Paul Robeson narrates a mix of dramatizations and archival footage about the bill of rights being under attack during the 1930s by union busting corporations, their spies and contractors. ... See full summary »
In this musical comedy, Paul Robeson stars as Joe, a Marseilles docker hired by a wealthy English couple to find their missing son. When Joe finds him, he learns he escaped of his own will,... See full summary »
An actor, Paul Orman, is accidentally told that his new, custom made tail coat has been cursed and it will bring misfortune to all who wear it. As the 4 succeeding wearers of the coat ... See full summary »
An examination of the life of actor and singer Paul Robeson, from his first major triumphs on the stage in the 1920s through his gradually increasing social activism in the 1930s and 1940s,... See full summary »
Saul J. Turell
Bea Pullman and her daughter Jessie have had a hard time making ends meet since Bea's husband died. Help comes in the form of Delilah Johnson, who agrees to work as Bea's housekeeper in ... See full summary »
Hank Smith, a brutish stoker on board a freighter, is appalled when Mildred Douglas, a society girl forced by circumstance to travel as a passenger, visits the stokehold and recoils at the ... See full summary »
An elderly woman in a Baltimore neighborhood finds out that a somewhat slow-witted neighbor is being put up for local office by some shady politicians who have no interest in their ... See full summary »
At a Baptist prayer meeting, the preacher leads a prayer for Brutus Jones, who is leaving to become a railway porter. Jones joins the congregation in a spiritual. Once on the train, Jeff, a porter, shows Jones the ropes. Jones secretly takes up with Jeff's girl, Undine. He makes some money in a deal with a rich businessman on the train. Jones proves to be a cunning manipulator and a good liar. In a crap game, Jones stabs Jeff over a pair of loaded dice. Now doing hard labour, Jones kills a white prison guard and escapes. Shovelling coal on a ship in the Caribbean, Jones swims to an island. He is brought before the island's ruler, where Smithers, a crooked white trader, buys his freedom. Jones schemes his way into a partnership in Smithers' business, then finally control of the entire island through a touch of witchcraft, or so it seems. Brutus declares himself to be The Emperor Jones... Smithers reports on the unrest that Jones' rule is causing. One morning, the palace is empty of ... Written by
This movie inspired the creation of the Fiction House Publications villain Broot, an African-American gangster who became an African chieftain. Broot clashed with Ka'a'nga, the Lord of the Jungle, in several early stories in Jungle Comics before being captured by him. See more »
Ain't talking big what makes a man big, s'long as he makes folks believe it?
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By murder & guile, a black Pullman conductor becomes THE EMPEROR JONES on an impoverished Caribbean isle.
Eugene O'Neill's allegorical fable comes alive in this unique and intriguing film, recently restored by the Library of Congress. The legendary Paul Robeson dominates the film as a man who abandons his wife & Baptist upbringing to worship himself, wallowing gleefully in sin & violence as long as it furthers his goal for power & riches - the chance to become an emperor of his own tiny domain is merely the latest opportunity in a serendipitous sequence to be exploited.
Robeson's athletic physique, magnificent singing voice, accomplished acting skills and over-sized personality make him the ideal choice for the complex role. Whether leading chained prisoners in song, using brains & bravado to seize his little kingdom, or slyly peering at himself in a succession of mirrors as he enters his throne room in full military regalia, Robeson is never less than fully entertaining.
Fredi Washington shines in her small role as Robeson's faithful wife. Dudley Digges is appropriately unsavory as the white trader with whom Robeson must do business in order to keep his throne.
Movie mavens will recognize a young Moms Mabley as the owner of a New York City nightclub; an even younger Harold Nicholas (of the Nicholas Brothers) as a boy tap dancer & the wonderful Rex Ingram as Robeson's Court Crier - all uncredited.
This film should be considered as a product of its times; it makes no pretensions towards political correctness.
O'Neill's play is obviously based on the historical Henri Christophe (1767-1820), the former slave who, after being involved in the bloody revolution against the French and the assassination of his predecessor, became president of northern Haiti in 1807 and its self-proclaimed king in 1811. Despotic & brilliant, King Henri enjoyed a reign of enormous brutality and opulence. He built for himself 6 châteaux, 8 palaces and the massive Citadelle Laferrière, still considered one of the wonders of the age. Christophe supported himself with a fabricated nobility consisting of 4 princes, 8 dukes, 22 counts, 37 barons & 14 knights. After a paralytic stroke left him disabled, the people rose in revolt and Christophes followers fled. Naturally reluctant to face the wrath of his former subjects, Christophe shot himself with a silver bullet.
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