Lieutenant Niki of the Austrian royal guard has a new girlfriend, Franzi. He's crazy about her and is smiling at her while on duty in the street. King Adolf and his daughter Princess Anna ... See full summary »
Against her better judgement, happily married Jill Baker is persuaded to see a popular psychoanalyst about her psychosomatic hiccups. Soon, she's disillusioned about husband Larry; and one ... See full summary »
The small kingdom of Marshovia has a little problem. The main tax-payer, the wealthy widow Sonia (who pays 52 0f the taxes) has left for Paris So Count Danilo is sent to Paris, to stop her ... See full summary »
Edward Everett Horton
Amateur plumber Cluny Brown gets sent off by her uncle to work as a servant at an English country estate. While there, she becomes friendly with Adam Belinski, a charming Czech refugee. She... See full summary »
Circa 1861, Angelina, ruling countess of an Italian principality, is at a loss when invaded by a Hungarian army. Her lookalike ancestress Francesca, who saved a similar situation 300 years ... See full summary »
Douglas Fairbanks Jr.,
Andre and Colette Bertier are happily married. When Colette introduces her husband to her flirtatious best friend, Mitzi, he does his best to resist her advances. But she is persistent, and... See full summary »
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Two Americans sharing a flat in Paris, playwright Tom Chambers and painter George Curtis, fall for free-spirited Gilda Farrell. When she can't make up her mind which one of them she prefers, she proposes a "gentleman's agreement": She will move in with them as a friend and critic of their work, but they will never have sex. But when Tom goes to London to supervise a production of one of his plays, leaving Gilda alone with George, how long will their gentleman's agreement last? Written by
Capel Cleggs <email@example.com>
Considerable censorship difficulties arose because of sexual discussions and innuendos, although the Hays Office eventually approved the film for release. However, it was banned by the Legion of Decency and was refused a certificate by the PCA for re-release in 1934, when the production code was more rigorously enforced. See more »
Shadow of boom mic visible at train station. See more »
Intelligent script, witty dialogue, sexy stars, sophisticated story, deft direction…What more can I say? It's Lubitsch and Paramount at its Pre-Code best! This was another of those "vintage" films of which you had the chance of reading a lot about, but before Universal released "The Gary Cooper Collection", where it's included, you had nowhere to watch it. Of course, I bought promptly the aforementioned set.
The picture tells the story of free-spirited Gilda Farrell, a young lady who works at a Parisian Advertising Agency, managed by that great seasoned pro, Edward Everett Horton, who by chance meets on board a train, struggling, penniless, artists George Curtis, a painter (Gary Cooper) and Thomas Chambers, a playwright (Fredric March), in which may be one of the most "risqué" plots of all the Pre-Code Era, dealing openly with the pros and cons of a mènage-a-trois.
Miriam Hopkins portrays the deliciously mischievous Gilda, giving a top, tongue-in-cheek performance, looking absolutely beautiful and full of glow from within; it's really in her films directed by Lubitsch that her appeal shines at its most and she looks at her attractive-best.
Fredric March is good too as the "more down-to-earth-but-nevertheless-madly-in-love" playwright, who lives with buddy Gary Cooper in a miserable tenement, until Miriam Hopkins comes in scene and to "the rescue".
But the revelation, in my opinion, is Gary Cooper; after seeing him in many of his 1930s films, I feel that I like him best in the variety of roles he got to play in those years: a young idealist in "Peter Ibbetson", a sensitive soldier in "A Farewell to Arms", a sophisticated artist in this one, etc. He really was a good actor from the beginning of his "talkies" career (I haven't seen his Silents, so I cannot give an opinion), showing much skill and depth in his interpretations. In this film he plays excellently opposite such strong talents as Miriam Hopkins and Fredric March, absolutely "a la par".
In all, a highly enjoyable film. Smart Entertainment. A must.
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