In Spain, in the sixteenth century, an elderly gentleman named Don Quixote has gone mad from reading too many books on chivalry. Proclaiming himself a knight, he sets out with his squire, ... See full summary »

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Cast

Complete credited cast:
...
Don Quixote (as Feodor Chaliapine)
...
Oscar Asche ...
René Donnio ...
Carrasco (as Donnio)
Frank Stanmore ...
...
Wally Patch ...
Gypsy King (as Walter Patch)
...
Maria, the niece
...
Renée Valliers ...
Dulcinea (as Renee Valliers)
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Storyline

In Spain, in the sixteenth century, an elderly gentleman named Don Quixote has gone mad from reading too many books on chivalry. Proclaiming himself a knight, he sets out with his squire, Sancho Panza, to reform the world and revive the age of chivalry, choosing a slut to be his noble lady Dulcinea. He mistakes inns for castles, a play about chivalry for the real thing, flocks of sheep for armies, convicts for wronged prisoners, and windmills for giants. While he and Sancho are off on their adventures, his niece, her fiancee, and the local priest think up a strategy to get him back home. Written by Albert Sanchez Moreno

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Release Date:

23 December 1934 (USA)  »

Also Known As:

Adventures of Don Quixote  »

Company Credits

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Technical Specs

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Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

In Cervantes' novel and in most other film versions, the hero's name is really Alonso Quijano (or Quijana, as in "Man of La Mancha"), and it is only after going mad that he renames himself Don Quixote. In Pabst's film(s), the hero's name is really Don Quixote. See more »

Connections

Referenced in Miguel and William (2007) See more »

Soundtracks

Chanson de la mort
Music by Jacques Ibert
Sung by Feodor Chaliapin Sr.
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User Reviews

A legend in a legendary skin
13 January 2007 | by (Romania) – See all my reviews

For me, this film is defined by the printed paper and his metamorphosis. The bustle, the delicate ash, the music are principal words of Cervantes masterpiece definition. So, the film must be a success at least for impressive presence of Chaliapin.

In fact, it is not a film but a huge monument, the Baroque interpretation of Chaliapin has the talent to create a fantastic world.The pathetism of opera is part of gorgeous sophisticated fine expression

Only values for a verdict in this case are subjectives. A legend of Russian Opera is Don Quixote. Every feature of character is slice of a subtle science of chimera's revelation. Every gesture is a form to describe sweet secret of fragile world. And Chaliapin is Chaliapin.

But, more important, it is statute of testimony. The trip between symbols and facts, between refuges and truth. "Don Quixote" is not a ordinary picturization, it is a propaganda instrument.

The three versions, "Man and Mask", the recordings , Mefistofele, the shows in Europe and the fame are elements of a special artist portrait who gives to his character not only a special soul but a subtle vision about life and illusion.

I believe that this movie was for Chaliapin an adventure. His art is same, his acting is interesting and correct. For he, the hero from La Mancha is an alter-ego not ordinary character. So, the force of interpretation is charming, strong and pure.


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