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The Eagle and the Hawk (1933)

The pilots of a Royal Air Force squadron in World War I face not only physical but mental dangers in their struggle to survive while fighting the enemy.



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Cast overview:
Jerry Young
Henry Crocker
Mike Richards
The Beautiful Lady
Major Dunham (as Sir Guy Standing)
John Stevens
Leyland Hodgson ...
Virginia Hammond ...
Lady Erskine
Douglas Scott ...
Robert Seiter ...
Voss (as Robert Manning)


The pilots of a Royal Air Force squadron in World War I face not only physical but mental dangers in their struggle to survive while fighting the enemy.

Plot Summary | Add Synopsis


They dedicated their lives - to DEATH!


War | Action | Drama






Release Date:

6 May 1933 (USA)  »

Also Known As:

Dragões da Morte  »

Company Credits

Production Co:

Show detailed on  »

Technical Specs


Sound Mix:

(Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
See  »

Did You Know?


One of over 700 Paramount productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. Its San Francisco television premiere occurred Thursday 7 May 1959 on KPIX (Channel 5); in Philadelphia it was first telecast on the Late, Late Show Monday 20 July 1959 on WCAU (Channel 10). See more »


All the airplanes except the DeHavilands are well past 1918 time period. Curtiss P-1s are recognizable as well as other airplanes with highly tapered wings. Even the DH-4s were dated by 1933, but had been kept around, first as mail planes, then as barnstormers. See more »


Jerry H. Young: I'm a chauffeur for a graveyard, driving men to their deaths day after day.
See more »


Edited from Wings (1927) See more »

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User Reviews

Neglected classic aviation film.
30 January 2003 | by (Australia) – See all my reviews

THE EAGLE AND THE HAWK is well on the way to being the best film of it's day and contains Frederic March's most impressive performance, nicely set against Cary Grant who had yet to make his own screen presence identifiable.

This stands along side any of it's cycle of aviation films - the great WINGS, HELL'S ANGELS, THE LOST SQUADRON, the draggy Hawks version of DAWN PATROL, THE LAST FLIGHT. The impact is not from the air action but from the way the familiar breaking point material is worked out in terms of character. The mess hall climax and subsequent resolution can't be faulted.

It is amazing that a film saying something so substantial, so well was not singled out by critics or subsequently "discovered." The same may be said of several of March's other films of the day. He remains the most underestimated film star we have.

Though credited to Stuart Walker, it is widely held that the film is the director debut of Mitchel Leisen who did the later and presentable plane movie I WANTED WINGS.

Though just over an hour the film does not have the feeling of slightness. It's tempo is impeccable. I'm impressed every time I run this one.

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