6.7/10
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9 user 1 critic

Another Language (1933)

Stella and Victor meet in Europe, fall deeply in love, and marry soon thereafter. Then they sail back to the States to meet Victor's family, and the honeymoon is over: Victor's family, ... See full summary »

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Cast

Complete credited cast:
...
...
Louise Closser Hale ...
...
Jerry Hallam
...
Pop Hallam
...
Helen Hallam
Willard Robertson ...
Harry Hallam
Irene Cattell ...
Grace Hallam
Minor Watson ...
Paul Hallam
Hal K. Dawson ...
Walter Hallam
Maidel Turner ...
Etta Hallam
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Storyline

Stella and Victor meet in Europe, fall deeply in love, and marry soon thereafter. Then they sail back to the States to meet Victor's family, and the honeymoon is over: Victor's family, dominated by his manipulative mother, find Stella -- a free spirit -- pretentious and aloof. Their marriage starts to fall apart when Victor begins siding with his family instead of his wife. Written by Chris Stone <jstone@bellatlantic.net> and Determined Copy Editor

Plot Summary | Add Synopsis

Genres:

Drama

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Details

Country:

Language:

Release Date:

28 July 1933 (USA)  »

Also Known As:

Depois da Lua de Mel  »

Box Office

Budget:

$272,297 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Another Language (1932). Comedy. Written by Rose Franken. Directed by Arthur J. Beckhard. Booth Theatre: 25 Apr 1932- Feb 1933 (closing date unknown/344 performances). Cast: Maud Allan, Frieda Altman, Glenn Anders (as "Victor Hallam"), John Beal, Wyrley Birch (as "Mr. Hallam"), Irene Cattell (as "Grace Hallam"), Hal K. Dawson (as "Walter Hallam"), Herbert Duffy, Margaret Hamilton (as "Helen Hallam") [Broadway debut], William Pike, Dorothy Stickney (as "Stella Hallam"), Margaret Wycherly (as "Mrs. Hallam"). Produced by Arthur J. Beckhard. Note: Produced by MGM as a Robert Montgomery vehicle in 1933 (Ms. Hamilton would reprise her role as Helen Hallam in the film version). See more »

Quotes

[last lines]
Stella 'Stell' Hallam: [Stella turns around to see that Victor has followed her out into the rain] Oh, Vicky. I'm afraid you'll have to get me a taxi.
Victor Hallam: What for? I thought you liked to walk in the rain. I do.
[she takes his arm, and they walk off together in the pouring rain]
Umbrella Peddler: [faintly at first, then louder as Victor and Stell get closer] Umbrellas! Buy umbrellas! Fifty cents umbrellas! Umbrellas! Buy umbrellas! Umbrellas! Fifty cents umbrellas! Umbrellas! Buy umbrellas! Fifty cents umbrellas! Umbrellas! Fifty...
[...]
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Connections

Featured in This Side of Heaven (1934) See more »

Soundtracks

The Wedding of the Painted Doll
(uncredited)
Music by Nacio Herb Brown
Lyrics by Arthur Freed
Played on the Victrola
See more »

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User Reviews

 
Fine Helen Hayes
23 November 2012 | by (United States) – See all my reviews

"Another Language" works because the whole is greater than the sum of its parts - and that is not meant to insult the parts. Robert Montgomery plays multiple roles, and he plays them all well: sometimes a genuinely caring husband, sometimes a stand-offish snob, and sometimes a superior bully. It's as if he was doing a greatest hits part.

It is Helen Hayes, however, in one her rare film appearances, who shines out a little more than everyone else. She was really a fine actress, here playing the increasingly isolated and desperate wife of Robert Montgomery, the victim of a squeezing out instigated by Montgomery's petty family. Interesting how at one point one of his "sister-in-laws" suggests that Hayes is "not even that pretty". I guess she really wasn't particularly so, her eyes in particular seemingly too far apart.

But the script moves along delightfully. The ensemble scenes, of which there are many, bringing all 10 or so characters on screen at one time, are surprisingly fun. This is because the writers have managed to accomplish something quite difficult, in allowing the different character's personalities slowly to come through. None of them is all good, but none of them is really all bad, though as a group they are intimidating to poor Helen Hayes.

Even Margaret Hamilton, made up and dressed up to be especially homely, who appears to be the nastiest of the women, shows a little humanity at times - but it is never overdone. A nice touch.

But Henry Travers, as the kindly father, is a source of frustration for the viewer: he knows the games that everyone is playing, and is genuinely sympathetic to Hayes, yet he never actually speaks up for her. This weakness is all the more irksome because it is his wife, the manipulative matriarch (played quite well by Louise Hale), with her many fake fainting spells, who is the cause of the film's discord, and though he is not afraid of her, he never helps out either.

An interesting film, and not as predictable as it might seem.


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