The Baron is a banker, in Vienna, who works at at very fast pace. He appreciates beautiful women, but fires the beautiful Miss Frey as he considers her a diversion to work. Susie sneaks ... See full summary »
Roy Del Ruth
"In the Gay Nineties New York had grown up into bustles and balloon Sleeves ... but The Bowery had grown younger, louder and more rowdy until it was known as the 'Livest Mile on the face of... See full summary »
Truck driver Bugs Raymond organizes the trucking associations and takes protection money. Now rich, he decides to marry socialite Dorothy Stone. She rejects him for another, so he makes plans to kidnap her on her wedding day.
Jimmy writes the 'Up and Down Broadway' column for the New York Globe, and he is head over heels for Mary. But Mary is more interested in her career and is looking at starring on Broadway ... See full summary »
William A. Wellman
Douglas Fairbanks Jr.,
Elna Curry, once a concert pianist, develops an unfounded jealousy of neighbor, Trudie Morrow. Elna who suffers from neurasthenia, believes that Trudie is having an affair with her husband,... See full summary »
When a hot young prosecutor learns that a man he got convicted and executed was in fact innocent, he quits his DA job and becomes a defense attorney. He grows rich and powerful defending ... See full summary »
"Blood Money" is a fascinating precode - what else can you say about a film that has Judith Anderson in a glamor role? And an ingénue who longs for S&M to boot.
This 1933 film concerns a bail bondsman named Bill Bailey (George Bancroft) who's been helping out the mob for years. He falls for a pretty shoplifter named Elaine (Frances Dee) - she's actually slumming, as she's from a wealthy family. This leaves Bailey's girlfriend, club owner Ruby (Anderson) in the lurch. She's the woman responsible for his success, helping him out when he was thrown off of the police force. However, Elaine (who would follow any man who thrashed her around like a dog, says she) steals some bonds instead of delivering them to the appropriate place, thereby setting up Bailey as a mob target and getting his brother-in-law in deep trouble with the law. Ruby believes he's responsible for her brother's problems, and has a hit put out on him.
The acting is over the top, the dialogue is rough and filled with sexual innuendos, the atmosphere is sleazy - it's pre-code all right. I read a transcript of an interview with Joel McCrea (intended to be for a biography that wasn't written) and he kept referring to "Mother" - I finally realized that he didn't call his wife, Frances Dee, "mother" - he was referring to her that way while talking to one of his sons, who was conducting the interview. As the promiscuous, dying to be hit ingénue, she wasn't very motherly in this.
This is a no-miss if only to see Judith Anderson in a gown and jewels hanging out with mobsters and Frances Dee as something other than a pretty goody-two-shoes.
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