| Diana Wynyard | ... | Jane Marryot | |
| Clive Brook | ... | Robert Marryot | |
| Una O'Connor | ... | Ellen Bridges | |
| Herbert Mundin | ... | Alfred Bridges | |
| Beryl Mercer | ... | Cook | |
| Irene Browne | ... | Margaret Harris | |
| Tempe Pigott | ... | Mrs. Snapper | |
| Merle Tottenham | ... | Annie | |
| Frank Lawton | ... | Joe Marryot | |
| Ursula Jeans | ... | Fanny Bridges | |
| Margaret Lindsay | ... | Edith Harris | |
| John Warburton | ... | Edward Marryot | |
| Billy Bevan | ... | George Grainger | |
| Desmond Roberts | ... | Ronnie James | |
| Dickie Henderson | ... | Master Edward (as Dick Henderson Jr.) | |
| Douglas Scott | ... | Master Joey | |
| Sheila MacGill | ... | Young Edith | |
| Bonita Granville | ... | Young Fanny | |
| rest of cast listed alphabetically: | |||
| Harry Allen | ... | Busker (uncredited) | |
| Frank Atkinson | ... | Uncle Dick (uncredited) | |
| Lionel Belmore | ... | Uncle George (uncredited) | |
| Ted Billings | ... | Newspaper Peddler (uncredited) | |
| Adele Crane | ... | Ada - in the Show (uncredited) | |
| Howard Davies | ... | Agitator (uncredited) | |
| Mary Forbes | ... | Duchess of Churt (uncredited) | |
| Betty Grable | ... | Girl on Couch (uncredited) (unconfirmed) | |
| Dannie Mac Grant | ... | Boy (uncredited) | |
| Lawrence Grant | ... | Man at Microphone (uncredited) | |
| Stuart Hall | ... | Lieutenant Edgar - in the Show (uncredited) | |
| Winter Hall | ... | Minister on the Pulpit (uncredited) | |
| Brandon Hurst | ... | Gilbert & Sullivan Actor (uncredited) | |
| Claude King | ... | Speaker (uncredited) | |
| Eric Mayne | ... | Doctor on Street (uncredited) | |
| Wilfrid North | ... | Man Talking to Colonel (uncredited) | |
| Tom Ricketts | ... | Waiter (uncredited) | |
| John Rogers | ... | Busker (uncredited) | |
| Ann Shaw | ... | Mirabelle - in the Show (uncredited) | |
| C. Montague Shaw | ... | Major Domo (uncredited) | |
| Yorke Sherwood | ... | Cabby (uncredited) | |
| Pat Somerset | ... | Ringsider (uncredited) | |
| Will Stanton | ... | Tommy Jolly - in the Show (uncredited) | |
| Mary Stewart | ... | Dancer / Singer (uncredited) | |
| Gelal Talata | ... | Recruiting Girl Singer (uncredited) | |
| David Torrence | ... | Man at Disarmament Conference (uncredited) | |
| Douglas Walton | ... | Soldier Friend of Joe (uncredited) | |
| Marguerite Warner | ... | Recruiting Girl Singer (uncredited) | |
| Eric Wilton | ... | Robert - Marryot's Later Butler (uncredited) | |
Directed by | |||
| Frank Lloyd | |||
Writing credits | ||
| Noel Coward | (play) | |
| Reginald Berkeley | (screenplay) | |
| Sonya Levien | (continuity) | |
Produced by | |||
| Frank Lloyd | .... | producer | |
| Winfield R. Sheehan | .... | producer (uncredited) | |
Original Music by | |||
| Peter Brunelli | (uncredited) | ||
| Louis De Francesco | (uncredited) | ||
| Arthur Lange | (uncredited) | ||
| J.S. Zamecnik | (uncredited) | ||
Cinematography by | |||
| Ernest Palmer | |||
Film Editing by | |||
| Margaret Clancey | (uncredited) | ||
Casting by | |||
| Phil M. Friedman | (uncredited) | ||
Art Direction by | |||
| William S. Darling | (as William Darling) | ||
Costume Design by | |||
| Earl Luick | |||
Production Management | |||
| Charles Woolstenhulme | .... | unit manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| William Tummel | .... | assistant director | |
Art Department | |||
| Al Orenbach | .... | set dresser (uncredited) | |
Sound Department | |||
| Joseph E. Aiken | .... | sound engineer (as Joseph Aiken) | |
Special Effects by | |||
| William Cameron Menzies | .... | special effects (uncredited) | |
Camera and Electrical Department | |||
| Arthur E. Arling | .... | second camera operator (uncredited) | |
| Glen MacWilliams | .... | camera operator: second unit (uncredited) | |
Costume and Wardrobe Department | |||
| Arnold McDonald | .... | wardrobe: men (uncredited) | |
Music Department | |||
| Louis De Francesco | .... | musical director | |
| Sammy Lee | .... | musical ensembles stager | |
| Peter Brunelli | .... | music arranger (uncredited) | |
| Edward Kilenyi | .... | music arranger (uncredited) | |
| Arthur Lange | .... | music arranger (uncredited) | |
| Doris Silver | .... | music researcher (uncredited) | |
| Frank Tresselt | .... | music arranger (uncredited) | |
| Frank Tresselt | .... | musical director: vocals (uncredited) | |
| J.S. Zamecnik | .... | music arranger (uncredited) | |
Other crew | |||
| George Hadden | .... | dialogue director | |
| William Cameron Menzies | .... | war scenes (as William C. Menzies) | |
| Lance Baxter | .... | researcher (uncredited) | |
| Edward Butcher | .... | studio manager (uncredited) | |
| Charles E. McCarthy | .... | publicity director (uncredited) | |
| R.C. Moore | .... | location manager (uncredited) | |
Thanks | |||
| Charles B. Cochran | .... | acknowledgment: based on the stage production directed by, British film version | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Often forgotten, but very excellent 1933 Best Picture Oscar winner that stands up amazingly well after 70 years. "Cavalcade" is the near-epic tale of two British families (one set of aristocrats led by Oscar-nominee Diane Wynyard and Clive Brook and the other a set of servants led by Una O'Connor and Herbert Mundin) and their experiences from New Year's Eve 1899 to the start of 1933. As the film opens, the country is entangled in the bloody Boer War in South Africa. Queen Victoria's death soon follows and naturally the loss hits the entire country very hard. The sinking of the Titanic also effects the richer group as they lose family members on the doomed liner. Of course World War I produces a terrible situation for the two groups' children. The film progresses through the Jazzy 1920s and then we re-visit the couples in the early-1930s as they reflect on eventful, dramatic and tragic years since the start of the century. A new hope seems possible by the end (of course history would continue to be unkind as World War II would soon become a sad reality for the English), but far from certain. Frank Lloyd (Oscar-winning for his direction) crafted a vastly interesting film that is technologically strong for the time period (the Titanic sequence in particular is something to be appreciated) and very intelligent from the start. The editing techniques are revolutionary with impressive fades throughout to show the passing of time and the cinematography still holds up strong even today. One good thing about the Academy Awards is the historical significance it gives to films like "Cavalcade". True the film is not always well-known among movie enthusiasts, but that does not mean that this is not an excellent production and one of the first truly excellent movies that Hollywood would develop for the world. 5 stars out of 5.