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Fast Workers (1933)

Passed  -  Drama  -  10 March 1933 (USA)
8.2
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Ratings: 8.2/10 from 485 users  
Reviews: 7 user | 2 critic

Gunner and Bucker are pals who work as riveters. Whenever Bucker gets the urge to marry, which is often, Gunner will hit on his girl to see if she is true or not. So far, Gunner has not ... See full summary »

Director:

(uncredited)

Writers:

(play), (continuity), 2 more credits »
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Title: Fast Workers (1933)

Fast Workers (1933) on IMDb 8.2/10

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Cast

Complete credited cast:
...
Gunner Smith
Robert Armstrong ...
Bucker Reilly
...
Mary
Muriel Kirkland ...
Millie
Vince Barnett ...
Spike
Virginia Cherrill ...
Virginia
Muriel Evans ...
Nurse
...
Pinky Magoo
Guy Usher ...
Scudder
Warner Richmond ...
Feets Wilson
Bob Burns ...
Alabam' (as Robert Burns)
Edit

Storyline

Gunner and Bucker are pals who work as riveters. Whenever Bucker gets the urge to marry, which is often, Gunner will hit on his girl to see if she is true or not. So far, Gunner has not failed. But one night, while Gunner is in jail, Bucker meets Mary, a tough dame with a line. He falls for her, and she falls for his dough. But Mary is already a gal pal of Gunner, and no two know about the third one. The trouble starts when the triangle is revealed too late. Written by Tony Fontana <tony.fontana@spacebbs.com>

Plot Summary | Add Synopsis

Taglines:

They were not the marrying kind, so they agreed that neither one could wed until his pal had tried to win his girl away! The funniest love-test ever made, with thrills and laughs galore when they both fall for the same girl!

Genres:

Drama

Certificate:

Passed
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Details

Country:

Language:

Release Date:

10 March 1933 (USA)  »

Also Known As:

Rivets  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

John McDermott's play, "Rivets", was never produced. See more »

Connections

Features Laughing Sinners (1931) See more »

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User Reviews

Nadir of careers of Gilbert and Browning
16 April 2006 | by (United Kingdom) – See all my reviews

One cannot help but wonder how this film could have been made, even at the height of the era of mass production at the Hollywood dream factory. It is frankly utterly boring and I had lost interest totally two thirds of the way through. It will be of interest only to scholars and film buffs tracking the demise of the career of John Gilbert. That was my reason for viewing it. The basic plot is implausible and there is too much talk and obscure dialogue. The direction is heavy handed and it appears as if the director considered it a chore. Browning was at his best with macabre/horror type films and he is all at sea here. If Mayer was intent on destroying Gilbert's career, then there is no better proof of evil intent than casting him in such a vehicle in his final role under contract to MGM. It could have been intended only as a second feature/programme filler. As a jazz follower I am convinced the leading black musician(uncredited) in the cabaret scene is Lionel Hampton, then totally unknown, who within a very short time became a leading figure of the swing era in the Benny Goodman Trio/Quartet and later a highly successful band leader in his own right.


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