Ted and Lulu Hackett are vaudeville's The Hacketts, a fairly successful song-and-dance team. They bring their son Ted Jr. up in the business and he soon eclipses them. When the son is ...
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The famous Baron Munchausen dumps two dimwits in the African jungle. A rescue team mistakes one of them for the missing Baron, and returns them to the US, where they're greeted as heroes. ... See full summary »
Mr. Schmidt's costume store is bankrupt because he spends his time on Rube Goldberg-style inventions; the creditors send a young manager who falls for Schmidt's niece Louise, but she'll ... See full summary »
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W.S. Van Dyke,
Robert Z. Leonard
Dr. Eli Watt, a widower, comes to a small town, considering himself a failure in his attempt to have a meaningful career in New York. He raises his son Jimmy as well as Letty, a baby whose ... See full summary »
John S. Robertson
New York playboy Danny Churchill is sent to a small town in Arizona, where being sheriff is very dangerous, to keep away from girls, but he decides to open a dude ranch there. He asks his ... See full summary »
Ted Healy and the 3 Stooges are fired and evicted from a theatre because Ted is annoys women working there. They then get jobs as waiters at a night club. Chaos leads to destruction of the business. At the end, Ted pursues another woman.
Ted and Lulu Hackett are vaudeville's The Hacketts, a fairly successful song-and-dance team. They bring their son Ted Jr. up in the business and he soon eclipses them. When the son is offered a starring role on Broadway, he arranges for his parents to join him in the show, but Ted Sr. is embarrassed to learn that he and Lulu are there purely in order to keep their son happy. They return to vaudeville, only to find that their duet act has gone stale with time. Meanwhile, Ted Jr. has married and had a son, but he has also fallen victim to drink. Tragedy strikes the Hackett family, and only the march of time will tell whether Ted III will repeat the failings of his father and grandfather. Written by
Jim Beaver <firstname.lastname@example.org>
This film is a wonderful example of a through-the-years show business family with all the sentiment and comforting clichés of the genre. The relationship of the main characters played by Frank Morgan and Alice Brady is just complicated enough to ring true. The movie also offers the added treats of Jackie Cooper and the very young and spectacular Mickey Rooney who may have had as much raw talent as anyone who ever grew up in front of a camera. Madge Evans supplies erotic appeal as a doomed dancer and there is a very strange scene with Moe and Curly Howard as two rather frightening clowns in bizarre white make-up. Eddie Quillan plays Rooney grown-up and suggests in one scene that his character might just be gay. This is a pre-coder. Jimmy Durante plays himself and Nelson Eddy sings a forgettable tune. And isn't that Una Merkel winking at Morgan from the audience? If you like movies about show business, this one's for you.
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