Lady Alyce Marshmorton must marry soon, and the staff of Tottney Castle have laid bets on who she'll choose, with young Albert wagering on "Mr. X." After Alyce goes to London to meet a beau... See full summary »
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William A. Seiter
Aviator and band leader Roger Bond is forever getting his group fired for flirting with the lady guests. When he falls for Brazilian beauty Belinha de Rezende it appears to be for real, even though she is already engaged. His Yankee Clippers band is hired to open the new Hotel Atlântico in Rio and Roger offers to fly Belinha part way home. After a mechanical breakdown and forced landing, Roger is confident and makes his move, but Belinha plays hard to get. She can't seem to decide between Roger and her fiance Júlio. When performing the airborne production number to mark the Hotel's opening, Júlio gets some intriguing ideas... Written by
Gary Jackson <firstname.lastname@example.org>
In the Flying down to Rio musical number, many of the girls on the airplane wings are wearing see-through tops. The Hays code, introduced in 1930 was not enforced until 1934. See more »
From the height they were flying, most of the "dance" routines of the young women on the plane wings would not be visible to people on the ground. See more »
Nothing of the kind. He's landed us a job in Rio. Rio de Janeiro. The Hotel Atlantico. We'll be flying down any morning now.
And swimming back in the afternoon. I'm taking my water-wings.
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I gave this "Fred Astaire" comedy-romance-musical higher marks than normal because the romance, usually the sappy part of the Astaire films, doesn't dominate as it does most of his movies.
As usual, there are a number of interesting dance scenes including a spectacular Busby Berkeley-type production on the wings of airplanes. That scene has to be seen to be believed, not just for the uniqueness of it but for the bra-less women pictured! Yikes, it's not something you expect to see with a classic film - and you wouldn't see for another 35 years. It's pretty amazing.
I really shouldn't label this an "Astaire film " because Dolores Del Rio and Gene Raymond are the two stars. Astaire is a close third. Raul Roulien would be next while Ginger Rogers just has a small role.....but it IS noteworthy for being the first time all of us saw the famous Astaire-Rogers pairing.
The comedy in this film also is pretty good. The best parts of the film are the beginning and end. The fadeout segways in here reminded of silent films, which weren't that long removed from this.
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