Lil works for the Legendre Company and causes Bill to divorce Irene and marry her. She has an affair with businessman Gaerste and uses him to force society to pay attention to her. She has ... See full summary »
The saga of Tom Holmes - a man of principles - from the Great War to the Great Depression. Will he ever get a break? His war heroics earn fame and a medal for someone else, and his wounds ... See full summary »
William A. Wellman
A wealthy but neurotic Southern belle finds herself trapped in the hideout of a gang of vicious bootleggers. The gang's leader lusts after her, and is determined not to let anything stand in the way of his having her.
Jack La Rue
A young woman is on trial for murder. In flashback, we learn of her struggles to overcome poverty as a teenager -- a mistaken arrest and prison term for shoplifting and lack of employment ... See full summary »
Lilly (Baby Face) sleeps her way from basement speakeasy bartender, literally floor by floor, to the top floor of a New York office building. Bank sub-manager Jimmy McCoy finds her a job in the bank only to be cast aside as she hooks up with the bank's president. When he complains of not seeing her she says: "I'm working so hard I have to go to bed early every night." Written by
Ed Stephan <firstname.lastname@example.org>
In the original 1933 sneak preview, Barbara Stanwyck's dialog in the opening sequence where she attacks her father for surrounding her with men since she was the age of 14 is intact, although it was actually cut from the release version. See more »
After Mr. Carter stays the night, Lily gets out of a car. There is a reflection of faces on the window of the car as it pulls away. See more »
Isn't this cozy. You know, sometimes your little girl gets awful lonesome here, all by herself.
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No sense going over the story since enough reviewers have done that. Here's a few different slants on it from one of those "religious nuts," as one bigoted reviewer puts it so tolerantly.
1) "Baby Face" (1933) offers perhaps THE classic example ever put on film of how women can manipulate men with sex. There is a lot of truth to what Barbara Stanwyck demonstrates in this film: look cute, bat your eyelashes, offer your body for free.....and men will fall over themselves to help you out with whatever you want.
In this case, it was job advancement with the ultimate goal of money.....lots of it. At least four men in this film do provide just that, even if it ruins their lives in the process.
2) The ending - which many of the reviewers here seemed to hate - gives another great message: all the money and material goods in the world won't make a person feel fulfilled. A sad comment that so many "critics" here would rather have immoral messages, preferring sleaze over substance. No surprise, I guess.
Any way you look at it, the movie is entertaining start-to-finish and Stanwyck has some great lines, particularly in the beginning when she tells off her crude father and his unruly bar customers. At a little over 70 minutes, this film moves at a fast pace and is over before you know it.
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