Chasing a gambler that stole money, Tom Larkin gets his horse shot out from under him. Meeting an outlaw with a horse, after a fight Tom rides away on that horse. Arriving in town he is ...
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Charles 'Chic' Sale,
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Edwin L. Marin
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Sue Tally waits for a brother she hasn't seen in twenty years to meet her in a French hotel. By proving her identity, she'll share in a $2,000,000 inheritance. But others are anxious to get... See full summary »
Chasing a gambler that stole money, Tom Larkin gets his horse shot out from under him. Meeting an outlaw with a horse, after a fight Tom rides away on that horse. Arriving in town he is mistaken for the outlaw and offered a job of killing a man. But the man is the father of the girl that Tom's money was to go to but was stolen by the gambler. Written by
Maurice VanAuken <email@example.com>
The Cheyenne Kid's plot could've been lifted out of any one of John Wayne's 1930's Lone Star entries. Rodeo star Keene (who's actually quite likable) has an idiot buddy (s-s-s-tuttering Roscoe Ates) who acts as the glue that brings him and the pretty daughter of a mine owner whose about to be swindled out of his fortune together. Bullets fly and there's the typical 30's oater somewhat anachronistic presence of cars in the beginning of the movie (that all but disappear from the sets later on)--- but Keene actually shows some acting talent when his beloved horse gets shot dead from underneath him--- he cries! (and it's convincing!). The whole thing leaves you wondering why he wasn't a bigger cowboy star... I'm guessing his tendency to try something new with every movie killed off any hopes of developing a fan base in a genre where longevity meant adopting a fixed character (and the same outfit, not to mention the same horse) and running with it. This is an enjoyable way to spend an hour or so on a snowy Saturday morning.
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