2 items from 2017
It’s clear from the opening minutes of “Despicable Me 3” that the popular Illumination Entertainment franchise has lost the thread on what makes the series so appealing to its target audience (you know, kids). The latest film in the expanding canon of “Despicable Me” features — which has grown to include a Minion-centric spinoff, plus more to come — gamely opens with a fart-laden studio logo before introducing the series’ newest villain, a cast-off has-been television star literally named Evil Bratt. Voiced by Trey Parker, the balding Bratt is a weirdo riff on classic ’80s TV characters like Small Wonder and Punky Brewster, complete with a sassy robot friend and a keytar he uses to play such jams as “Sussudio” and “Take on Me,” a role entirely dependent on the audience’s knowledge of the kind of roles he’s skewering. He seems unlikely to appeal to — or amuse — the younger set, »
- Kate Erbland
A video essay examines our most private moments.
Strap on your thinking caps for this one, film fans, because it’s a doozy.
According to director Nicolas Roeg (The Man Who Fell to Earth, Don’t Look Now, The Witches), mirrors are cinema in all its glory and in fact the essence of the medium. See, mirrors are the only time we truly look at ourselves; photographs of us are from other perspectives, for other people or posterity, and as such we don’t show our real faces in them, we show projections of who we think we should be or how we think we should feel in a certain situation. But the mirror isn’t public, it’s private, it is us alone with ourselves and thus the way we look into mirrors, into ourselves, is different from every other face we show the world.
The mirror is an eye, Roeg »
- H. Perry Horton
2 items from 2017
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