Escaping to England from a French embezzlement charge, widower Henry Scarlett is accompanied by daughter Sylvia who, to avoid detection, "disguises" herself as a boy, "Sylvester." They are ... See full summary »
Clemson Reade, a business tycoon with marriage on his mind, and Effie, a U.S. diplomat, are a modern couple. Unfortunately there seems to be too much business and not enough pleasure on the... See full summary »
The story in this movie deals with the perseverance of Spaniards to take back their country from the French who have conquered Spain under Napoleon as he marched over Europe. A huge cannon,... See full summary »
Husband and wife Americans Dr. Eugene and Mrs. Helen Ferguson - he a renowned neurosurgeon - are traveling through Latin America for a vacation. When they make the decision to return to New... See full summary »
One of over 700 Paramount productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. See more »
All the airplanes except the DeHavilands are well past 1918 time period. Curtiss P-1s are recognizable as well as other airplanes with highly tapered wings. Even the DH-4s were dated by 1933, but had been kept around, first as mail planes, then as barnstormers. See more »
Why don't you get wise? This is a war. I'm hired to kill the enemy, and there ain't no book of rules about that. Every one I put away means one less to kill me. That's my job, and I'm doing it.
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THE EAGLE AND THE HAWK is well on the way to being the best film of it's day and contains Frederic March's most impressive performance, nicely set against Cary Grant who had yet to make his own screen presence identifiable.
This stands along side any of it's cycle of aviation films - the great WINGS, HELL'S ANGELS, THE LOST SQUADRON, the draggy Hawks version of DAWN PATROL, THE LAST FLIGHT. The impact is not from the air action but from the way the familiar breaking point material is worked out in terms of character. The mess hall climax and subsequent resolution can't be faulted.
It is amazing that a film saying something so substantial, so well was not singled out by critics or subsequently "discovered." The same may be said of several of March's other films of the day. He remains the most underestimated film star we have.
Though credited to Stuart Walker, it is widely held that the film is the director debut of Mitchel Leisen who did the later and presentable plane movie I WANTED WINGS.
Though just over an hour the film does not have the feeling of slightness. It's tempo is impeccable. I'm impressed every time I run this one.
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