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Flying Down to Rio (1933)

Passed  -  Comedy | Musical | Romance  -  29 December 1933 (USA)
6.8
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Ratings: 6.8/10 from 2,088 users  
Reviews: 47 user | 20 critic

Aviator and band leader Roger Bond is forever getting his group fired for flirting with the lady guests. When he falls for Brazilian beauty Belinha de Rezende it appears to be for real, ... See full summary »

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(screen play), (screen play), 10 more credits »
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Title: Flying Down to Rio (1933)

Flying Down to Rio (1933) on IMDb 6.8/10

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Nominated for 1 Oscar. Another 1 nomination. See more awards »

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Cast

Complete credited cast:
...
Belinha De Rezende (as Dolores Del Rio)
Gene Raymond ...
Roger Bond
Raul Roulien ...
Julio Rubeiro
...
Honey Hale
...
Fred Ayres
Blanche Friderici ...
Dona Elena De Rezende
Walter Walker ...
Senor De Rezende
Etta Moten ...
The Colored Singer
Roy D'Arcy ...
One of the Three Greeks
Maurice Black ...
One of the Three Greeks
Armand Kaliz ...
One of the Three Greeks
Paul Porcasi ...
The Mayor
Reginald Barlow ...
The Banker
Eric Blore ...
The Head Waiter
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Storyline

Aviator and band leader Roger Bond is forever getting his group fired for flirting with the lady guests. When he falls for Brazilian beauty Belinha de Rezende it appears to be for real, even though she is already engaged. His Yankee Clippers band is hired to open the new Hotel Atlântico in Rio and Roger offers to fly Belinha part way home. After a mechanical breakdown and forced landing, Roger is confident and makes his move, but Belinha plays hard to get. She can't seem to decide between Roger and her fiance Júlio. When performing the airborne production number to mark the Hotel's opening, Júlio gets some intriguing ideas... Written by Gary Jackson <garyjack5@cogeco.ca>

Plot Summary | Plot Synopsis

Taglines:

A musical extravaganza staged in the clouds! See more »


Certificate:

Passed | See all certifications »
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Details

Country:

Language:

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Release Date:

29 December 1933 (USA)  »

Also Known As:

Flying Down to Rio  »

Box Office

Budget:

$462,000 (estimated)
 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(RCA Victor System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Despite his obvious on-screen chemistry in dancing with Ginger Rogers, Fred Astaire was reluctant to make a second movie with her. He had previously been part of a dance duo with his sister, Adele Astaire, but wanted to establish himself as a solo dancer. After Flying Down to Rio (1933), Astaire sent a note to his agent about Rogers. "I don't mind making another picture with her, but as for this team idea, it's out! I've just managed to live down one partnership and I don't want to be bothered with any more." But when the critics praised the Astaire-Rogers pairing in "Rio," Astaire was persuaded, and he and Rogers soon made the second film in their partnership, The Gay Divorcee (1934). See more »

Goofs

The violinist in the section where Fred is working with a group of inexperienced girl dancers has his bow set between the strings and thee back of his violin. At the end of the number, the bow is used correctly. See more »

Quotes

Fred Ayres: The trick is to keep your mind a blank.
Honey Hale: With THAT music?
Honey Hale: Oh, Freddie, is my mind red!
See more »

Connections

Referenced in The Producers (1967) See more »

Soundtracks

Carioca
(1933) (uncredited)
Music by Vincent Youmans
Lyrics by Gus Kahn and Edward Eliscu
Song performed by Alice Gentle, Movita and Etta Moten
Dance performed by Fred Astaire, Ginger Rogers, chorus
See more »

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User Reviews

The Aviator
3 March 2007 | by (Virginia Beach) – See all my reviews

Howard Hughes, oh how we needed you.

From other sources you will have learned that this is pretty sexy stuff in terms of transparent clothes; not a bra on the hundreds of candidates. And the original dirty dancing before it was outlawed, and that crack about what Brazilian women have "below the equator." Also, you will have heard about this being the first Astaire-Rogers pairing.

You may not have heard of one of the most racially respectful scenes I know from the era: a couple land on a supposedly deserted island and the woman is frightened by what she thinks are natives. Turns out one comes out of the woods. He's playing golf and while shirtless (in order to make the joke work) speaks English normally and carries himself like a regular man. Its the reverse joke of what you'd usually see in bugeyed stepinfetchits.

But what I find fascinating is the way sex, romance, money and music are all somehow related to aviation. Our hero, we are told is heir to a fortune if only he would give up his music and planes. But it is plain that he does it because of the women. And by that we know he means sex, only sex. We first see him as he climbs out of his plane, which has a piano stuffed in it. Now think about that a minute.

This is what technology meant in those days: adventure, charm, bodily pleasure. And its what the sort of music we see in films was supposed to imply as well. If you do not see this, let me describe the climax. Scores of scantily clad women are strapped to what looks like a dozen small planes to perform choreographically as best you can when bolted down. Every shot you can take of a woman's body is presented, along with a wingload of errant nipples. I can just imagine the smiles when they thought it up.

There's something else to watch for. This has the most elaborate transitions I believe I have seen for any film. They really are amazingly varied and so copious they are as much a feature as Fred's dancing.

Ted's Evaluation -- 2 of 3: Has some interesting elements.


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