The small kingdom of Marshovia has a little problem. The main tax-payer, the wealthy widow Sonia (who pays 52 0f the taxes) has left for Paris So Count Danilo is sent to Paris, to stop her ... See full summary »
Edward Everett Horton
Against her better judgement, happily married Jill Baker is persuaded to see a popular psychoanalyst about her psychosomatic hiccups. Soon, she's disillusioned about husband Larry; and one ... See full summary »
Amateur plumber Cluny Brown gets sent off by her uncle to work as a servant at an English country estate. While there, she becomes friendly with Adam Belinski, a charming Czech refugee. She... See full summary »
Architect Peter Ibbetson is hired by the Duke of Towers to design a building for him. Ibbetson discovers that the Duchess of Towers, Mary, is his now-grown childhood sweetheart. Their love ... See full summary »
Two Americans sharing a flat in Paris, playwright Tom Chambers and painter George Curtis, fall for free-spirited Gilda Farrell. When she can't make up her mind which one of them she prefers, she proposes a "gentleman's agreement": She will move in with them as a friend and critic of their work, but they will never have sex. But when Tom goes to London to supervise a production of one of his plays, leaving Gilda alone with George, how long will their gentleman's agreement last? Written by
Capel Cleggs <email@example.com>
The film's leading female character is named Gilda Farrell. In the 1946 film noir Gilda (1946), Rita Hayworth's eponymous character has the same legal name when she marries Johnny Farrell. Given the rarity of Gilda as a given name, it remains unclear whether it's a coincidence or not. See more »
Camera shadow visible on window frame as Gilda sets the table. See more »
Immorality may be fun, but it isn't fun enough to take the place of one hundred percent virtue and three square meals a day.
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I'm not a big fan of the Lubitsch Touch. This, which I hadn't seen in 20 years, I think is my favorite.
The recent Broadway revival of the Noel Coward play, which was supposedly very ooh-la-la and daring, was a bust. Interminable and misguided.
One problem was that the female lead was made very cold. In the movie, Miriam Hopkins is just right: pretty, seductive, witty.
Gary Cooper is sublime. He was a great comedian -- equally good in "Desire," the delightful movie with Dietrich that Lubitsch produced and supposedly had a big hand in directing. Too bad he changed gears so drastically and became the strong, silent Western hero he's known for today (if he's known at all, alas.)
Fredric March was a very fine actor but not a comedian. He is the weakest link; but he works well in the ensemble.
Edward Everett Horton is funny, as always.
It really works, and is as racy today as it must have been when it came out.
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