| Photos (See all 22 | slideshow) | Videos (see all 2) |
| Dolores del Rio | ... | Belinha De Rezende (as Dolores Del Rio) | |
| Gene Raymond | ... | Roger Bond | |
| Raul Roulien | ... | Julio Ribeiro | |
| Ginger Rogers | ... | Honey Hale | |
| Fred Astaire | ... | Fred Ayres | |
| Blanche Friderici | ... | Dona Elena de Rezende | |
| Walter Walker | ... | Senhor Carlos de Rezende | |
| Etta Moten | ... | The Carioca Singer | |
| Roy D'Arcy | ... | Member Greek Gambling Syndicate | |
| Maurice Black | ... | Member Greek Gambling Syndicate | |
| Armand Kaliz | ... | Member Greek Gambling Syndicate | |
| Paul Porcasi | ... | The Mayor | |
| Reginald Barlow | ... | Alfredo Vianna, The Banker | |
| Eric Blore | ... | Mr. Butterbass, Asst. Hotel Manager | |
| rest of cast listed alphabetically: | |||
| Luis Alberni | ... | Rio Casino Manager (uncredited) | |
| Rafael Alvir | ... | (uncredited) | |
| Alyce Ardell | ... | Maid (uncredited) | |
| Carmen Bailey | ... | Dancer (uncredited) | |
| Don 'Red' Barry | ... | Dancer (uncredited) | |
| Leon Beaumon | ... | Yankee Clipper (uncredited) | |
| Eddie Boland | ... | Airplane Mechanic (uncredited) | |
| Eddie Borden | ... | Eddie, Yankee Clipper (uncredited) | |
| Harry Bowen | ... | Airport Mechanic (uncredited) | |
| Sidney Bracey | ... | Rodrigues, the Chauffeur (uncredited) | |
| Mary Bracken | ... | Dancer (uncredited) | |
| The Brazilian Turunas | ... | Musical Ensemble (uncredited) | |
| Lucile Browne | ... | Belinha's Friend (uncredited) | |
| Alex Chivra | ... | Waiter (uncredited) | |
| Helen Collins | ... | Dancer (uncredited) | |
| Ray Cooke | ... | Yankee Clipper Banjo Player (uncredited) | |
| Gino Corrado | ... | Messenger (uncredited) | |
| Sue Curtis | ... | Dancer (uncredited) | |
| Grace Davies | ... | Dancer (uncredited) | |
| Henry De Silva | ... | Waiter (uncredited) | |
| Amapola Del Vando | ... | Dancer (uncredited) | |
| Armand Delmar | ... | Dancer (uncredited) | |
| Joe Dominguez | ... | Waiter (uncredited) | |
| Juan Duval | ... | Dancer (uncredited) | |
| John Eberts | ... | Waiter (uncredited) | |
| Celeste Edwards | ... | Dancer (uncredited) | |
| Emilio Fernández | ... | Dancer (uncredited) | |
| Betty Furness | ... | Belinha's Friend (uncredited) | |
| Vina Gale | ... | Dancer (uncredited) | |
| Jack Gargan | ... | Yankee Clipper (uncredited) | |
| Alice Gentle | ... | Singer - 'Carioca' Number (uncredited) | |
| Jack Good | ... | Yankee Clipper (uncredited) | |
| Margaret Harding | ... | Dancer (uncredited) | |
| Pauline High | ... | Dancer (uncredited) | |
| Shep Houghton | ... | Dancer (uncredited) | |
| Grace Walston Jester | ... | Dancer (uncredited) | |
| Harvey Karels | ... | Dancer (uncredited) | |
| Mary Kornman | ... | Belinha's Friend (uncredited) | |
| Martha La Venture | ... | Dancer (uncredited) | |
| Perc Launders | ... | Yankee Clipper (uncredited) | |
| Wallace MacDonald | ... | Airplane Pilot (uncredited) | |
| Francisco Marán | ... | Waiter (uncredited) | |
| Helen McAllister | ... | Dancer (uncredited) | |
| Rex Moore | ... | Dancer (uncredited) | |
| Laura Morse | ... | Dancer (uncredited) | |
| Edmund Mortimer | ... | Nightclub Patron (uncredited) | |
| Movita | ... | Singer - 'Carioca' Number (uncredited) | |
| Clarence Muse | ... | Caddy in Haiti (uncredited) | |
| Margaret Nearing | ... | Dancer (uncredited) | |
| Franklin Pangborn | ... | Hammerstein - the Hotel Manager (uncredited) | |
| Manuel París | ... | Man at Aviator's Club (uncredited) | |
| Pedro Regas | ... | Waiter (uncredited) | |
| Jack Rice | ... | Yankee Clipper (uncredited) | |
| Ruth Riley | ... | Dancer (uncredited) | |
| Julian Rivero | ... | Antônio - Billboard Worker (uncredited) | |
| Gladyce Roberts | ... | Dancer (uncredited) | |
| Adrian Rosley | ... | Hotel Atlântico Manager (uncredited) | |
| Audry Savage | ... | Dancer on Wing (uncredited) | |
| Ruby jo Savage | ... | Dancer on Wing (uncredited) | |
| Harry Semels | ... | Billboard Worker (uncredited) | |
| Barbara Sheldon | ... | Dancer (uncredited) | |
| Marla Shelton | ... | Dancer (uncredited) | |
| Mary Stewart | ... | Dancer (uncredited) | |
| Jerome Storm | ... | Dancer (uncredited) | |
| Eddie Tamblyn | ... | Yankee Clipper (uncredited) | |
| Carol Tevis | ... | Blindfolded Blonde (uncredited) | |
| Doris Toddings | ... | Dancer (uncredited) | |
| Alma Travers | ... | Dancer (uncredited) | |
| Joe Venuti | ... | Violinist in Orchestra (uncredited) | |
| Dick Webster | ... | Band Member (uncredited) | |
| Douglas Williams | ... | Yankee Clipper (uncredited) | |
| Howard Wilson | ... | Yankee Clipper (uncredited) | |
| Dorothy Young | ... | Dancer (uncredited) | |
Directed by | |||
| Thornton Freeland | |||
Writing credits | ||
| Cyril Hume | (screenplay) & | |
| H.W. Hanemann | (screenplay) and | |
| Erwin S. Gelsey | (screenplay) (as Erwin Gelsey) | |
| Anne Caldwell | (play) | |
| Lou Brock | (original story) | |
| Adele Comandini | contract writer (uncredited) | |
| Joseph Fields | contract writer (uncredited) | |
| Thomas Lennon | contract writer (uncredited) | |
| Fred Niblo Jr. | contract writer (uncredited) | |
| Gilberto Souto | contract writer (uncredited) | |
| Harvey F. Thew | contract writer (uncredited) | |
Produced by | |||
| Lou Brock | .... | associate producer | |
| Merian C. Cooper | .... | executive producer | |
Original Music by | |||
| Vincent Youmans | |||
Cinematography by | |||
| J. Roy Hunt | (photographed by) | ||
Film Editing by | |||
| Jack Kitchin | |||
Art Direction by | |||
| Carroll Clark | |||
| Van Nest Polglase | |||
Costume Design by | |||
| Walter Plunkett | |||
| Irene | (uncredited) | ||
Makeup Department | |||
| Mel Berns | .... | makeup artist (uncredited) | |
| Ray Romero | .... | makeup artist (uncredited) | |
| Tillie Starriett | .... | hair stylist (uncredited) | |
Production Management | |||
| Bert Gilroy | .... | unit manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Harry D'Arcy | .... | assistant director: additional scenes (uncredited) | |
| Bert Gilroy | .... | assistant director: additional scenes (uncredited) | |
| Ben Holmes | .... | third unit director (uncredited) | |
| Edward Killy | .... | assistant director (uncredited) | |
| Ray Lissner | .... | assistant director (uncredited) | |
| Wallace MacDonald | .... | assistant director: second unit (uncredited) | |
| Mark Sandrich | .... | second unit director (uncredited) | |
Art Department | |||
| Harry Cornbleth | .... | props (uncredited) | |
| Ernie Thompson | .... | assistant propman (uncredited) | |
Sound Department | |||
| Philip Faulkner Jr. | .... | recordist (as P.J. Faulkner) | |
| George Marsh | .... | sound cutter | |
| Jack Beamish | .... | assistant recordist (uncredited) | |
| Bob Hess | .... | boom operator (uncredited) | |
| Paul F. Wiser | .... | recordist (uncredited) | |
Special Effects by | |||
| Vernon L. Walker | .... | photographic effects (as Vern Walker) | |
| Donald Jahraus | .... | miniatures (uncredited) | |
| Harry Redmond Jr. | .... | special effects (uncredited) | |
| Harry Redmond Sr. | .... | special effects supervisor (uncredited) | |
Camera and Electrical Department | |||
| Lucien N. Andriot | .... | photographer: second unit (uncredited) | |
| Kent Fox | .... | still photographer (uncredited) | |
| Carl Lawrence | .... | best boy (uncredited) | |
| Art Losey | .... | grip (uncredited) | |
| John Miehle | .... | still photographer (uncredited) | |
| H.A. Shelton | .... | assistant grip (uncredited) | |
| Albert Wetzel | .... | second camera (uncredited) | |
Costume and Wardrobe Department | |||
| Eugene Joseff | .... | costume jeweller (uncredited) | |
Music Department | |||
| Edward Eliscu | .... | lyrics by | |
| Gus Kahn | .... | lyrics by | |
| Max Steiner | .... | musical director | |
| R.H. Bassett | .... | music arranger (uncredited) | |
| Bernhard Kaun | .... | music arranger (uncredited) | |
| Eddie Sharpe | .... | music arranger (uncredited) | |
| Murray Spivack | .... | music recordist (uncredited) | |
| Max Steiner | .... | composer: additional music (uncredited) | |
Other crew | |||
| Dave Gould | .... | dance director | |
| George Nichols Jr. | .... | associate director (as George Nicholls Jr.) | |
| Earl Gordon | .... | pilot (uncredited) | |
| Gloria Gottschalk | .... | script clerk (uncredited) | |
| H.W. Hanemann | .... | dialogue director (uncredited) | |
| Herb Hirst | .... | location manager (uncredited) | |
| Stanley Kramer | .... | production assistant (uncredited) | |
| Garland Lincoln | .... | pilot (uncredited) | |
| J.D. Lockhart | .... | stand-in: Gene Raymond (uncredited) | |
| Elizabeth McGaffey | .... | research director (uncredited) | |
| Hermes Pan | .... | assistant dance director (uncredited) | |
| Josefina Ramos | .... | stand-in: Dolores Del Rio (uncredited) | |
| Frank Tomick | .... | pilot (uncredited) | |
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| The Aviator | Brazil | On the Town | The Gay Divorcee | Mamma Mia! |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
By the time Flying Down to Rio was released in 1933, It was Warner Brothers who had been having the success as far as musicals were concerned.
Ruby Keeler and Dick Powell were the uncrowned King and Queen of song and dance land and in films like 42nd Street, Footlight Parade and Gold Diggers and the later movies Dames and Flirtation Walk they were paving the way for a motion picture genre that would continue in much the same vein for the next twenty years.
With kaleidescope routines expertly directed by Busby Berkeley via overhead cameras, the movie musical was finally taking shape bearing little or no resemblance to earlier dismal efforts like MGM'S Broadway Melody of 1929 or their equally unimpressive Hollywood Review from the same year.
RKO was at the time a struggling studio with huge debts and was on the verge of going bankrupt. However they decided to capitalize on this medium in an effort to pull themselves back into the black.
Flying Down to Rio was in all respects no different to any other of the films they produced at the time and I'm sure this film would have sank into obscurity and be long forgotten had it not been for the movie milestone it boasts.
Fred Astaire and Ginger Rogers were cast as only 3rd and 4th billed performers, to all intents and purposes, the token dance act, a novelty. Neither of them had done much before. Ginger of course was beginning to make a name for herself. She had featured in both the fore-mentioned 42nd Street and Gold Diggers and was slowly working her way out of chorus lines into bit parts and the occasional solo number.
Fred had done less still. Already a well known stage star in America and Britain, he had just one previous film under his belt. A natural dancer of extraordinary talent, Fred was signed on as RKO's secret weapon in their efforts to make the best musicals.
However, no matter how dull the storyline to "Rio" is (and it is believe me) it is soon forgotten when Fred and Ginger perform their first ever screen dance, The Carioca, a musical number with Latin- American tempo complete with stunning costumes, guest singers and the very kaleidoscopic shots of which Busby Berkeley himself would have been proud. It is their only dance together in the film and their actual dancing is given very limited screen-time, but it was enough to cause Astaire/Rogers mania.
Forgive the cliche but the rest is history as they say.
So successful were they that they went on to appear in a further nine films together making them one of the most beloved and cherished screen partnerships ever.
Alone the Astaire/Rogers musicals of the thirties saved the studio from closure and they helped push Warner's, Keeler and Powell into second place, at least as far as musicals were concerned.
Astaire is given further opportunity to shine in two stunning solos which will leave the viewer in no doubt whatsoever why he was the very best at his chosen craft.
Complete with the now famous 'girls-strapped-onto-aeroplane-wings' scene and with the added talents of Delores Del Rio and Gene Raymond adding the romance, It all helps to make an otherwise dull film into a legendary silver screen gem.