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42nd Street (1933)

Unrated | | Comedy, Musical, Romance | 11 March 1933 (USA)
A producer puts on what may be his last Broadway show and, at the last moment, a chorus girl has to replace the star.

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(screen play), (screen play) | 1 more credit »
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Nominated for 2 Oscars. Another 1 win. See more awards »

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Cast

Complete credited cast:
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Ned Sparks ...
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Mac Elroy
Edward J. Nugent ...
Terry
Robert McWade ...
Jones
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Andy Lee
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Storyline

Renowned Broadway producer/director Julian Marsh is hired to put together a new musical revue. It's being financed by Abner Dillon to provide a starring vehicle for his girlfriend, songstress Dorothy Brock. Marsh, who is quite ill, is a difficult task master working long hours and continually pushing the cast to do better. When Brock breaks her ankle one of the chorus girls, Peggy Sawyer, gets her big chance to be the star. She also finds romance along the way. Written by garykmcd

Plot Summary | Add Synopsis

Taglines:

OK. Say, Jones and Barry are doin' a show! - That's great. Jones and Barry are doin' a show.


Certificate:

Unrated | See all certifications »

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Details

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Release Date:

11 March 1933 (USA)  »

Also Known As:

Forty-Second Street  »

Box Office

Budget:

$439,000 (estimated)

Gross:

$2,300,000 (USA)
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Company Credits

Production Co:

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Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The original Broadway production based on the movie "42nd Street" opened at the Winter Garden Theater on August 25, 1980, ran for 3486 performances, won the 1981 Tony Award for the Best Musical and was nominated for Best Book for a Musical. See more »

Goofs

The same drinking glass (water) is used throughout the movie. The glass is first seen during the rehearsals when Peggy faints. The same glass then pops up again in Pat Denning's home/apartment when he uses it for his lapel flower/button hole, then again the exact same glass appears in Julian Marsh's hotel room, but this time after the company have moved on to Philadelphia. See more »

Quotes

Ann Lowell: [singing while eating an apple] Matrimony is baloney
Loraine: [eating a banana] She'll be wanting alimony in a year or so;
Ann LowellLoraine: Still they go and shuffle, shuffle off to Buffalo.
Ann Lowell: When she knows as much as we know, she'll be on her way to Reno,
Loraine: While he still has dough; she'll give him the shuffle
Ann LowellLoraine: When they're back from Buffalo.
Ann Lowell: I'll bet that she's the farmer's daughter
Loraine: And he's that well-known traveling man;
Ann Lowell: He once stopped down at the farm house,
Loraine: That's how the whole affair began!
[...]
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Connections

Referenced in The Big Lebowski (1998) See more »

Soundtracks

Shuffle Off to Buffalo
(1932) (uncredited)
Lyrics by Al Dubin
Music by Harry Warren
Sung and Danced by Ruby Keeler and Clarence Nordstrom
Also sung by Ginger Rogers, Una Merkel, and Chorus
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User Reviews

 
the musical that changed musicals
20 June 2004 | by (New Jersey, USA) – See all my reviews

I seem to recall reading/hearing somewhere that movie musicals were becoming less popular in the 1930s. They were, for the most part, creaky messes with poor sound quality. Then came this movie, which you can credit (or blame, depending on whether you like musicals or not) for popularizing them.

The story has been done before now (2004) and was probably done before in 1933. Prima donna gets injured, the ingenue must take her place. All the clichés come out in full force, but with enough enthusiasm that you may find yourself sucked in, depending on how jaded a viewer you are.

The performances are good. Daniels is stunning, and a good actress, and she can sing. We don't get to see her dance too much though. Powell makes a good juvenile lead and sings well. Keeler gets a bit annoying, but that's probably just the character she is playing. She cannot really sing, and I never thought her dancing was that great. I'm a fan of Ginger Rogers though, so I am biased when I wonder how this movie could have catapulted Keeler and Powell to stardom while Rogers had to wait until she was paired with Astaire for her career to take off. After seeing movies starring the likes of Astaire, Rogers, Eleanor Powell, Ann Miller, Gene Kelly, etc. I find Keeler's dancing to be a bit heavy-footed. Not that it is terrible, she does pull the part off well enough. The Busby Berkeley choreography is fabulous--no one did it like he did it. Just never you mind that if the show were actually on a stage the way it is supposed to be in the movie, you wouldn't actually notice the aerial geometric patterns. Still, it is nice to look at. So leave your sense of reality in the other room, pop this movie in your VCR/DVD player, and enjoy!


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