for his girlfriend, songstress Dorothy Brock. Marsh, who is quite ill, is a difficult task master working long hours and continually pushing the cast to do better. When Brock breaks her ankle one of the chorus girls, Peggy Sawyer, gets her big chance to be the star. She also finds romance along the way. Written by
The original Broadway production based on this film opened at the Winter Garden Theater on August 25, 1980, ran for 3486 performances, won the 1981 Tony Award for the Best Musical and was nominated for Best Book for a Musical. See more »
The same drinking glass (water) is used throughout the movie. The glass is first seen during the rehearsals when Peggy faints. The same glass then pops up again in Pat Denning's home/apartment when he uses it for his lapel flower/button hole, then again the exact same glass appears in Julian Marsh's hotel room, but this time after the company have moved on to Philadelphia. See more »
[singing while eating an apple]
Matrimony is baloney
[eating a banana]
She'll be wanting alimony in a year or so;
Ann Lowell, Loraine:
Still they go and shuffle, shuffle off to Buffalo.
When she knows as much as we know, she'll be on her way to Reno,
While he still has dough; she'll give him the shuffle
Ann Lowell, Loraine:
When they're back from Buffalo.
I'll bet that she's the farmer's daughter
And he's that well-known traveling man;
He once stopped down at the farm house,
That's how the whole affair began!
[...] See more »
Adorable musical gem retains its charms in the 21st century
While a few lines here and there no longer hold their spark, overall, this is a really charming little musical. THE backstage musical.
In her screen debut, it's impossible not to like Ruby Keeler, the stereotypical girl hoofer next door. Keeler had amazing energy -- after retirement and many years raising her family, she returned to Broadway in "No No Nanette". How many 80 year olds do you know who could still tap against the footlights? (As for comparisons between Keeler and wisecracker Ginger Rogers, that's about as silly as comparing Fred Astaire to Gene Kelly. Keeler, like Kelly, had a raw, athletic talent; Astaire, on the other hand, was more of a suave dancer, while Rogers exuded a sexy, spirited appeal.)
The cast is terrific. Warner Baxter seems ready to crack up any second; former silent star Bebe Daniels is classy, likable and vulnerable even in her bitchiest moments. One of her best scenes is during a drunken cast party the night before the musical opens in Philly, when she kicks and screams with abandon, and yet, you can't blame the dame. "When you're in a lady's room, act like one!"
Una Merkel, with Rogers, is hilarious, batting her eyes all over the place.
There's some masculine eye candy, too, when Keeler walks in on Dick"Young & Healthy" Powell in his underwear.
He can hold a great tune, seranading Berkeley's favorite gal, Toby Wing. Wing is so luminous in her spotlight number, it's hard to believe she never broke it wide open, like other former chorus gals Paulette Godard, Betty Grable and Lucille Ball.
George Brent, the blandest of Warners' leading men, is hopelessly miscast as Daniels' old vaudeville companion, but he plays well against Ruby Keeler and Daniels. A sharp little scene with Keeler's Irish landlady underscores the desperate times. Keeler's living on a prayer, living in a small room with a suitcase and not much more.
A great flick for a late evening, or Sunday afternoon.
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