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Another delectable sweet-and-sour pre-Code entry of the early 1930s, nimbly skirting the edges of that era's morality with prodding grown-up material, satirizing the comedic and dramatic possibilities therein. Story concerns three gals who work in a New York City beauty parlor: one is dating a married man, another is pregnant by a no-goodnik, and the third spends her nights with a rich sugar daddy. Society cattiness at its most cynical; colorful performances by Madge Evans, Una Merkel and Alice Brady adds to the fun. Director Richard Boleslawski allows the bracing narrative to degenerate once or twice into slapstick, but if you can overlook that there's a great deal of sharp, salty wit here. Fine supporting turns by Otto Kruger, Hedda Hopper and May Robson. **1/2 from ****
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