A young woman uses her body and her sexuality to help her climb the social ladder, but soon begins to wonder if her new status will ever bring her happiness.

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(screen play), (screen play) | 1 more credit »
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Cast

Complete credited cast:
...
George Brent ...
Donald Cook ...
Alphonse Ethier ...
Cragg
Henry Kolker ...
Carter
...
Ann Carter
Arthur Hohl ...
Ed Sipple
...
Jimmy McCoy Jr.
Robert Barrat ...
Nick Powers
...
Brody (as Douglas Dumbrille)
Theresa Harris ...
Chico
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Storyline

Lilly (Baby Face) sleeps her way from basement speakeasy bartender, literally floor by floor, to the top floor of a New York office building. Bank sub-manager Jimmy McCoy finds her a job in the bank only to be cast aside as she hooks up with the bank's president. When he complains of not seeing her she says: "I'm working so hard I have to go to bed early every night." Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Taglines:

She climbed the ladder of success - wrong by wrong!

Genres:

Drama | Romance

Certificate:

Approved | See all certifications »

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Details

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Release Date:

December 1933 (UK)  »

Also Known As:

A Mulher que Nos Perde  »

Box Office

Budget:

$187,000 (estimated)
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Technical Specs

Runtime:

| (restored)

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

In the original 1933 sneak preview, Barbara Stanwyck's dialog in the opening sequence where she attacks her father for surrounding her with men since she was the age of 14 is intact, although it was actually cut from the release version. See more »

Goofs

After Lily mentions to Courtland she would like to be a Mrs., there are two shots of newspapers announcing the wedding. The second shot is a close up of two paragraphs. The first paragraph misspells Courtland's name as "Courtney" and the word company as "comany." See more »

Quotes

Lily Powers: Are you letting me go?
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Soundtracks

Dardanella
(1919) (uncredited)
Music by Felix Bernard and Johnny Black
Played on a player piano in Powers' speakeasy
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User Reviews

 
Stanwyck Sizzles
2 April 2002 | by (Forest Ranch, CA) – See all my reviews



Arriving by boxcar in New York City, the shrewd young woman with the BABY FACE begins to methodically canoodle her way to the top floors of power in a great bank.

Barbara Stanwyck is fascinating as the amoral heroine of this influential pre-Code drama. Without a shred of decency or regret, she coolly manipulates the removal or destruction of the men unlucky enough to find themselves in her way. A wonderful actress, Stanwyck has full opportunity here to display her ample talents.

Appearing quite late in the story, George Brent is a welcome addition as the one fellow possibly able to handle Stanwyck; his sophisticated style of acting makes a nice counterpoint to her icy demeanor. Douglas Dumbrille, Donald Cook & Henry Kolker portray a succession of her unfortunate victims.

John Wayne appears for just a few scant seconds as an unsuccessful suitor for Stanwyck's affections. This would be the only time these two performers appeared together on screen.

Movie mavens should recognize Nat Pendleton as a speakeasy customer, and Charles Sellon & Edward Van Sloan as bank executives - all unbilled.

The music heard on the soundtrack throughout the film, perfectly punctuating the plot, is ‘Baby Face' (1926) by Benny Davis & Harry Akst and ‘St. Louis Blues' (1914) by W.C. Handy.

BABY FACE is a prime example of pre-Code naughtiness. In its frank & unapologetic dealing with sex, it is precisely the kind of film which the implementation of the Production Code in 1934 was meant to eliminate.


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