Alice (Fiona Fullerton) falls down a rabbit hole and into a magical dream world populated by surreal characters and bewildering adventures. It's a journey of self-discovery for Alice as she... See full summary »
A modern adaptation of the classic children's story 'Alice through the Looking Glass' written by Lewis Carol, which continued on from the popular 'Alice in Wonderland' story. This time ... See full summary »
In this classic tale, Alice falls through a mirror and arrives in a wonderful place called Chessland! Alice's journey across eight crazy squares of Chessland is brought to the screen in ... See full summary »
Alice visits an animation studio, where the animators show her various scenes on their drawing boards. A few of them: a cat dancing to a cat band; a mouse poking at a (live) cat until it ... See full summary »
On a boring winter afternoon, Alice dreams, that she's visiting the land behind the mirror. This turns out to be a surrealistic nightmare, with all sorts of strange things happening to her, like changing her size or playing croquet with flamingos. Written by
Stephan Eichenberg <firstname.lastname@example.org>
When Paramount previewed the film in 1933, the original running time was 90 min. However, by the time it was shown to the press, the running time was cut to 77 minutes (many reviews, including the savage one it received in Variety, made a point of how long it seemed at an hour-and-a-quarter). Although it is often reported that Universal Studios cut it to 77 minutes when they bought the television rights in the late 1950s, the film went on general release in 1933 at the shorter length. The film is now legally available on DVD. See more »
When Alice holds the encyclopedia up to the mirror, the insert shot shows it as being VOL. VII (REF - SUB) but when the scene cuts to a two shot of Alice holding the book and smiling, it can be seen that the volume she is holding is VOL. VIII (SUB - ZX-something). See more »
Have some more tea?
I haven't had any yet, so I can't take more.
You mean you can't take less. It is very easy to take more than nothing.
See more »
The opening cast credits are in order of appearance, with stills of credited actors shown twice: first in full costume and mask with the character name identified, and followed by a studio photo of each with their actor name identified. The end credits are in alphabetical order and presented normally with a character name and actor name on each line. See more »
Home, Sweet Home
Lyrics by John Howard Payne (1823)
Music partly composed, and arranged by H.R. Bishop from a Sicilian air
Played as background music as Alice passes the Home Sweet Home sign See more »
A young girl in Victorian England suddenly finds herself drawn into a kingdom where absurdity rules & illogic is the theme of the day. Bemused by the antics of the strange inhabitants of the place, ALICE IN WONDERLAND continues to keep her dignity & wits about her.
This movie has received a great deal of criticism down through the decades, mainly because it was considered to be a travesty of Lewis Carroll's classic books. But this is to miss the point of the film. It was never meant to be Art. Pure & simple, it was the chance for Paramount to showcase as many of its stars as possible in a light, enjoyable 1933 Christmas release, giving each their moment to shine in front of the cameras . In this it succeeds quite nicely. The Carroll stories, with their colorful, bizarre characters, have always been a favorite for celebrity cameos: the short, vivid roles are real attention grabbers, but require only a minimum investment of time from the majority of the actors.
Great care was taken to be faithful to Carroll's original works and a certain demarcation was respected between Wonderland & the Looking-Glass Country (although the transition between the two, with the Gryphon metamorphosing into the Red Queen, is rather awkward.) The elaborate make-up, costumes, masks, puppets & animation strives to resemble Sir John Tenniel's famous drawings. Paramount at least deserves high marks for their visual display.
In a role difficult by any stretch of the imagination, young Charlotte Henry does very well as Alice, utilizing the character's spunk & determination in holding her own against a supporting cast of seasoned veterans and inveterate scene stealers. Spirited & charming, with few hints visible of Victorian decorum, she is never boring. (Ida Lupino was first slated to play Alice, but upon arrival in Hollywood from England the nabobs at Paramount decided she was too mature for the role. Stardom would have to wait for Miss Lupino.)
W. C. Fields has received much acclaim for his performance as Humpty Dumpty, and, indeed, his raspy voice & personality fit the character perfectly, but Edward Everett Horton's Mad Hatter and May Robson's Queen of Hearts are equally enjoyable
perhaps more so, as we can see their facial expressions.
(Listen closely during the penultimate banquet scene to hear Fields' voice again.)
Several of the stars - Leon Errol, Louise Fazenda, Ford Sterling for example - are all but forgotten now, while others (Ned Sparks, Roscoe Ates, Roscoe Karns) are in danger of obscurement, but that shouldn't diminish from their contribution to the overall fun. And where else will you find the likes of Cary Grant, Gary Cooper, Richard Arlen, Edna May Oliver, Polly Moran & Alison Skipworth all gathered for one grand romp? This was a once-in-a-lifetime cast.
Movie mavens will recognize the shamefully uncredited Ethel Griffies as Alice's governess and tiny Billy Barty as both the White Pawn and the Duchess's baby. And although he receives cast credit, Baby Le Roy's turn as the Joker lasts only a few scant seconds.
For children of all ages & those with an uncritical appreciation of old films, ALICE IN WONDERLAND has much to offer.
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