The small kingdom of Marshovia has a little problem. The main tax-payer, the wealthy widow Sonia (who pays 52 0f the taxes) has left for Paris So Count Danilo is sent to Paris, to stop her ... See full summary »
Edward Everett Horton
Architect Peter Ibbetson is hired by the Duke of Towers to design a building for him. Ibbetson discovers that the Duchess of Towers, Mary, is his now-grown childhood sweetheart. Their love ... See full summary »
Against her better judgement, happily married Jill Baker is persuaded to see a popular psychoanalyst about her psychosomatic hiccups. Soon, she's disillusioned about husband Larry; and one ... See full summary »
Minutes before her wedding to Duke Otto Von Seibenheim, Countess Helene Mara flees, on a whim, to Monte Carlo, where she hopes her luck will save her poor financial state. There, Count ... See full summary »
Amateur plumber Cluny Brown gets sent off by her uncle to work as a servant at an English country estate. While there, she becomes friendly with Adam Belinski, a charming Czech refugee. She... See full summary »
Two Americans sharing a flat in Paris, playwright Tom Chambers and painter George Curtis, fall for free-spirited Gilda Farrell. When she can't make up her mind which one of them she prefers, she proposes a "gentleman's agreement": She will move in with them as a friend and critic of their work, but they will never have sex. But when Tom goes to London to supervise a production of one of his plays, leaving Gilda alone with George, how long will their gentleman's agreement last? Written by
Capel Cleggs <email@example.com>
One of over 700 Paramount productions, filmed between 1929-49, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. See more »
Camera shadow visible on window frame as Gilda sets the table. See more »
Miriam Hopkins finds herself in love with both Gary Cooper and Fredric March (who can blame her?), so she does what any sensible Pre-Code woman would do: she decides to live with both of them!
It's a tribute to movie audiences of the early 1930s that a sophisticated comedy like Design for Living could a.) Get produced, and b.) Be a success at the box office. The dumbing down of current films means that the delicious innuendo in Design for Living would go over the head of most of today's audience.
The key to the Lubitsch Touch was in the perfect timing of physical gestures and the delivery of the lines. Trouble in Paradise and Design for Living were the best in this respect. Personally, I prefer the lack of music in Design for Living. I think it dates the film less than Lubitsch's other efforts.
I don't mind that Ben Hecht wrote most of the film's dialog rather than Noel Coward, who wrote the original play. All I know is that the dialog is very very funny and quite naughty, making this the ultimate Pre-Code film.
Miriam Hopkins could do no wrong in a Lubitsch film, and her work here is brilliant. She's intelligent and uncompromisingly honest. Her leading men, Gary Cooper and Fredric March, are both sexy and hilarious. Gary Cooper is a particular revelation, displaying a flair for comedy that is quite unexpected. As Cooper's friend and rival for the affection of Hopkins, March is also very funny, which comes as no surprise after his brilliant parody of John Barrymore in The Royal Family of Broadway (1930).
Prepare to laugh yourself silly during what may be the funniest film ever made.
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