7.7/10
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42nd Street (1933)

Unrated | | Comedy, Musical, Romance | 11 March 1933 (USA)
A director puts on what may be his last Broadway show and, at the last moment, a naive newcomer has to replace the star.

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(screen play), (screen play) | 1 more credit »
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Nominated for 2 Oscars. Another 1 win. See more awards »
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Cast

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Mac Elroy
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Terry
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Jones
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Andy Lee
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Storyline

Renowned Broadway producer/director Julian Marsh is hired to put together a new musical revue. It's being financed by Abner Dillon to provide a starring vehicle for his girlfriend, songstress Dorothy Brock. Marsh, who is quite ill, is a difficult task master working long hours and continually pushing the cast to do better. When Brock breaks her ankle one of the chorus girls, Peggy Sawyer, gets her big chance to be the star. She also finds romance along the way. Written by garykmcd

Plot Summary | Add Synopsis

Taglines:

OK. Say, Jones and Barry are doin' a show! - That's great. Jones and Barry are doin' a show.


Certificate:

Unrated | See all certifications »

Parents Guide:

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Details

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Release Date:

11 March 1933 (USA)  »

Also Known As:

Forty-Second Street  »

Box Office

Budget:

$439,000 (estimated)

Gross:

$2,300,000 (USA)
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Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The original Broadway production based on this film opened at the Winter Garden Theater on August 25, 1980, ran for 3486 performances, won the 1981 Tony Award for the Best Musical and was nominated for Best Book for a Musical. See more »

Goofs

The establishing shot of Dorothy Brock's (Bebe Daniels) hotel door, on the night before the big opening, clearly shows her to be in room 831, yet, when she throws everyone out of her rooms a few minutes later, the door number is 284. See more »

Quotes

Ann Lowell: [singing while eating an apple] Matrimony is baloney
Loraine: [eating a banana] She'll be wanting alimony in a year or so;
Ann LowellLoraine: Still they go and shuffle, shuffle off to Buffalo.
Ann Lowell: When she knows as much as we know, she'll be on her way to Reno,
Loraine: While he still has dough; she'll give him the shuffle
Ann LowellLoraine: When they're back from Buffalo.
Ann Lowell: I'll bet that she's the farmer's daughter
Loraine: And he's that well-known traveling man;
Ann Lowell: He once stopped down at the farm house,
Loraine: That's how the whole affair began!
[...]
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Soundtracks

You're Getting to Be a Habit with Me
(1932) (uncredited)
Lyrics by Al Dubin
Music by Harry Warren
Played in the opening credits and often in the score
Sung by Bebe Daniels with Harry Akst at the piano
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User Reviews

 
No Oscar Nomination for Bebe Daniels?
23 June 2005 | by (United States) – See all my reviews

Perhaps the greatest musical of them all, this lively Warner Bros film boats a great cast and music and served as the prototype plot for scores of other films. Backstage drama in putting on a show when the star falls and breaks her ankle and must be replaced by a newcomer. It worked in film, and it worked in the Broadway stage version of this film. This film also served as a springboard to stardom for Dick Powell, Ruby Keeler, and Ginger Rogers. Warner Baxter stars as the dyspeptic director who harangues his cast into making a great show. Bebe Daniels is his star who is seeing an old boyfriend (George Brent) while stringing along rube producer (Guy Kibbee). Ruby Keeler is the newcomer who has eyes for the show's "juvenile" (Dick Powell) and who is befriended by old hands, Ginger Rogers and Una Merkel. Toss in Ned Sparks, Allen Jenkins, George E. Stone, Louise Beavers, Charles Lane, Lyle Talbot, Henry B. Walthall, and the day's top chorus girl, Toby Wing. Great musical numbers boast the singing talents of Powell and the dancing talents of Keeler. Bebe Daniels also has a great number in "You're Getting to Be a Habit with Me." And Rogers does NOT make a mistake during the "Shuffle Off to Buffalo" number. She starts to say "belly" but changes it to "tummy." It's part of the show, folks! "Belly" was considered to be a vulgar term in 1933; her use of the word shows her character. It's not a mistake. But it is odd that Keeler stars in this number with Clarence Nordstrom rather than Dick Powell. Other songs include "Young and Healthy" and the superb "42nd Street." The best and oft repeated line belongs to Daniels speaking to Keeler: "Now go out there and be so swell …. that you'll make me hate you!" This line is also said by Glenda Jackson to Twiggy in 1971's The Boy Friend.


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