In her debut feature film, writer/director Angela Garcia Combs spins a dark and funny tale of an ambitious young woman at a crucial turning point in her career and her relationship with her... See full summary »
Angela Garcia Combs
Julia Garcia Combs,
In a luxury hotel stage director Nicoleff stages a show to get the money to pay his bills. Mrs. Prentiss, who is backing the show wants her daughter Ann to marry the millionaire T. Mosely ... See full summary »
When Fred Frenger gets out of prison, he decides to start over in Miami, Florida, where he starts a violent one-man crime wave. He soon meets up with amiable college student/prostitute ... See full summary »
Jennifer Jason Leigh
It's a high school summer job for Julia and Alexander - the chance to earn money and work with eccentric, charismatic social studies teacher, Mr. Zenidro. But something else awaits them in ... See full summary »
Wes Tomasz Ciesla
When the search engine he designs answers "yes" to the question "is the government of the United States evil?", a brilliant computer programmer is arrested and held in isolation. Desperate,... See full summary »
Robert Sean Campbell,
May, a young Canadian woman with a horrifying past travels to the small highly spiritual town to take her vows into nun hood. There she begins to have premonitions of varies murders that ... See full summary »
Maria Grazia Cucinotta,
Scrappy, willful, and fiercely self-reliant spitfire hoyden automobile mechanic Tomasina 'Tommy' Boyd develops a huge crush on cocky race car driving dreamboat hunk Randy Starr after ... See full summary »
Stage-producer J.J. Horbart, is going to put on a new show, but he doesn't know that his two partners lost the money at the stock market. Insurance salesman Rosmer Peck falls in love with ... See full summary »
Renowned Broadway producer/director Julian Marsh is hired to put together a new musical revue. It's being financed by Abner Dillon to provide a starring vehicle for his girlfriend, songstress Dorothy Brock. Marsh, who is quite ill, is a difficult task master working long hours and continually pushing the cast to do better. When Brock breaks her ankle one of the chorus girls, Peggy Sawyer, gets her big chance to be the star. She also finds romance along the way. Written by
The "42nd Street" finale features full size cars as well as buildings. In order to present this the stage would have had to be at least 60 feet deep and over 100 feet wide. This would be impossible in a real theater. See more »
[to chorus girl]
It must have been hard on your mother, not having any children.
See more »
Perhaps the greatest musical of them all, this lively Warner Bros film boats a great cast and music and served as the prototype plot for scores of other films. Backstage drama in putting on a show when the star falls and breaks her ankle and must be replaced by a newcomer. It worked in film, and it worked in the Broadway stage version of this film. This film also served as a springboard to stardom for Dick Powell, Ruby Keeler, and Ginger Rogers. Warner Baxter stars as the dyspeptic director who harangues his cast into making a great show. Bebe Daniels is his star who is seeing an old boyfriend (George Brent) while stringing along rube producer (Guy Kibbee). Ruby Keeler is the newcomer who has eyes for the show's "juvenile" (Dick Powell) and who is befriended by old hands, Ginger Rogers and Una Merkel. Toss in Ned Sparks, Allen Jenkins, George E. Stone, Louise Beavers, Charles Lane, Lyle Talbot, Henry B. Walthall, and the day's top chorus girl, Toby Wing. Great musical numbers boast the singing talents of Powell and the dancing talents of Keeler. Bebe Daniels also has a great number in "You're Getting to Be a Habit with Me." And Rogers does NOT make a mistake during the "Shuffle Off to Buffalo" number. She starts to say "belly" but changes it to "tummy." It's part of the show, folks! "Belly" was considered to be a vulgar term in 1933; her use of the word shows her character. It's not a mistake. But it is odd that Keeler stars in this number with Clarence Nordstrom rather than Dick Powell. Other songs include "Young and Healthy" and the superb "42nd Street." The best and oft repeated line belongs to Daniels speaking to Keeler: "Now go out there and be so swell . that you'll make me hate you!" This line is also said by Glenda Jackson to Twiggy in 1971's The Boy Friend.
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