IMDb > The Emperor Jones (1933)
The Emperor Jones
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The Emperor Jones (1933) More at IMDbPro »

Photos (See all 8 | slideshow) Videos
The Emperor Jones -- Jones leaves home to work in the trains as a porter and steals a friend's girlfriend. He is a gambler and a liar and stabs his friend over a pair of loaded dice.

Overview

User Rating:
6.5/10   610 votes »
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Director:
Writers:
Eugene O'Neill (play)
DuBose Heyward (screenplay)
(more)
Contact:
View company contact information for The Emperor Jones on IMDbPro.
Release Date:
29 September 1933 (USA) See more »
Genre:
Plot:
Unscrupulously ambitious Brutus Jones escapes from jail after killing a guard and through bluff and bravado finds himself the emperor of a Caribbean island. Full summary » | Add synopsis »
Plot Keywords:
Awards:
1 win See more »
User Reviews:
Oddly, the O'Neill Climax Is Not As Effective As Heyward's Prologue See more (18 total) »

Cast

  (in credits order) (complete, awaiting verification)

Paul Robeson ... Brutus Jones
Dudley Digges ... Smithers
Frank H. Wilson ... Jeff (as Frank Wilson)
Fredi Washington ... Undine
Ruby Elzy ... Dolly
George Haymid Stamper ... Lem (as George Stamper)
rest of cast listed alphabetically:
Brandon Evans ... Carrington (uncredited)
Taylor Gordon ... Stick-man (uncredited)

Billie Holiday ... Extra in Nightclub Scene (uncredited)

Rex Ingram ... Court Crier (uncredited)
James P. Johnson ... Pianist (uncredited)

Moms Mabley ... Marcella (uncredited)
Harold Nicholas ... Young Tap Dancer (uncredited)
Blueboy O'Connor ... Treasurer (uncredited)
Fritz Pollard ... Extra in Nightclub Scene (uncredited)
Lorenzo Tucker ... Extra in Nightclub Scene (uncredited)

Directed by
Dudley Murphy 
William C. de Mille (uncredited)
 
Writing credits
Eugene O'Neill (play "The Emperor Jones")

DuBose Heyward (screenplay) (as Du-Bose Heyward)

DuBose Heyward  additional scenes (uncredited)

Produced by
Gifford Cochran .... producer (uncredited)
John Krimsky .... producer (uncredited)
 
Original Music by
Frank Tours 
 
Cinematography by
Ernest Haller 
 
Film Editing by
Grant Whytock 
 
Art Direction by
Herman Rosse 
 
Production Management
J. Edward Shugrue .... production manager
George Knafka .... production manager (uncredited)
 
Second Unit Director or Assistant Director
Joseph H. Nadel .... assistant director
 
Sound Department
Joseph I. Kane .... sound engineer (as Joseph Kane)
 
Camera and Electrical Department
Jack Shalitt .... still photographer (uncredited)
 
Casting Department
Fritz Pollard .... casting associate (uncredited)
 
Music Department
Rosamond Johnson .... vocal arranger (as J. Rosamond Johnson)
Max Manne .... music synchronization
Frank Tours .... musical director
 
Other crew
Gifford Cochran .... presenter
William C. de Mille .... supervisor (as William C. de-Mille)
John Krimsky .... presenter
 
Crew verified as complete


Production CompaniesDistributors

Additional Details

Also Known As:
Runtime:
72 min | 76 min (2003 restored version) | USA:80 min (original version)
Country:
Language:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (Western Electric Sound System)
Certification:
Canada:G (Ontario) | Finland:K-16 (1936) | Finland:(Banned) (1934) | UK:A | USA:Passed (National Board of Review) | USA:Approved (PCA #1316-R, 29 August 1935 for re-release)

Did You Know?

Trivia:
Fredi Washington's scenes were reshot using dark pancake makeup because she looked "too white" in the first rushes. It was feared audiences would think Paul Robeson was embracing a white woman.See more »
Quotes:
Brutus Jones:[With bravado] It takes a silver bullet to kill Brutus Jones.See more »
Movie Connections:
Featured in Ethnic Notions (1986)See more »
Soundtrack:
DanielSee more »

FAQ

This FAQ is empty. Add the first question.
3 out of 3 people found the following review useful.
Oddly, the O'Neill Climax Is Not As Effective As Heyward's Prologue, 14 July 2008
Author: JohnHowardReid

Not a great deal of the O'Neill play is retained in this adaptation, and I thought that climax was the least effective portion of the film despite its tinted visuals and stereo sound effects. The preceding 45 minutes, enhanced by Robeson's virile presence and his superlative singing, were much more impressive. Just about every scene took place at night where Haller's noirish photography contributed to the fascinating atmosphere.

Once we arrive on the island, however, and are confronted by Dudley Digges as a stage Cockney and other theatrical contrivances, the narrative's admirably headlong pace not only slows down considerably, but the movie itself starts to fall apart—although we still have some great moments as the vain Jones takes over the kingship and attempts to bleed the natives white.

Was the above review useful to you?
See more (18 total) »

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