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The Emperor Jones (1933)

Passed  -  Drama  -  29 September 1933 (USA)
6.4
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Ratings: 6.4/10 from 559 users  
Reviews: 17 user | 19 critic

Unscrupulously ambitious Brutus Jones escapes from jail after killing a guard and through bluff and bravado finds himself the emperor of a Caribbean island.

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Title: The Emperor Jones (1933)

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Cast

Complete credited cast:
...
Dudley Digges ...
Frank H. Wilson ...
Jeff (as Frank Wilson)
Fredi Washington ...
Undine
Ruby Elzy ...
Dolly
George Haymid Stamper ...
Lem (as George Stamper)
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Storyline

At a Baptist prayer meeting, the preacher leads a prayer for Brutus Jones, who is leaving to become a railway porter. Jones joins the congregation in a spiritual. Once on the train, Jeff, a porter, shows Jones the ropes. Jones secretly takes up with Jeff's girl, Undine. He makes some money in a deal with a rich businessman on the train. Jones proves to be a cunning manipulator and a good liar. In a crap game, Jones stabs Jeff over a pair of loaded dice. Now doing hard labour, Jones kills a white prison guard and escapes. Shovelling coal on a ship in the Caribbean, Jones swims to an island. He is brought before the island's ruler, where Smithers, a crooked white trader, buys his freedom. Jones schemes his way into a partnership in Smithers' business, then finally control of the entire island through a touch of witchcraft, or so it seems. Brutus declares himself to be The Emperor Jones... Smithers reports on the unrest that Jones' rule is causing. One morning, the palace is empty of ... Written by David Steele

Plot Summary | Add Synopsis

Plot Keywords:

island | caribbean | train | escape | porter | See more »

Genres:

Drama

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

29 September 1933 (USA)  »

Also Known As:

El emperador Jones  »

Box Office

Budget:

$250,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (2003 restored) | (original)

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Eugene O'Neill's play opened on Broadway, New York City, New York, USA at the Neighborhood Playhouse on 1 November 1920 and ran for 204 performances. Black actor Charles Gilpin played the title role, the first time an important black role was not played by a white man in black-face. There were 3 New York revivals; Paul Robeson played the title character in the 1925 production. See more »

Quotes

Smithers: [Jones prepares to escape into the jungle] Give my regards to any ghosts yer 'appen to meet!
Brutus Jones: [pause] If dat ghost have money, I tells him never to haunt you lessen he wants to lose it!
See more »

Connections

Referenced in The Man Who Would Be King (1975) See more »

Soundtracks

Emperor Jones
(1933)
Music and lyrics by Allie Wrubel
Written in connection with this movie
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User Reviews

 
Paul Robeson is the whole show in this version of The Emperor Jones
4 February 2011 | by (Baton Rouge, La.) – See all my reviews

It's Black History Month, so I'm reviewing African-Americans on film in chronological order. It's now 1933 when actor/singer Paul Robeson accepted an offer to reprise his role as Brutus Jones in a film version of Eugene O'Neill's play. His character goes from porter, to convict, to emperor of an island in possibly too quick time during the movie though some of the dialogue does sometimes explain how much time has passed when those transitions occur. No matter, since Robeson is the whole show here and manages to be a very compelling presence whether singing or talking a long streak. And there are many good supporting turns by Frank Wilson as Jeff-a fellow porter who shows Brutus the ropes, Ruby Elzy as Dolly-Jones' first girlfriend at home, Fredi Washington as Undine-Jeff's girl who Brutus steals, and Dudley Digges as Smithers-a white trader Jones eventually partners with. Then there are cameos by the likes of Billie Holiday, Rex Ingram, Moms Mabley, and Harold Nicholas-who as usual dances here-that should provide some extra enjoyment for anyone curious about that sort of thing. While, like I said, transitions may not seem completely natural, this version of The Emperor Jones is worth seeing for Robeson's presence alone.


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