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42nd Street (1933)

7.7
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Ratings: 7.7/10 from 6,849 users  
Reviews: 91 user | 48 critic

A producer puts on what may be his last Broadway show, and at the last moment a chorus girl has to replace the star...

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(screen play), (screen play), 2 more credits »
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Title: 42nd Street (1933)

42nd Street (1933) on IMDb 7.7/10

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Nominated for 2 Oscars. Another 1 win. See more awards »

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Cast

Complete credited cast:
...
...
George Brent ...
...
Guy Kibbee ...
Una Merkel ...
...
Ann
Ned Sparks ...
Barry
...
...
Mac Elroy
Edward J. Nugent ...
Terry
Robert McWade ...
Jones
...
Andy Lee
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Storyline

Julian Marsh (Warner Baxter), a successful Broadway director, produces a new show, in spite of his poor health. The money comes from a rich older man, who is in love with the star of the show, Dorothy Brock. But Dorothy (Bebe Daniels) doesn't respond to his love, because she's still in love with her old partner. On the night before the premiere, Dorothy breaks her ankle, and Peggy Sawyer (Ruby Keeler), one of the chorus girls, tries to take over Dorothy's part. Written by Stephan Eichenberg <eichenbe@fak-cbg.tu-muenchen.de>

Plot Summary | Add Synopsis


Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

11 March 1933 (USA)  »

Also Known As:

Forty-Second Street  »

Box Office

Budget:

$439,000 (estimated)

Gross:

$2,300,000 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

In the 42nd Street finale, dancers on stage pass a store named Reticker's. It was named after Warner Bros. art director Hugh Reticker, who labored at WB for two decades, but did not get screen recognition until two years after this film was made. It's likely he had a hand in designing this set also. See more »

Goofs

The establishing shot of Dorothy Brock's (Bebe Daniels) hotel door, on the night before the big opening, clearly shows her to be in room 831, yet, when she throws everyone out of her rooms a few minutes later, the door number is 284. See more »

Quotes

Ann Lowell: [singing] Matrimony is baloney
Loraine: She'll be wanting alimony in a year or so;
Ann LowellLoraine: Still they go and shuffle, shuffle off to Buffalo.
Ann Lowell: When she knows as much as we know, she'll be on her way to Reno,
Loraine: While he still has dough; she'll give him the shuffle
Ann LowellLoraine: When they're back from Buffalo.
Ann Lowell: I'll bet that she's the farmer's daughter
Loraine: And he's that well-known traveling man;
Ann Lowell: He once stopped down at the farm house,
Loraine: That's how the whole affair began!
[...]
See more »

Connections

Featured in The Freshman (1990) See more »

Soundtracks

Love Theme
(1932) (uncredited)
Music by Harry Warren
Instrumental heard in apartment scene with Pat Denning and Peggy Sawyer
Also heard after Peggy's practice for the lead in the show, when Billy Lawler joins her
See more »

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User Reviews

 
the musical that changed musicals
20 June 2004 | by (New Jersey, USA) – See all my reviews

I seem to recall reading/hearing somewhere that movie musicals were becoming less popular in the 1930s. They were, for the most part, creaky messes with poor sound quality. Then came this movie, which you can credit (or blame, depending on whether you like musicals or not) for popularizing them.

The story has been done before now (2004) and was probably done before in 1933. Prima donna gets injured, the ingenue must take her place. All the clichés come out in full force, but with enough enthusiasm that you may find yourself sucked in, depending on how jaded a viewer you are.

The performances are good. Daniels is stunning, and a good actress, and she can sing. We don't get to see her dance too much though. Powell makes a good juvenile lead and sings well. Keeler gets a bit annoying, but that's probably just the character she is playing. She cannot really sing, and I never thought her dancing was that great. I'm a fan of Ginger Rogers though, so I am biased when I wonder how this movie could have catapulted Keeler and Powell to stardom while Rogers had to wait until she was paired with Astaire for her career to take off. After seeing movies starring the likes of Astaire, Rogers, Eleanor Powell, Ann Miller, Gene Kelly, etc. I find Keeler's dancing to be a bit heavy-footed. Not that it is terrible, she does pull the part off well enough. The Busby Berkeley choreography is fabulous--no one did it like he did it. Just never you mind that if the show were actually on a stage the way it is supposed to be in the movie, you wouldn't actually notice the aerial geometric patterns. Still, it is nice to look at. So leave your sense of reality in the other room, pop this movie in your VCR/DVD player, and enjoy!


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