Five members of a teen-age gang, including leader Jimmy Smith, are sent to the State Reformatory, presided over by the melodramatically callous Thompson. Soon, Patsy Gargan, a former ... See full summary »
Multi-millionaire Ezra Ounce wants to start a campaign against 'filthy' forms of entertainment, like Broadway-Shows. He comes to his relatives families and makes them members of his ... See full summary »
In a luxury hotel stage director Nicoleff stages a show to get the money to pay his bills. Mrs. Prentiss, who is backing the show wants her daughter Ann to marry the millionaire T. Mosely ... See full summary »
Stage-producer J.J. Horbart, is going to put on a new show, but he doesn't know that his two partners lost the money at the stock market. Insurance salesman Rosmer Peck falls in love with ... See full summary »
Chester Kent produces musical comedies on the stage. With the beginning of the talkies era he changes to producing short musical prologues for movies. This is stressful to him, because he always needs new units and his rival is stealing his ideas. He can get an contract with a producer if he is able to stage in three days three new prologues. In spite of great problems, he does it. Written by
Stephan Eichenberg <email@example.com>
This film was selected to the National Film Registry, Library of Congress, in 1992. See more »
The newspaper claims that Honeymoon Hotel has "400 rooms, 400 baths," and yet later we see all guests of each floor disappearing into a single bathroom on each floor. See more »
You scram, before I wrap a chair around your neck!
It's three o'clock in the morning - where do you want me to go?
[Nan starts to speak, but Vivian immediately cuts her off]
You cheap stenographer...
Outside, countess. As long as they've got sidewalks YOU'VE got a job.
[Shoves her out, gives her a swift kick in the rump, and slams the door behind her]
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Busby's genius --his "fantastic" use of camera and editing-- is even more remarkably innovative when you remember that only a few years before this film was made on the sound stages of Warner Bros. in 1933 cameras were stuck in sound proof booths in order to deaden the noise of the machine. Many movies back then were no more than static reproductions of talky stage plays. Busby opened the door to pure cinema.
Busby is surely one of the first directors to realize that if you pre-recorded the music sound tracks before you filmed the musical numbers you could then move the actors and dancers as you wished; the performers would either be lip-syncing or dancing to playback and the camera could be anywhere high or low. Busby's previous experience as a drill master in the military also taught him how to train dancers and swimmers by giving them only a few steps (or strokes) to learn at a time; by clever editing a montage of shots in time to a set music track he could then give the impression of a continuously flowing extravaganza a la Zigfield. One can only imagine how many hours went into getting the never-to-be-equaled overhead snake design shot in "By A Waterfall."
Yes, the Odessa steps sequence in "Potemkin" is justifiably considered to be one of the great innovative moments in cinema. Let me cast my vote for Busby's incomparable last act to "Footlight Parade."
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