6.2/10
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Ann Vickers (1933)

Passed | | Drama, Romance | 6 October 1933 (USA)
A prison reformer and a controversial judge fall in love and have a child out of wedlock.

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Writers:

(screenplay), (novel)
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Cast

Complete credited cast:
...
...
...
...
Capt. Lafayette Resnick
...
Malvina Wormser
...
Ignatz Spaulding
Mitchell Lewis ...
Captain Waldo
...
Dr. Slenk - Copperhead Gap Warden
Helen Eby-Rock ...
Kitty Cognac
...
Mona Dolphin
...
Dr. Sorelle (as J. Carroll Naish)
...
Lil--Black Woman
Reginald Barlow ...
Chaplain
...
Mrs. Feldermans (as Rafaella Ottiano)
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Storyline

During WWI, Ann Vickers, a humanitarian who is just starting the adult phase of her life, wants to make a difference in the world - using her friend Dr. Malvina Wormser as a role model - but she also wants a fulfilling personal life. She isn't sure if she can accomplish both at the same time. So after a failed relationship with soldier Captain Lafe Resnick which includes a deeper personal tragedy for her, Ann decides instead to focus solely on her career. With a background in nursing and social work, she decides the area of her work will be in prison reform. Her lofty goals do not sit well with many of the male traditionalists in the field, they who may stop her from accomplishing what she wants, at her own personal reputation at risk. Although she has a multitude of wannabe suitors, it isn't until she meets Supreme Court judge Barney Dolphin that she contemplates having that fulfilling personal life at the same time as having a career. But the road to a possible happy ending for Ann ... Written by Huggo

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

6 October 1933 (USA)  »

Also Known As:

Sinclair Lewis' Ann Vickers  »

Box Office

Budget:

$303,000 (estimated)
 »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(RCA Victor System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Director John Cromwell often played uncredited cameos in his films. In this one, he's the sad-faced doughboy at the settlement party; there are three good shots of him looking piningly at Irene Dunne. See more »

Goofs

Although the first part of the picture takes place in 1918, all of Irene Dunne's hairstyles and clothes are strictly in the 1933 mode, and continue as such through the decade of the 1920s which follows. See more »

Quotes

Barney Dolphin: [last lines]
Matthew Dolphin: Who are you?
Barney Dolphin: Well, son, i refuse to answer without advice of counsel.
See more »

Crazy Credits

The opening credits are printed in the pages of the novel. They are revealed by a man's hand who's opening the book and turning the pages. See more »

Connections

References Shoulder Arms (1918) See more »

Soundtracks

Till We Meet Again
(1918) (uncredited)
Music by Richard A. Whiting
Lyrics by Ray Egan
Played by a band for dance music at the Lorlears Hook Settlement House
See more »

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User Reviews

Miss Dunne a Delight in a Pre-Code Drama
28 November 2016 | by (United States) – See all my reviews

Only three years into her Hollywood career (after the initial misstep of "Leathernecking" (1930), Irene Dunne shines in this pre-Code drama. Her portrayal of Sinclair Lewis' "Ann Vickers" is complex, layered and multi-faceted. She is a modern woman and she is determined to change the world as Edna Mae Oliver's character states "if it takes her all winter". But the world almost breaks her. She is impregnated and then emotionally abandoned by Bruce Cabot's cad "Lafe", sent to work in a Purgatory of a women's prison, and finally saved by the love of Walter Huston's Judge Barney Dolphin. In him, she has met her equal--morally, intellectually, and emotionally. Their love is here to stay, as we see when she not only proudly bears their son out of wedlock but stands by him when he is sent to prison on political corruption and graft charges trumped up by his opposition. She too suffers in that she loses a top-tier professional post and must makes ends meet by writing freelance newspaper articles. However, she is undaunted and toughs it out until such time that Barney is paroled and reunited with her and their young son. It is so refreshing to see Dunne in this early role, so far removed from both the screwball comedy and perfect wife and mother roles she would play in the middle and latter phases of her long career. We mourn with her the loss of her first child, the death of whom is ambiguously depicted as coming about by abortion. We rejoice in her finding her soulmate, Barney and cheer them for their unaffected love and affection and the joy they express over their impending parenthood. While this is a "weepie", the Queen of which she would become, Dunne's performance is superior to that of her similar roles of this era. Her talent is just as complex and strong as that of her character and she inhabits the role exquisitely.


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