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Dancing Lady (1933)

Passed  -  Musical | Comedy | Romance  -  24 November 1933 (USA)
6.7
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Ratings: 6.7/10 from 1,192 users  
Reviews: 37 user | 12 critic

An attractive dancer is rescued from jail by a rich man, who helps her to have her first big opportunity at a musical play on Broadway.

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(screen play), (screen play), 4 more credits »
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Title: Dancing Lady (1933)

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Edit

Cast

Cast overview, first billed only:
...
Janie Barlow
...
Patch Gallagher
...
Tod Newton
...
Dolly Todhunter - Tod's Grandmother
Winnie Lightner ...
Rosette LaRue
...
Himself
Robert Benchley ...
Ward King
Ted Healy and His Stooges
Arthur Jarrett ...
Himself (as Art Jarrett)
...
Jasper Bradley, Sr.
...
Himself
Maynard Holmes ...
Jasper Bradley, Jr.
...
Pinky - the Show's Author
Gloria Foy ...
Vivian Warner
...
Edit

Storyline

Janie lives to dance and will dance anywhere, even stripping in a burlesque house. Tod Newton, the rich playboy, discovers her there and helps her get a job in a real Broadway musical being directed by Patch. Tod thinks he can get what he wants from Janie, Patch thinks Janie is using her charms rather than talent to get to the top, and Janie thinks Patch is the greatest. Steve, the stage manager, has the Three Stooges helping him manage all the show girls. Fred Astaire and Nelson Eddy make appearances as famous Broadway personalities. Written by Lisa Grable <grable@unity.ncsu.edu>

Plot Summary | Add Synopsis


Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

24 November 1933 (USA)  »

Also Known As:

A táncoló hölgy  »

Box Office

Budget:

$923,055 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

When Franchot Tone reads the program for the play, the cast listed therein includes the real names of all the performers except Joan Crawford, whose character name is listed. Even the chorus girls are listed by their real names. See more »

Goofs

While chasing Patch, Janie is splashed by mud from a passing car; when she hops out of a cab minutes later, her shoes and stockings are clean. See more »

Quotes

[first lines]
Girl with Tod: I don't like the looks of this place Todd.
Tod Newton: Ah, come on. You'll get a lot of laughs.
See more »

Connections

Featured in That's Entertainment, Part II (1976) See more »

Soundtracks

Siboney
(1929) (uncredited)
Written by Ernesto Lecuona
Played in a Cuban Club as dance music
See more »

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User Reviews

 
MGM jumps on that 42nd Street bandwagon
2 May 2006 | by (United States) – See all my reviews

Like the other studios, MGM wasted no time cashing in on the success of 42nd Street with its own backstage musical, complete with ersatz Busby Berkeley choreography. This one is "Dancing Lady," and she's young Joan Crawford costarring with Franchot Tone and Clark Gable. A dancer named Fred Astaire makes his official film debut, and Nelson Eddy pops in for a song.

Crawford is an ambitious dancer being pursued by a rich boyfriend (Tone), but she's blinded by the footlights of Broadway. He helps her out by getting her into a show directed by tough guy Gable, and when he sees her talent and perseverance, he gives her the "top spot" in the show. Of course, he's attracted to her, too, and she to him.

It's easy for all of them to be attracted to one another because they're all gorgeous. 30 years after this film, Franchot Tone would play a dying President in "Advise and Consent"...and look it. Here he's a smooth dazzler in his top hat, tails, brilliant smile and dimples. Gable is muscular, sexy, and rough around the edges. Crawford sparkles with her athletic figure, beautiful legs, and surely a pair of the most spellbinding eyes ever in film. She is perfection in her Adrian outfits. Though she does well in her big number with Astaire, Crawford really was from the Ruby Keeler School of Hoofing - lots of arms, big steps, and a ton of noise. The musical itself - uh, "Dancing Lady" - is tuneful and pleasant, and its spectacular finale gives one the impression that Louis B screamed for the kitchen sink - Berkeley-type choreography, a Nelson Eddy solo, and Astaire.

It's wonderful to see these stars so young and energetic, and they are all great to watch. Look for an uncredited appearance by a blond Eve Arden and Lynn Bari somewhere in the chorus. Lots of fun from MGM.


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