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Star-packed promotional short subject intended to raise funds for the National Variety Artists tuberculosis sanatorium, produced in association with a cigarette company! Plot involves the ... See full summary »
A bookish historian is married to a steely Southern belle who raises horses, an animal that he doesn't care for. However, the cute young neighbor girl doesn't feel that way about him and makes no bones about letting him know it.
In 1909 Mary Archer, daughter of small-town bluebloods, awaits the return from Germany of sometime beau Jeff. But Jeff brings with him a German friend, Hugo Wilbrandt, who loves and marries Mary. Hugo joins the faculty of a small college and the Wilbrandts prosper...until the advent of World War I brings a storm of anti-German hatred. Resulting troubles so embitter Hugo that he regrets his American citizenship... Written by
Rod Crawford <email@example.com>
Barbara Stanwyck, the gal who could play any role, is American Mary Archer, who is fawning over her cousin "Jeff" (Ralph Bellamy), until she meets the dashing German Hugo Wilbrant (Otto Kruger). They get married, and soon Germany is invading countries during WW I , which causes turbulence and troubles for the married couple and their family.
Its a shortie, at 68 minutes. I had seen Stanwyck in Ten Cents a Dance in 1931, and in that one, she was still very much a young girl, in style and appearance; in this film "Ever in my Heart", even though only two years has gone by, she is much more grown up, in looks and in sophistication. Too bad Donald Meeks scenes were deleted - he would have spiced up the plot, which could use some humor, with more than its share of sadness. Interesting scene where the little old ladies in the sewing circle giggle and gasp over the horrible things the enemy does to captured prisoners. Technically, the acting and story here are just fine, and I guess the plot would soon be a current event again with the coming of WW II, much less still be an issue with world events going on today. Producer Hal Wallis and Archie Mayo (director) would make eleven movies together in the 1930s.
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