Tom Collier has had a great relationship with Daisy, but when he decides to marry, it is not Daisy whom he asks, it is Cecelia. After the marriage, Tom is bored with the social scene and ... See full summary »
The story revolves around Pamela, as a woman in late-1800's England who has no intention of marriage and wishes to be her own person. After a great deal of difficulty in finding a job, she ... See full summary »
While out riding in the country, wealthy New Yorker Alec Walker meets young widow Julie Eden, and a relationship quickly develops. However, Alec has not told her that he is already locked ... See full summary »
A brilliant young doctor grows away from his family and his community when his older brother convinces him to make his fortune as a Park Avenue doctor. He spends his time prescribing ... See full summary »
As the Great War breaks out, Ann Vickers -- serious, independent, and forthright -- embarks on a passionate love affair with an officer who jilts her before she can tell him she's pregnant. After an abortion, she throws herself into social work, stirring things up at a woman's prison and writing a best-seller about the experience. Back in Manhattan, she runs a halfway house for paroled women and meets an equally free-thinking jurist, Barney Dolphin, who's estranged from his wife (she doesn't believe in divorce) and under investigation for corruption. They begin an affair and have a child just as he's indicted. The scandal ruins her career; can they flout convention and find happiness? Written by
<email@example.com> and Determined Copy Editor
John Kelly as Dr. Alstein and Mona Dolphin are in studio records/casting call lists for this movie. Kelly was not seen in the print, and since Mona Dolphin was the character name of Barney's wife, it is likely that no such actress existed. Ferdinand Gottschalk is listed for the role of Dr. Slenk, but that role was played by Murray Kinnell. Kitty Kelly and Robert Benchley were mentioned as cast members in a news item, but they did not appear in the movie. See more »
Although the first part of the picture takes place in 1918, all of Irene Dunne's hairstyles and clothes are strictly in the 1933 mode. See more »
To call Ann Vickers a women's picture may technically be accurate--it was, indeed, adapted by Jane Murfin, also responsible for 1939's The Women--but it's much more than that. Quite simply, this is one of the best dramas ever produced in Hollywood. Written with delicacy and tenderness, yet planted firmly in the cruel realities of life, Ann Vickers includes a tour de force performance by Irene Dunne, ably supported by the wonderful Walter Huston as her lover, and Conrad Nagel and Bruce Cabot as would be paramours. There are some incredibly powerful moments here, especially during the prison scenes, and Dunne and Huston are magical whenever they're on screen together. Certainly daring by the standards of the time, Ann Vickers is a refreshingly honest and still topical masterpiece.
27 of 31 people found this review helpful.
Was this review helpful to you?