A piano teacher believes that her fiancé was killed on the battlefield. When he miraculously returns, they decide to marry, but are threatened by a wealthy, egotistical composer the piano teacher started dating on the rebound after she became convinced her love had died.
Frisco Jenny was orphaned by the 1906 earthquake and fire and has become the madame of a prosperous bawdy house. She puts her son up for adoption and he rises to prominence as district ... See full summary »
William A. Wellman
Helen Jerome Eddy
Audiences always roared with delight when Red Skelton went one-on-one with post-war life in The Yellow Cab Man, The Fuller Brush Man and other films. In Half a Hero, the legendary comic ... See full summary »
Vincent Doane is in the precarious position of trying to close an advertising account with his rich ex-fiancée. Unfortunately she is more interested in him than in business. Vincent's wife ... See full summary »
Charles 'Buddy' Rogers
Alison is owner and successful manager of an automobile factory. She also has a good relation to her employees - especially the male ones, which she is known to invite to her bed for some time and then dump quickly. Only the inventor Jim Thorne refuses her offers - will she fire or marry him? Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
When Jack L. Warner saw the initial version of the film, as directed largely by William A. Wellman, he disliked the performance of the actor playing George Cooper, and insisted that all the scenes featuring him be re-shot with Johnny Mack Brown brought in to play Cooper. Because Wellman was no longer available, Michael Curtiz was brought in to direct the re-shot scenes. Curiously, Curtiz ended up getting the only directing credit in the final cut of the movie. See more »
Approx 4 minutes in: (While Alison is talking with Harrier Brown) The placement of the crane, and the puffs of dark smoke outside the window change abruptly; it is obvious that the filming was not done in a continuous take. See more »
I first read about this film in "Complicated Women" and was eager to see this pre-Code gender-reversal film. What a delight! Chatterton was fantastic, the art deco sets amazing and the costume design mouth-watering. Not to mention an intelligent, funny, and realistic screenplay in which the woman isn't the only one to compromise in the end. After seeing this I am on to more Ruth Chatterton films. I highly recommend this! 10 stars!
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