Ted and Lulu Hackett are vaudeville's The Hacketts, a fairly successful song-and-dance team. They bring their son Ted Jr. up in the business and he soon eclipses them. When the son is ...
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Ted and Lulu Hackett are vaudeville's The Hacketts, a fairly successful song-and-dance team. They bring their son Ted Jr. up in the business and he soon eclipses them. When the son is offered a starring role on Broadway, he arranges for his parents to join him in the show, but Ted Sr. is embarrassed to learn that he and Lulu are there purely in order to keep their son happy. They return to vaudeville, only to find that their duet act has gone stale with time. Meanwhile, Ted Jr. has married and had a son, but he has also fallen victim to drink. Tragedy strikes the Hackett family, and only the march of time will tell whether Ted III will repeat the failings of his father and grandfather. Written by
Jim Beaver <email@example.com>
This film originated in an unreleased musical revue, The March of Time (1930), which was to have featured real and recreated vaudeville star acts. When that project was abandoned, MGM tried to salvage the footage by creating a new story into which they could insert footage shot for the earlier project. Some of the inserted footage contained shots of well-known performers who had only been in the earlier film, such as Fay Templeton, Marie Dressler, William Collier Sr., and DeWolf Hopper Sr., but since almost all of the incorporated footage was in long shot, most of these actors, if present, are impossible to identify. A copyright continuity of the film, however, suggests that they are present, even if unrecognizably so. Dressler, however, is mentioned by characters in the movie. See more »
This film is a wonderful example of a through-the-years show business family with all the sentiment and comforting clichés of the genre. The relationship of the main characters played by Frank Morgan and Alice Brady is just complicated enough to ring true. The movie also offers the added treats of Jackie Cooper and the very young and spectacular Mickey Rooney who may have had as much raw talent as anyone who ever grew up in front of a camera. Madge Evans supplies erotic appeal as a doomed dancer and there is a very strange scene with Moe and Curly Howard as two rather frightening clowns in bizarre white make-up. Eddie Quillan plays Rooney grown-up and suggests in one scene that his character might just be gay. This is a pre-coder. Jimmy Durante plays himself and Nelson Eddy sings a forgettable tune. And isn't that Una Merkel winking at Morgan from the audience? If you like movies about show business, this one's for you.
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