7.8/10
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63 user 30 critic

Footlight Parade (1933)

Chester Kent struggles against time, romance, and a rival's spy to produce spectacular live "prologues" for movie houses.

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Cast

Cast overview, first billed only:
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...
...
Bea Thorn
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Scotty Blair
...
Francis
...
Silas Gould
...
Mrs. Harriet Gould
...
Bowers
...
Vivian Rich
Gordon Westcott ...
Thompson
Arthur Hohl ...
Frazer
Renee Whitney ...
Cynthia Kent
Barbara Rogers ...
Gracie
...
Apolinaris
...
Joe Grant
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Storyline

Chester Kent produces musical comedies on the stage. With the beginning of the talkies era he changes to producing short musical prologues for movies. This is stressful to him, because he always needs new units and his rival is stealing his ideas. He can get an contract with a producer if he is able to stage in three days three new prologues. In spite of great problems, he does it. Written by Stephan Eichenberg <eichenbe@fak-cbg.tu-muenchen.de>

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All directed and staged by the internationally famous creators of "42nd Street", Lloyd Bacon and Busby Berkeley. CAN YOU EVEN THINK OF MISSING IT? See more »


Certificate:

G | See all certifications »
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Details

Country:

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Release Date:

21 October 1933 (USA)  »

Also Known As:

A rivalda fénye  »

Box Office

Budget:

$703,000 (estimated)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Three and a half minutes into FOOTLIGHT PARADE, Chester (James Cagney), Si (Guy Kibbee), and others watch the ending of the Fox film THE BIG TRAIL (1930) in a movie theater, during which John (John Wayne) hugs Ruth (Marguerite Churchill) as Zeke (Tully Marshall) looks on. See more »

Goofs

Before the bus leaves for the three prologue performances the call board reads Diana Theatre 8pm, Mercury Theatre 9pm and Jupiter Theatre 10pm. They arrive at the Jupiter Theatre first and proceed in reverse order from what was written on the call board. See more »

Quotes

Chester Kent: Well, I sure know how to pick 'em.
Nan Prescott: You said it, Papa.
Chester Kent: Maybe you should help me next time, huh?
Nan Prescott: What do you think I've been trying to do?
See more »

Connections

Referenced in And She Learned About Dames (1934) See more »

Soundtracks

Honeymoon Hotel
(1933) (uncredited)
Music by Harry Warren
Lyrics by Al Dubin
Performed by Dick Powell, Ruby Keeler and Chorus
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Frequently Asked Questions

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User Reviews

 
Depression Era Musical Masterpiece
23 July 2002 | by See all my reviews

Footlight Parade is among the best of the 1930's musical comedy extravaganzas. A snappy script and an all-star cast including Jimmy Cagney, the lovely Joan Blondell, Dick Powell, and Ruby Keeler make this film a cut above the rest. Directed and choreographed by the creative genius Busby Berkeley, this film will have you grinning from ear-to-ear from start to finish.

Busby, of course, is the undisputed master of the Hollywood musical with "Gold Diggers of 1933" and "42nd Street" to his credit (as Dance Director). Footlight Parade is graced by hundreds of scantily-clad chorus girls, a Berkeley trademark. The elaborate dance numbers were shot with only one camera and Busby was the first director to film close-ups of the dancers. His obsession with shapely legs and "rear-view" shots is amply demonstrated here. The overall effect is highly erotic and mesmerizing.

Our boy Jimmy Cagney plays Chester Kent, a producer of "prologues" or short musical stage productions that were performed in movie theaters to entertain the audience before the talkies were shown. He's surrounded by crooked partners, a corporate spy, and a gold-digging girlfriend. Although Cagney had a solid background in vaudeville, this was the first film in which he showed his dancing talents. Joan Blondell is memorable as Cagney's wise-cracking, lovestruck secretary. And Ruby Keeler is adorable, as always.

The film climaxes with three outstanding production numbers, "Honeymoon Hotel", "The Waterfall", and "Shanghai Lil", each one a masterpiece and not likely to be duplicated in today's Hollywood where so-called "special effects" have replaced creative cinematography.

Claudia's Bottom Line: Clever and erotic, with some of the best musical production numbers ever put on celluloid. A thoroughly enjoyable Depression era romp.


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