In Spain, in the sixteenth century, an elderly gentleman named Don Quixote has gone mad from reading too many books on chivalry. Proclaiming himself a knight, he sets out with his squire, ...
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Adapted from the work of Miguel de Cervantes, this is the story of a hidalgo, fanatic for chivalry novels, who loses his sanity and believing to be a knight named Don Quixote de La Mancha, ... See full summary »
Senor Quexana has read so many books on chivalry that he believes that he is the knight Don Quixote de la Mancha. So Don Quixote sets off on his horse, accompanied by his squire Sancho ... See full summary »
A group of German infantrymen of the First World War live out their lives in the trenches of France. They find brief entertainment and relief in a village behind the lines, but primarily ... See full summary »
Georg Wilhelm Pabst
The French version of G.W.Pabst's monumental three-language (English, French and German - separate versions each) filming of Cervantes' classic novel. The German version seems to be lost, ... See full summary »
Georg Wilhelm Pabst
Feodor Chaliapin Sr.,
In the Crimea, the Reds and the Whites aren't done fighting, and Jeanne discovers that the man she loves is a Bolshevik (when he kills her father). Penniless, she returns to Paris where she... See full summary »
Vienna in the biggest depression, directly after WW1. In a slum, Lila Leid, the wife of lawyer Leid is murdered, Egon, secretary of one of Leid's clients is arrested. He was with her, and ... See full summary »
Georg Wilhelm Pabst
In Spain, in the sixteenth century, an elderly gentleman named Don Quixote has gone mad from reading too many books on chivalry. Proclaiming himself a knight, he sets out with his squire, Sancho Panza, to reform the world and revive the age of chivalry, choosing a slut to be his noble lady Dulcinea. He mistakes inns for castles, a play about chivalry for the real thing, flocks of sheep for armies, convicts for wronged prisoners, and windmills for giants. While he and Sancho are off on their adventures, his niece, her fiancee, and the local priest think up a strategy to get him back home. Written by
Albert Sanchez Moreno
In Cervantes' novel and in most other film versions, the hero's name is really Alonso Quijano (or Quijana, as in "Man of La Mancha"), and it is only after going mad that he renames himself Don Quixote. In Pabst's film(s), the hero's name is really Don Quixote. See more »
For me, this film is defined by the printed paper and his metamorphosis. The bustle, the delicate ash, the music are principal words of Cervantes masterpiece definition. So, the film must be a success at least for impressive presence of Chaliapin.
In fact, it is not a film but a huge monument, the Baroque interpretation of Chaliapin has the talent to create a fantastic world.The pathetism of opera is part of gorgeous sophisticated fine expression
Only values for a verdict in this case are subjectives. A legend of Russian Opera is Don Quixote. Every feature of character is slice of a subtle science of chimera's revelation. Every gesture is a form to describe sweet secret of fragile world. And Chaliapin is Chaliapin.
But, more important, it is statute of testimony. The trip between symbols and facts, between refuges and truth. "Don Quixote" is not a ordinary picturization, it is a propaganda instrument.
The three versions, "Man and Mask", the recordings , Mefistofele, the shows in Europe and the fame are elements of a special artist portrait who gives to his character not only a special soul but a subtle vision about life and illusion.
I believe that this movie was for Chaliapin an adventure. His art is same, his acting is interesting and correct. For he, the hero from La Mancha is an alter-ego not ordinary character. So, the force of interpretation is charming, strong and pure.
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