Clark Gable plays a card cheat who has to go on the lam to avoid a pesky cop. He meets a lonely, but slightly wild, librarian, Carole Lombard, while he is hiding out. The two get married ... See full summary »
Aviator and band leader Roger Bond is forever getting his group fired for flirting with the lady guests. When he falls for Brazilian beauty Belinha de Rezende it appears to be for real, ... See full summary »
Dolores del Rio,
When Polly Fisher, a circus aerialist, is hurt while performing, she is taken to the house of a nearby minister, John Hartley. As she recuperates, they fall in love with each other and ... See full summary »
C. Aubrey Smith
Janie lives to dance and will dance anywhere, even stripping in a burlesque house. Tod Newton, the rich playboy, discovers her there and helps her get a job in a real Broadway musical being directed by Patch. Tod thinks he can get what he wants from Janie, Patch thinks Janie is using her charms rather than talent to get to the top, and Janie thinks Patch is the greatest. Steve, the stage manager, has the Three Stooges helping him manage all the show girls. Fred Astaire and Nelson Eddy make appearances as famous Broadway personalities. Written by
Lisa Grable <firstname.lastname@example.org>
Where else are you going to see Joan Crawford dancing to the accompaniment of The Three Stooges? Add to that Winnie Lightner with a Shirley Temple hairdo doing a striptease, Fred Astaire in his screen premiere and enough Art Deco to fill a warehouse.
However, for those used to the Warner Brothers musicals of that time, "Dancing Lady" does have its drawbacks. The pace is a good bit slower (over 90 minutes with only two complete musical numbers!) and the choreography has little of the saucy snap Berkeley was providing at the WB. Joan Crawford isn't as bad in the Terpsichore department as everyone has said, even holding her own against Astaire. The drawbacks are the songs which are putrid. The Astaire-Crawford number is "Let's Go Bavarian" as they sing about the glories of beer! One can only hope Hitler saw it and got indigestion. MGM does have one advantage over the more famous competition; Clark Gable, who brings a good bit more heat to the screen than Warner Baxter. One pre-code moment: in the last musical number historical figures march through an arch which turns them into modern characters. A knight in armor goes under and turns into a mincing handkerchief-waver!
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