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Blood Money (1933)

Bill Bailey is a Los Angeles bail bondsman who lives in a world of complete, casual corruption, where all he has to do is pick up the phone to get the charges against a client dismissed. He... See full summary »

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Cast

Complete credited cast:
...
Bill Bailey
...
Ruby Darling
...
Elaine Talbart
...
Drury Darling
...
Singer
...
Bail Bond Clerk
...
Charley
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Storyline

Bill Bailey is a Los Angeles bail bondsman who lives in a world of complete, casual corruption, where all he has to do is pick up the phone to get the charges against a client dismissed. He falls in love with slumming socialite who bluntly and startlingly declares her sexual preferences with this immortal line: "If I could find a man who would be my master and give me a good thrashing, I'd follow him around like a dog on a leash."

Plot Summary | Add Synopsis

Taglines:

HIS "IN" ALWAYS GOT THEM OUT! Only to get them in his merciless grasp! What price bail?


Certificate:

Passed | See all certifications »
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Details

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Release Date:

17 November 1933 (USA)  »

Box Office

Budget:

$238,591 (estimated)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Film debut of Judith Anderson. See more »

Quotes

Bill Bailey: The only difference between a liberal and a conservative man is, that a liberal recognizes the existence of vice and controls it, while a conservative just turns his back and pretends it doesn't exist.
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Soundtracks

Frankie and Johnny
(1912) (uncredited)
Music by Bert Leighton and Frank Leighton
Played during the opening credits and often throughout the picture
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User Reviews

 
unbelievable pre-code
30 May 2008 | by (United States) – See all my reviews

"Blood Money" is a fascinating precode - what else can you say about a film that has Judith Anderson in a glamor role? And an ingénue who longs for S&M to boot.

This 1933 film concerns a bail bondsman named Bill Bailey (George Bancroft) who's been helping out the mob for years. He falls for a pretty shoplifter named Elaine (Frances Dee) - she's actually slumming, as she's from a wealthy family. This leaves Bailey's girlfriend, club owner Ruby (Anderson) in the lurch. She's the woman responsible for his success, helping him out when he was thrown off of the police force. However, Elaine (who would follow any man who thrashed her around like a dog, says she) steals some bonds instead of delivering them to the appropriate place, thereby setting up Bailey as a mob target and getting his brother-in-law in deep trouble with the law. Ruby believes he's responsible for her brother's problems, and has a hit put out on him.

The acting is over the top, the dialogue is rough and filled with sexual innuendos, the atmosphere is sleazy - it's pre-code all right. I read a transcript of an interview with Joel McCrea (intended to be for a biography that wasn't written) and he kept referring to "Mother" - I finally realized that he didn't call his wife, Frances Dee, "mother" - he was referring to her that way while talking to one of his sons, who was conducting the interview. As the promiscuous, dying to be hit ingénue, she wasn't very motherly in this.

This is a no-miss if only to see Judith Anderson in a gown and jewels hanging out with mobsters and Frances Dee as something other than a pretty goody-two-shoes.


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