"In the Gay Nineties New York had grown up into bustles and balloon Sleeves ... but The Bowery had grown younger, louder and more rowdy until it was known as the 'Livest Mile on the face of... See full summary »
A kind-hearted young man is thrown out of his corrupt home town of West Rome, Oklahoma. He falls asleep and dreams that he is back in the days of olden Rome, where he gets mixed up with court intrigue and a murder plot against the Emperor.
The Goldwyn Girls,
The Bowery is a neighborhood in New York City populated largely by the down and out, and largely by transients. Those that can work generally can only find short term employment on a day to... See full summary »
A singer marries a famous composer, and after a while she gets the itch to go back on the stage. However, her husband won't let her. When she hears that a popular French singer named "... See full summary »
Mr Casey's daughter, Connie, wants to go to Pottawatomie College and without her knowledge he sends four football players as her bodyguards. The college is in financial trouble and her ... See full summary »
In the 1920s Pat Jackson destroys a Chinese post and is discharged from the Navy. Li Po Chang hires him to run a gunboat up the river. He drops Wildeth off at a mission for safety, but when... See full summary »
Algy, Bulldog Drummond's right-hand-man, is getting married. Bulldog attends; on the way home, in the fog, he enters the (apparently deserted) mansion of Prince Achmed in search of a phone.... See full summary »
Roy Del Ruth
"In the Gay Nineties New York had grown up into bustles and balloon Sleeves ... but The Bowery had grown younger, louder and more rowdy until it was known as the 'Livest Mile on the face of the globe' ... the cradle of men who were later to be famous." The scene opens in a saloon named "Nigger Joe's" ... Written by
Michael Crew <firstname.lastname@example.org>
George Raft and Wallace Beery were at odds during filming. According to Raft, before the fistfight scene, Beery asked Raft to let him throw the first punch and then proceeded to sucker-punch Raft, knocking him out for several minutes. "When I came to I got up and called him everything I could think of," Raft said. They then fought for real, and the crew had to break it up. See more »
The name of George Raft's character, "Steve Brodie," is misspelled "Brody" in the opening credits. See more »
Sentimental but skilfully made exercise in period knockabout comedy
George Raft as Steve Brodie, the carefree, dancing gambler who can never refuse a dare, is pitted against the lumbering, sentimental, Chuck Connors (Wallace Beery).A soft touch for every panhandler, Connors impulsively adopts waifs and strays, notably runaway orphan "Swipes" (Jackie Cooper, complete with kittens!) and the homeless Lucy Calhoun, an out-of-town innocent with ambitions to become a writer.
In this male-dominated culture, communication takes place mostly in the form of violence (one sees why THE BOWERY is a Martin Scorsese favorite). Exploding cigars provide a running gag. "Swipes" enjoys throwing rocks through windows in Chinatown, on one occasion setting a laundry alight. (The simultaneous arrival of both Brodie's and Beery's volunteer fire companies leads to a brawl, during which the building burns to the ground.) Beery casually saps a troublesome girl, and thumps anyone who disagrees with him, including Brodie, whom he defeats, in a night-time fist fight on a moored barge, to regain control of his saloon, lost on a bet that Brodie wouldn't have the courage to jump off the Brooklyn Bridge. (Brodie does make the leap, but only because a subterfuge with a dummy fails at the last moment.)
As usual, Walsh fills the frame with detail, illustrating with relish the daily life of the tenderloin; singing waiters, bullying barmen, whores from Suicide Hall being hustled into the Black Maria, tailors collaring hapless hicks off the street and forcing them to buy suits they don't want. A minor but admirable little film.
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