Alison Drake, the tough-minded executive of an automobile factory, succeeds in the man's world of business until she meets an independent design engineer.

Directors:

, (uncredited) | 1 more credit »

Writers:

(screen play), (screen play) | 1 more credit »
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Cast

Complete credited cast:
...
...
...
Harriet
...
Cooper
...
Miss Frothingham
...
Pettigrew
...
Freddie Claybourne
...
Briggs
...
Red
Huey White ...
Puggy
...
George Mumford (as Douglas Dumbrille)
Spencer Charters ...
Tom
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Storyline

Alison is owner and successful manager of an automobile factory. She also has a good relation to her employees - especially the male ones, which she is known to invite to her bed for some time and then dump quickly. Only the inventor Jim Thorne refuses her offers - will she fire or marry him? Written by Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>

Plot Summary | Add Synopsis

Genres:

Comedy | Drama | Romance

Certificate:

Unrated | See all certifications »
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Details

Country:

Language:

Release Date:

11 November 1933 (USA)  »

Also Known As:

Der Boß ist eine schöne Frau  »

Box Office

Budget:

$286,000 (estimated)
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Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

William A. Wellman replaced the original director, William Dieterle, when Dieterle became ill. Michael Curtiz took over as director when Wellman had to start directing College Coach (1933). See more »

Goofs

At the 5.5 minute mark, camera equipment is visible in the car reflection. See more »

Quotes

Alison Drake: Oh, Mr. Thorne, would you mind helping me light this fire before you go? I don't seem to be able to.
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Soundtracks

You're Getting to Be a Habit with Me
(1932) (uncredited)
Music by Harry Warren
Lyrics by Al Dubin
Sung briefly by Ferdinand Gottschalk twice
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Frequently Asked Questions

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User Reviews

 
some eye popping moments
5 November 2009 | by (United Kingdom) – See all my reviews

I am indebted to others on this site to learn that Mr Curtiz was by no means the only director involved in this film, that the sprightly Ruth Chatterton was 41 and married to her co-star at the time of shooting. I also might not have been aware of the Frank Lloyd Wright architecture on display but what I wouldn't have needed any prompting on was just how much fun this movie is. Chatterton as head of a major company employing many men rather enjoys suggesting overtime in her room at night and then, astonishingly, tossing a cushion onto the floor to get the message across. Great cars, great buildings, some amazing dialogue and some eye popping moments as our leading lady goes from hard and calculating, to assured and seductive before rejecting all this manly stuff and reverting to being female and married and all that stuff. Most enjoyable, audiences at the time must have sat mouth agape.


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