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Storyline
Barbers Willy Nilly and Hercules Glub have opened a barbershop in an Indian reservation, where they have no customers. When suddenly a white man asks for a shave, several Indians of the Oopadoop nation also enter, hearing the usual barbershop banter about foreign debts, they force them to be ambassadors of their nation at the Peace conference in Geneva. Ammunition industry executive Winkelreid is scheming to prevent their mission becoming an success, but the vamp Dolores aboard the ship fails, falling in love with Nilly, and so does Fifi, the toughest person of the world in Paris, falling for Glub. Although Winkelreid is able to steal their secret papers, Nilly and Glub don't give up after being reminded by constant observation of their Indians and enter the Peace conference, which turns out to be a battlefield... Written by
Stephan Eichenberg <eichenbe@fak-cbg.tu-muenchen.de>
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Trivia
Preserved by the Library of Congress.
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Quotes
Willy Nilly:
What do you think of the Einstein theory?
Hercules Glub:
The Einstein theory? They'll never be able to enforce it.
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Soundtracks
"The Old Folks at Home (Swanee River)"
(1851) (uncredited)
Written by
Stephen Foster
Danced by
Bert Wheeler and
Robert Woolsey See more »
A pacifistic Indian tribe sends two zany barbers to be its envoys at the Peace Conference in Geneva. The DIPLOMANIACS soon find themselves up against the machinations of spies working for a powerful munitions company who have a vested interest in seeing that war continues the demand for their explosive bullets.
Wheeler & Woolsey take a plot ridiculous even by their standards and manage to get some solid laughs out of it. The Boys (Bert Wheeler is the little fellow with the curly hair; Robert Woolsey is the skinny guy with the cigar & glasses) are always tremendous fun to watch, but the viewer who tries to find anything meaningful or coherent in this film would be wasting their time. However, in its own goofy way, DIPLOMANIACS holds its own against DUCK SOUP & MILLION DOLLAR LEGS, two contemporary films with which it shares an hysterical point of view.
The Boys are given a fine supporting cast, each of whom get to shine for a few moments, as they are given no chance for any real character development: Louis Calhern as the suave master spy; Edgar Kennedy as the harried head of the Peace Conference; elderly Richard Carle as an inebriated ship's captain; spunky little Marjorie White as Wheeler's violent love interest, choking him into submission (a very funny comedienne nearly forgotten today, a tragic car wreck would claim her life two years after the release of this film); and Hugh Herbert as an inscrutable proverb-spouting Oriental. Movie mavens will spot Charlie Hall as an eager beaver valet.
Wheeler & White fight their way through `Sing To Me' - while the Boys vocalize with `On The Boulevard' and `No More War.'