Baby Face
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Baby Face (1933) More at IMDbPro »

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5 items from 2014

Two Movies Starring (Inventor) Lamarr Coming Up on TCM

2 November 2014 3:47 PM, PST | Alt Film Guide | See recent Alt Film Guide news »

Hedy Lamarr: 'Invention' and inventor on Turner Classic Movies (photo: Hedy Lamarr publicity shot ca. early '40s) Two Hedy Lamarr movies released during her heyday in the early '40s — Victor Fleming's Tortilla Flat (1942), co-starring Spencer Tracy and John Garfield, and King Vidor's H.M. Pulham, Esq. (1941), co-starring Robert Young and Ruth Hussey — will be broadcast on Turner Classic Movies on Wednesday, November 12, 2014, at 7 p.m. and 9 p.m. Pt, respectively. Best known as a glamorous Hollywood star (Ziegfeld Girl, White Cargo, Samson and Delilah), the Viennese-born Lamarr (née Hedwig Eva Maria Kiesler), who would have turned 100 on November 9, was also an inventor: she co-developed and patented with composer George Antheil the concept of frequency hopping, currently known as spread-spectrum communications (or "spread-spectrum broadcasting"), which ultimately led to the evolution of wireless technology. (More on the George Antheil and Hedy Lamarr invention further below.) Somewhat ironically, »

- Andre Soares

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Watch ‘Pre-Code’ Hollywood films on TCM all month

3 September 2014 8:24 PM, PDT | SoundOnSight | See recent SoundOnSight news »

Tod Browning’s “Freaks

Before R-ratings, anti-heroes and gratuitous violence and nudity in mainstream Hollywood movies, there was the Hays Code. As a form of self-policing the industry, virtually every movie released up until 1968 needed that stamp of approval if it wanted distribution. And while it helped produce all of Old Hollywood’s true classics for several decades, it often included ridiculous rulings like not being able to show or flush a toilet on screen, not allowing married couples to be shown sleeping in the same bad or always making sure criminals, even protagonists of the movie, got punished in the end.

But before the Hays Code was nothing, and it was a gloriously weird, scandalous time for the movies. Certain Hollywood films in the early ’30s as “talkies” were rapidly taking hold have since been labeled “Pre-Code” films that never received Hollywood’s stamp of approval.

Every Friday in September, »

- Brian Welk

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Pre-Code Classics Coming to TCM

2 September 2014 3:54 PM, PDT | Thompson on Hollywood | See recent Thompson on Hollywood news »

Hollywood got away with a hell of a lot before the Production Code, and Turner Classic Movies is offering a weekly taste of the bounty. Alec Baldwin and TCM's Robert Osborne will introduce 24 hours of pre-Code sex, drugs, profanity, nudity and bad behavior every Friday in September. TCM will highlight the freewheeling early careers of Barbara Stanwyck, Mae West, Jean Harlow, Warren William, James Cagney and more who starred in films where the bad guy sometimes won, and where the fallen heroine didn't need, or even want, to be saved. Classics on the docket include "Baby Face," "Footlight Parade," "Freaks," "Trouble in Paradise," "The Story of Temple Drake" and "Scarface" -- all wildly licentious for the time. Without censorship, during the 20s and early 30s sound boom, Hollywood did not sanitize sex, drug use, abortion, prostitution and extreme violence. Here's a look at the Code, which has some whacky do-nots. »

- Ryan Lattanzio

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Under the Skin | Review

2 April 2014 9:30 AM, PDT | ioncinema | See recent ioncinema news »

Female Perversion: Glazer’s Latest a Strange, Hypnotic Exploration of the Body Feminine

It’s been over a decade now since Jonathan Glazer’s exciting and strange sophomore film Birth (2004), an eerie and unsettling exploration of reincarnation tainted with the specter of pedophilia. While greeted with divisive reactions, his long awaited next feature, Under the Skin seems destined for an equally baffling reaction as he once again employs an A-list star in a nightmarish and disorienting universe of perplexing intention. Have no doubt, however, that Glazer has crafted a cinematic masterpiece that’s surreal, scintillating, and unforgettably strange. While reminiscent of several classic sci-fi titles in its obfuscated execution, it’s most notable ancestor would perhaps be Nicolas Roeg’s The Man Who Fell to Earth, but only in a rudimentary comparison of narrative. Glazer’s is a menacing look at the construction and consumption of female sexuality.

On the »

- Nicholas Bell

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Pre-Code Hollywood: Gangsters, Monsters, and Dames

31 January 2014 7:20 AM, PST | CinemaNerdz | See recent CinemaNerdz news »

I must have been about 12 years old when I first saw Tarzan and His Mate. I loved the Tarzan movies. Tarzan was the undisputed King of the Jungle and was the greatest, Cheetah was man’s best friend, Boy was annoying, and Jane was the Queen of the Jungle and a young male’s introduction to the allure of the female. The uncensored version, with a naked Jane silhouetted while changing clothes in a backlit tent and the spectacular underwater ballet scene would have been a revelation to me; Tarzan and Jane are frolicking in their favorite swimming hole, Tarzan in his usual loincloth and Jane naked – not naked from the waste up, or presumed naked as they hid her behind some lake flora or rocks – Jane was naked.

Madam Satan

Most film fans knowledge of Pre-Code Hollywood movies doesn’t go much further than King Kong, Frankenstein, and a few other titles. »

- Gregory Small

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2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2005

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