After graduation from Hampden University, Bill "Lightning" Graham, a football star, and Ann Carver, who just passed her bar exam, marry. Instead of pursuing a career in law, Ann takes on ... See full summary »
After graduation from Hampden University, Bill "Lightning" Graham, a football star, and Ann Carver, who just passed her bar exam, marry. Instead of pursuing a career in law, Ann takes on the role of housewife, while Bill is employed as a draftman. When Ann is asked to take on a highly profiled legal case, she accepts, and wins. She becomes an overnight success and a media darling. Meanwhile, Bill's career is stagnate and Ann is supporting him financially causing the couple to spend less time together. Bill decides to take a job at "Club Mirador" to make more money. Carole Rogers, a sexy alcoholic singer at the club is taken by Bill's good-looks, voice and physic. She makes a pass at him when Ann walks into the club leaving Ann with the impression that Bill is cheating on her. After Ann's accusations, Bill moves out. Carole knowing this, comes to Bill's apartment to seduce him. He rejects her and leaves. Carole becomes drunk and falls over his sofa catching her necklace on it and ... Written by
This film will certainly surprise fans of Fay Wray as much as it has surprised me (thanks to TCM). For once, she is not the uncomprehending, defiled screaming victim with her clothes torn off by man or beast. She is an articulate and resourceful lawyer. Her (Canadian) diction and poise are admirable and she comes off almost as the prototypical Hitchcock icy blonde heroine. She shows that can she hold her own in any setting, be it drama or comedy. The film also benefits from the charms of the attractive Gene Raymond - saddled here with a boozing, accident-prone mistress - and the technical advances that allowed talkies to progress to an art of their own with a moving camera, well-suited music and decent sound without awkward silences. The story will be considered a bit dated, however, or "of its time" as they say, one of Ms. Wray's court victories consisting in demonstrating that a jilting lover cannot be found guilty of breach of promise for the simple fact that it is impossible for a man to state with any conviction whether his intended has any Black ancestry. It makes for convincing courtroom antics but its conclusion still is: How dare a Black woman expect that a white man should marry her? Gentlemen of the jury, draw your own conclusions. Add to this that her final plea is an impassioned indictment of her own frivolity for pursuing a lawyer's career and neglecting her wifely duties and you will see the many problems this films faces in attaining political correctness. Having said this, the main character's persona is still miles removed from "Legally Blonde".
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